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Ashly Nxp400 4-channel Multi-mode Network Power Amplifier With Protea Dsp Software Suite & Dante Digital Interface

Product Code: ga182187
Availability: In Stock

$11,397.00 $17,665.35

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The lightweight nXp400 4-Channel Multi-Mode Network Power Amplifier from Ashly features programmable output on each channel selectable via rear panel DIP switches with swept load impedance monitoring. Audio is processed via the 32-bit SHARC DSP at 48 or 96 kHz sample rates and a built-in signal generator is provided for test tone and noise-masking.

The nXp400 amplifier comes pre-installed with Dante network audio module and features aux preamp outputs. Ethernet control is supported via the free Protea NE software (downloadable from Ashly's website) and serial data control is possible via Ashly programmable remotes or third party controllers (available separately). The Protea DSP (Digital Signal Processing) software is included for dynamics, gain, equalization, matrix mixer, crossover, delay, and metering.

The amplifier is suitable for live sound and fixed installation sound systems at performance venues, stadiums, arenas, convention centers as well as schools, store fronts, and places of worship.

Amplifier
Number of Channels	4
Voltage Gain	Selectable at 26, 32, or 38 dB, or 1.4 V
Damping Factor	>250 (8 Ohms load <1 kHz)
Filter	Input High Pass Filter: 80 Hz 2nd order
Distortion	SMPTE (Typical): <0.5% THD-N (Typical): <0.5% (8 Ohms, 10 dB below rated power, 20 Hz to 20 kHz)
Channel Separation	-75 dB (dB from full output, 1 kHz)
Signal-to-noise	>105 dB (20 Hz to 20 kHz, un-weighted)
Frequency Response	20 Hz to 20 kHz, ±0.05 dB
Input Impedance	10 kOhms
Balanced Input	Euroblock 3.5 mm, 1/4" TRS and XLR combo jack
Maximum Input Level	+21 dBu
Speaker Output	Neutrik speakON
Network Controllers	Compatible with standard 100 MB Ethernet
AUX Outputs	Balanced Euroblock 3.5 mm
Maximum Output Level	+21 dBu (Aux output)
Standby Mode	Euroblock 3.5 mm, close contact to GND for standby mode
Preset	Euroblock 3.5 mm, close contact to GND for preset 1-4 recall
Data	Data Connection: Euroblock 3.5 mm - GND, 18 V, in, out
Outputs	Fault Condition Logic Outputs: 4 / 3.5 mm Euroblock
Level Control	Remote DC Level Control: Euroblock 3.5mm - GND, CV, V+ per input
Audio Control Module	Dante network audio interface (pre-installed)
Attenuation	Per Channel: Front panel, software, offset link group, and remote Fully off = Mute
