Microphone Madness Mm-psm-s Short Boom Pro Series Omnidirectional Earset Mic For Select Audio-technica Wireless Transmitters (brown, Hirose 4-pin)
- Product Code: ga183895
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This brown, ultralow-profile Microphone Madness MM-PSM-s Short Boom Pro Series Omnidirectional Earset Mic delivers clear spoken-word and vocal reproduction for presenters and performers working in music, theatrical, broadcast, house of worship, lecture, and presentation settings. It comes with a Hirose 4-pin connector that plugs into select Audio-Technica bodypack transmitters.
The MM-PSM-s Short Boom Pro Series earset features a 3mm capsule mounted on a very-short 1.25' boom that provides a tight fit with no movement while discreetly positioned away from the mouth for an unobtrusive fit. The lightweight earset can be worn on either the left or right ear and feels natural when used for extended periods of time. The extremely flexible boom is virtually unbreakable.
The capsule delivers full-frequency (20 Hz to 20 kHz) audio performance and high gain before feedback for detailed speech intelligibility. The 145 dB of dynamic range makes this mic well suited for loud vocal performances in houses of worship and on the musical stage. The mic's omnidirectional polar pattern offers enhanced plosive protection with no proximity effect for a natural sound.
All MM-PSM-s Short Boom Pro Series microphones are made in the USA.
For Stage, Broadcast, Public Speaking Omnidirectional Pickup Pattern 1.25" Boom/Low-Profile/Single-Ear Design Hirose 4-pin Connector Made in the USA
Key Specs | |
---|---|
Compatible Transmitters | Audio Technica: (Transmitter Models Unspecified) |
Polar Pattern | Omnidirectional |
Power Sources | Plug-In Power |
Color | Brown |
Microphone | |
Compatible Transmitters | Audio Technica: (Transmitter Models Unspecified) |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | No |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 145 dB (1% THD) |
Sensitivity | 4.0 mV (at 1 kHz, Open Circuit Voltage) |
Dynamic Range | 93 dB |
Equivalent Noise Level | 32 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x Hirose 4-Pin |
Cable Length | 53" / 1.3 m |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | Not Specified by Manufacturer |
Physical | |
Color | Brown |
Environmental Resistance | No |
Dimensions | ø: 0.08 x L: 1.25" / ø: 2.03 x L: 31.75 mm (Boom) ø: 0.12" / ø: 3.05 mm (Capsule) |
Weight | 0.6 oz / 17 g (Total) |
- Hirose 4-pin connector for compatibility with the following Audio-Technica wireless transmitters: ATW-T1801, ATW-T27, ATW-T31, ATW-T51, ATW-T201, ATW-T210, ATW-T210a, ATW-T310, ATW-T310b, 200 Series, 1100 Series, 1400 Series, 1800 Series, 2000 Series, 2000a Series, 3000 Series, and 3000a Series
Related Questions and Answers
Q: 1. Spacer boot
A: The mic comes with a rubber boot, it is used to attach the mic to the camera
Q: 2. Does it come with the xlr cable?
A: Yes, it comes with a 15-inch XLR cable.
Q: 3. Dose this work with the song NX80 handle grip?
A: Yes, it will. You are going to want to make sure that the setting on the grip is set to "Mic +48v"
Q: 4. Is this microphone part number 1-542-296-25?
A: No, it is not. It looks like the 1-542-296-25 was an accessory for a DS-400K camcorder. It had a hardwired cable and no controls. The ECM-VG1 would be an alternative, though.
Q: 5. Will this mic fit the Sony PXW-X70 mic holder without augmenting the diameter? Thanks for your time in advance.
A: Yes! This mic works perfect with the camera!
Q: 6. Is this microphone compatible with a Canon 5D Mark III?
A: No, the Sony ECM-VG1 Short Shotgun Microphone uses an XLR output whereas the Canon 5D Mark III has a 3.5mm mic input.
Q: 7. How does the sound quality compare to the diety d3 pro?
A: Both mics will provide high quality sound and they differ a bit in their features. The ECM-VG1 is designed to deliver a smooth and natural sound with a flat and wide frequency response range of 40 Hz to 20 kHz, low noise level of 18 dB and a high sensitivity of -33 dBV. It also has a two-position low-cut switch to reduce ambient reduce and can handle loud sounds up to 127 dB SPL. The D3 Pro is designed to deliver a clean and clear sound with low noise. It has a frequency response range of 50 Hz to 20 kHz, a low noise level and high sensitivity of -24 dBV. It also has a two-position low-cut switch and can handle loud sounds up to 130 dB SPL. Additionally, the D3 Pro has a gain knob that provides up to 20 dB which gives you better control of the mic's level. Other things to consider between the two mics are the powering options. The ECM-VG1 operates with phantom power only while the D3 Pro has a built-in rechargeable battery and the automatic on/off feature requires plug-in power from the camera or recorder. All of these factors are important to be aware of depending on the camera or recorder you will be using and its capabilities for input and powering.
Q: 8. Does this work backward with the earlier versions? 2,3,4?
A: No
Q: 9. Best microphone for use with Sony fdr-ax43a 4K using for drum classes on zoom
A: The ECM-VG1 requires phantom power over an XLR connection, so it will not be compatible with the Sony fdr-ax43a 4K. For this camcorder a shotgun microphone with a 3.5mm connection would be more suitable, such as B&H # ROVMNTG.
Q: 10. Low-cut. M for Music & V for Voice. I think? Crazy! The V position activates low-cut and M turns it off. Can I get an Amen?
A: The Sony ECM-VG1 Short Shotgun Microphone 'M' setting is for a flat frequency response and the 'V' setting is to engage the low-cut filter.
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