Premier Imaging Canvas Matte Bright White (24" X 40' Roll)
- Product Code: ga182275
-
Create prints with a stunning dynamic range with this Canvas Matte Bright White from Premier Imaging. Made from a 65% polyester and 35% cotton blend in a 2:1 weave, this textured matte canvas is designed to stretch easy with extra strength. Also, the coating helps produce an extremely high Dmax. The paper itself has a solid heft with a 400 gsm weight and 21 mil thickness and it uses optical brightening agents to achieve a bright white coloration. Additionally, it is instant drying and water resistant.
This media is available here as a 24" x 40' roll.
65% Polyester / 35% Cotton Base Material 2:1 Weave Easy-Stretch Canvas Basis Weight: 400 gsm Thickness: 21 mil Uses Optical Brightening Agents Instant Drying & Water Resistant Surface Finish: Textured Matte
Parameters | |
---|---|
Item Type | 1x Paper Roll |
Size | 24 x 40' / 60.96 cm x 12.19 m |
Surface Finish | Matte |
Materials | Canvas |
Packaging Info | |
Package Weight | 7.95 lb |
Box Dimensions (LxWxH) | 6.6 x 5.3 x 4.9" |
Related Questions and Answers
Q: 1. Which developer would be preferable for Tmax 100 shot at box speed. Kodak HC110 or R09 or any other?
A: hc110 is a good developer but i still feel the best fine grain compensation developer is still edwal fg7 it is still made look it up on the internet some places still sell it best developer i have ever used
Q: 2. Undeveloped Yeti is distinctly yellow in color. Other undeveloped BW films have a green or blue tine. What accounts for the various colors? With Yeti specifically and BW in general? Is it the anti-halation backing or the emulsion?
A: The distinctly yellow color of undeveloped Film Photography Project Yeti B&W Negative Film is due in part to its emulsion and it being a orthochromatic film. Other B&W films may have a green or blue tone when undeveloped as they would be panochromatic.
Q: 3. I can't seem to find on the page how many exposures are in this roll?
A: The amount of exposures and rolls you can get from the TMY 35mm 100' Roll, would in part depend on how you load the cassettes. There really isnt a set standard for this. If you are looking for pre-loaded 35mm cassettes, then you would want to go with one of the following 24 or 36 exposure rolls. http://bhpho.to/1lQsN8g
Q: 4. how many exposures are there
A: There are 36 exposures on this roll.
Q: 5. What is the difference between Kodak TMax black and white film and Kodak TriX film? Thanks! :)
A: There are 3 differences between Tri-X and T-Max400. First, T-Max 400 has a very long, linear scale. Tri-X has a shoulder. This means Tri-X make it easy to get plenty of shadow and midtone detail with less worry about highlights going all white. On the other hand, T-Max 400 gives brilliant and subtle highlights that TX just can't. Secondly, T-Max 400 gives a little more shadow speed and greater 'pushability', Third, T-Max 400 has greater resolution than Tri-X. Both great films, and compliment each other.
Q: 6. Can I use the c-41 on this film?
A: No. There were some B&W films made years ago that could be processed with C-41, but not anymore.
Q: 7. Where do I get the developing times for this film?
A: The manufacturer has instruction on how to find developing times on their website at the bottom of the page here: https://bit.ly/3fO6SOX
Q: 8. Can I use the c-41 on this film?
A: No this is not a C41 film . You need to develop with black and white chemicals like D76.
Q: 9. If I wanted to use Tmax developer, what is the timing?
A: Film Photography Project does not recommend Tmax developer for this film. Instead they recommend these 3: FPP D96 68° Fahrenheit 7 minutes Kodak D76 68° Fahrenheit 6 minutes. Kodak Xtol (1+1) 14:00 minutes @ 68 Fahrenheit.
Q: 10. When is the expiry date of the film
A: Current inventory in our 420 superstore has an expiration date of May 2022. Based on the batch received, inventory in possession might have varying dates around the same approximate time period.
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