Front Panel LED Indicators	White LED: Power Switch: On, off, flashing (standby mode) Red LED: Protect: On (fault condition or shut down), Off Clip / Mute (Per Channel): Clip @ 1 dB below full output / mute Blue LED: Sleep Mode: On (when the amplifier is asleep from audio inactivity) Yellow LED: Disable: On (when the power switch & front panel attenuators are disabled) Temperature (Per Channel): On dim at 90% maximum operating temperature, full bright + protect at 100% Green LED: Com: On, for Ethernet data or device ID Signal (Per Channel): -18 dBu, below rated output Bridge (Per Channel): On, off Current (Per Channel): Proportional to output
Protection Circuits	Inrush current limitation, temperature monitoring, output over-power protection, and mains fuses
Protea DSP
Input Source	Protea DSP Options: Analog, auto (net, AES3, analog)
Limiter	Brick Wall Limiter Threshold: -20 to 20 dBu Ratio: Infinite Attack: 0.2 to 50 ms/dB Release: 5 to 1000 ms/dB
Compressor	Threshold: -20 to +20 dBu Ratio: 1.2:1 to infinite Attack: 0.2 to 50 ms Release 5 to 1000 ms/dB Detector: Peak/Average Attenuation Bus: 2 available Metering: In, Out, Attenuation, Graphical
Controls	Autoleveler Controls Target Level: -40 to +20 dBu Action: Gentle, Normal, Aggressive, User-Defined Maximum Gain: 0 to +22 dB Metering: Input, Gain, Attenuation Ratio: 1.2:1 to 10:1 Threshold Below Target: -30 to 0 dB Gain Increase/Decrease Rate: 5 to 1000 ms/dB Hold Time: 0 to 6 sec
Ambient Noise Compensation	Output only Max Gain: -20 to +20 dB Min/Base Gain: -40 to +20 dB Gain Change Rate: 0.2 to 20 s/dB Link Group: 16 available ANC Input Channel: 1 to 2 or 1 to 4 Noise Threshold -40 to +20 dBu Program/Ambient Gain Ratio; 0.3:1 to 3:1 Metering: Input level, Attenuation, Average noise
Ducking	High/Low Priority, Trigger, Filibuster, Ducked Program Trigger Threshold: -80 to +20 dBu Ducking Release: 5 to 1000 ms/dB Ducking Depth: 0 to -30 dB, -∞ Enable ducking at matrix mixer Metering input
Gate	Threshold: -80 to +20 dBu Range: Off, 100 to 0 dB Attack: 0.2 to 50 ms/dB Release: 5 to 1000 ms/dB Metering: Key signal, gate LED, graphical Advanced Gate Controls Key engage enable Key Frequency: 20 Hz to 20 kHz Key Bandwidth: 0.016 to 3.995 octave
Gain	Gain (with / without VCA): -50 to 12 dB, off, polarity invert Digital VCA Groups: 4 available Remote RD8C Gain: Enable per channel, 0 dB to -∞ WR-5 (neWR-5) Remote Gain: 0 to -50 dB, mute
EQ Type	For FIR Filter Output only, 48 kHz only, 2-384 taps File Type: .csv, .fir For 31-Band Filter Type: Constant Q or proportional Bandwidth: 0.499 octave to 0.25 octave For Parametric 2,4,6, or 10 Band Frequency: 20 to 20 kHz Level: -30 to 15 dB Q Value: 0.016 to 3.995 octave For Hi / Low Shelf 6 / 12 dB/octave Frequency: 20 Hz to 20 kHz Level: -15 to 15 dB For All Pass Frequency: 20 Hz to 20 kHz For Variable Q HP / LP Frequency: 20 Hz to 20 kHz Q Value: 3.047 to 0.267 For Notch / Bandpass Frequency: 20 Hz to 20 kHz Q Value: 92.436 to 0.267
Feedback	48 kHz Sampling Rate 12 x filters In/Out per filter Lock (per filter) and global lock Filter Modes: Float, restricted, manual Filter Type: Notch, parametric Filter Frequency Range: 20 Hz to 20 kHz Notch Filter: -∞ Parametric Filter: 15 to -30 dB Filter Bandwidth 0.016 to 3.995 Octave Detector Sensitivity: 5 levels Float Time 5 minutes to 24 hours
Crossover	2 Way, 3 Way, 4 Way Crossover & High Pass / Low Pass Filters Bessel & Butterworth Filters: 12 / 18 / 24 / 48 dB/octave Linkwitz-Riley Filter: 12 / 24 / 48 dB / octave Frequency: Off, 20 Hz to 20 kHz
Delay	At 48 kHz Sampling Rate (Input Time, Distance & Temperature): Speaker Delay: 0 to 21 ms Delay: 0 to 682 ms At 96 kHz Sampling Rate (Input Time, Distance & Temperature): Speaker Delay: 0 to 10.6 ms Delay: 0 to 341 ms
Audio Metering	Range: -60 to 20 dBu Increments: 1 dB Peak Hold Indicator
Signal Generator	Pink Noise, White Noise, Sine Wave Signal Level: Off, -50 to 20 dBu Sine Wave Frequency: 20 Hz to 12 kHz
Mixer	Matrix Mixer: Gain (0.5 dB Increments): Off, -50 to 12 dB Mute: Per channel Auto-Mixer Enabled: Per channel Global Auto-mixer Response: 0.01 to 2 sec Enable Ducking at Mixer Ducking LED: Per channel if enabled Metering: Level, auto-mixer level
Processor	Input A/D, Output D/A: 24 bit DSP Processors: 32-bit floating point Sample Rates: 48 kHz, 96 kHz Propagation Delay @ 48 kHz: 1.42 ms Propagation Delay @ 96 kHz: 0.71 ms
Power Requirements
Nominal	Automatic Sensing SMPS: 120 VAC @ 60 Hz 240 VAC @ 50 Hz
Operating Range	70 to 135 VAC @ 60 Hz 140 to 270 VAC @ 50 Hz
Power	Minimum Power-Up: 85 VAC @ 60 Hz 170 VAC @ 50 Hz
Connector	Power Cable Connector: 20 A powerCON
Maximum Output Power	Per Channel, Low-Z Output, All Channels Driven: 2/4/8 Ohms: 400 W
Low Impedance	Bridge Mode (All Channels Driven): 4/8 Ohms: 800 W 70 V, 100 V Output (All Channels Driven): 70/100 V (Per Channel): 400 W
Power Draw	Sleep Mode: <1 W Standby Mode: 40 W Idle (No Signal): 70 W
Maximum Current Draw	All Channels Driven, Typical Input (1/8 Max Power @ 2 Ohms): 5.0 A for 120 VAC 2.5 A for 240 VAC
Current Draw	For 120 VAC Sleep Mode: 0.1 A Standby Mode: 0.7 A Idle (No Signal): 1.3 A For 240 VAC Sleep Mode: 0.05 A Standby Mode: 0.35 A Idle (No Signal): 0.65 A
Dissipation	Thermal Dissipation: Sleep Mode: <3.4 BTU/hr Standby Mode: 136 BTU/hr Idle (No signal): 238 BTU/hr Typical (1/8 Max Power @ 2 Ohms): 595 BTU/hr
General
Cooling	Continuously variable temperature controlled axial fans
Environmental	Non-condensing 32 to 113°F (0 to 45°C)
Dimensions	19.00 x 3.50 x 16.84" (483 x 89 x 428 mm)
Weight	25.9 lb (11.7 kg)

32-bit SHARC DSP processing at 48 or 96 kHz sample rates

Class-D switching amplifier technology

Selectable 80 Hz Hi-pass filter, limiter, and input gain per channel, via rear panel

Comprehensive software controlled Protea DSP including dynamics, gain, equalization, matrix mixer, crossover, delay, and metering

Precision swept load impedance monitoring of individual amplifier channels for remote diagnosis of speaker problems

Remote iPad control app (available for free) for selecting DSP functions including gain, mute, matrix, A/B source select, PEQ filter level, and meters

Ethernet port for software control and monitoring of amplifier functions, with front panel COM activity LED

Serial data port available for Ashly WR-5 and RD-8C programmable remote control (optional RS-232 converter INA-1 available for third party controllers)

Real-time clock with event scheduler

Assign automatic execution of selected functions and tasks

Event scheduler is programmed using the free Protea NE software and stored in the amplifier

Protea NE software will load a speaker manufacturer's .fir or .csv file for precision tuning

Multi-mode operation-selectable outputs on each channel allow you to choose the desired output mode

Preset recall via contact closure, software control, remote control, or event scheduler

Programmable power-on delay

Remote gain and zone control with neWR-5 and FR-8/FR-16 programmable networked remotes

Aux preamp line outputs for driving other amplifiers

Fault condition logic outputs, assignable

Signal generator function for test and noise masking

Neutrik Combo XLR - 1/4" TRS jack plus Euroblock input connectors

Neutrik speakON twist locking loudspeaker connectors

Neutrik powerCON detachable AC mains connector

Set the DIP-switch configuration for low impedance (2, 4, and 8 Ohms), or constant voltage (70V or 100V)

Remote DC level control per channel

Extensive protection circuitry, continuously variable cooling fans

Power-saving Ashly EMS (Energy Management System) which provides an automatic sleep-mode drawing less than 1W

Multiple internal power supplies-provides increased channel separation and reliability

Instant standby mode, 30% reduction in idle power consumption, triggered by contact closure, software control, or event scheduler

Auto-switching 120 / 240 VAC power supply

cTUVus, CE, FCC, RoHS compliant

Related Questions and Answers

Q: 1. Will this work directly with the ILME-FX6?

A: Yes, the Sony SMADP3D Multi-Interface Shoe Adapter will work with the Sony FX6 Full-Frame Cinema Camera, as it contains the Multi-Interface shoe necessary for compatibility.

Q: 2. Does this ONLY work with dual channel receivers? I would like option to upgrade receivers with same she adapter in the future.

A: Yea, turns out you have to buy it, then find the answer buried in the tiny instruction manual . B&H: This kind of info needs to be in the description!! More $ to UPS.

Q: 3. Will this work with a URX-P03?

A: The SMAD-P3D cannot be used with the URX-P03 nor the URX-P40. The Sony SMAD-P5 is directly compatible with the URX-P03.

Q: 4. Will this adapter work with the FX100?

A: As long as it has the multi adapter hot shoe

Q: 5. Will this work on the a6300 using the dual channel wireless receiver?

A: The Sony SMADP3D Multi-Interface Shoe Adapter is compatible with the Sony a6300. User may connect the Sony URX-P03D 2-Channel Portable Receiver to the a6300 using this multi-interface shoe adapter.

Q: 6. Can I get 4 audio channels, like the XLR-K3M can do? I am using the SAMD P3D on A7siii. I can only get one stereo channel to the camera. When I try to set the camera menu to audio hot shoe settings it says my audio device needs to be switch to digital. I cannot find that setting. It worked on the XLR-K3M Camera firmware updated Please advise

A: No, this adapter provides two channels (left and right) of audio to the a7SIII when using a Sony URX-P03D dual-channel wireless receiver. The audio signal sent to the camera is analog, not digital. The adapter enables a wireless connection to the camera's mic input using the Multi-Interface Shoe.

Q: 7. Av is labeled 7.2 On the .2 on the sub are the sub individually controlled? Thanks

A: They appear to be controlled as a pair in the menus.

Q: 8. The Sony SMADP3D was listed as a recommended adapter for the PMW-300K1. I bought both and have realized the PMW-300K1 doesn't have the necessary MI shoe. Is there an additional adapter sold to make this work with the PMW300?

A: Unfortunately, the recommendation may have been an error. You are correct in that the Sony PMW-300K1 does not have an MI shoe. There is no adapter available at this moment that will allow you to integrate the Sony SMADP3D with the camera.

Q: 9. Is it true that using this on an FS7 will disable the XLR inputs on the side? One reviewer with an FS7 says, you can assign the hot shoe to be either channel 1 and 2 or 3 and 4. if you use the hot shoe and this adaptor as channel 1 and 2, the xlrs on the side of the camera dont work.

A: I used this adapter and the XLR inputs on a Sony FS7 mark ii allowing me to record 4 input channels of audio simultaneously. This may not be the case for the first generation FS7 but I had no issues on the mark ii. The only thing was the hot shoe inputs MUST be inputs 1&2 then XLR inputs on channels 3&4.

Q: 10. What's the difference between this and the cheaper non D smad-p3 version?

A: The SMADP3D is designed for use with the new Sony URX-P03D dual channel receiver.

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