Styled in a matte gray finish, and presented here in a matched-pair set, the Schoeps MK 4 is a cardioid condenser microphone capsule designed to deliver minimal coloration and accurate capture of sound. Because of its natural response, it is preferred by recording engineers who work with opera singers and other classical genres. This capsule is fashioned in such a way as to attenuate the proximity effect to a moderate degree.

Paired with the CMC 6 or CMR, the capsule gives you a 40 Hz to 26 kHz frequency response, but this extends all the way to 41 kHz when you pair the capsule with the CMC 6xt. The mic is known for its flat, colorless, and transparent reproduction as well as its consistent on/off-axis response, and its ability to reproduce the sound you hear with your ears.

Cardioid Polar Pattern    40 Hz to 26 kHz and Beyond    Moderate Attenuation of Proximity Effect    Excellent Off-Axis Rejection    Minimal Coloration

Related Questions and Answers

Q: 1. The exact diameter and length of the mic isn't listed. I'm trying to find a foam screen for this mic. I'm aware the mic comes with a windscreen. Can anyone help me out?

A: The Zoom SSH-6 has a 1 diameter. It is also about 6 long. The Auray WSF-2216 (B&H # AUWSF2216) is currently the best available option. It is a bit longer than 6 , which means you will probably have to cut it slightly to fit the microphone.

Q: 2. which one is best zoom ssh-6 or zoom sgh-6 ? if ssh-6, can i use only directional separately if i don,t want the ambience sound?

A: Both the Zoom SSH-6 and SGH-6 are excellent mic options to use with the Zoom H5/H6 recorders. Which you use depends on your application. The SSH-6 is stereo, and the SGH-6 is mono. The stereo mic will be great for recording ambience, special effects, music at a distance. The mono mic is useful for dialogue recording, especially in high noise environments.

Q: 3. Is it possible to record the M and S mics on separate channels for matrixing in post? Can you do this with the Q8? Thanks in advance.

A: There is an option to either enable or disable the mid-side matrix. If you disable it and you record in MOV+WAV format, one of the WAV channels will be the shotgun mic and the other will be the side mic. Please note side is a single source in a figure-8 pattern, not two different sources (left and right side). If you are going to do post-processing and want to control the ambient sound in the mix, definitely disable the matrix. It is quite straightforward then to mix in the ambient sound in post production. You may have to split the stereo WAV file, depending on what DAW you are using.

Q: 4. 1) how long is the cord?2) I want to record 1 minute video clips into my iPhone7 plus. Will this work? Does it connect straight to my phone? Will I need anything else to accomplish what I want to do?

A: 1) The cord is 42 inch long.2) It connects straight to the phone and the camera automatically use it. It doesn't need anything else to record video from your iphone.

Q: 5. What's the max dB SPL this mic can handle? thanks

A: A maximum SPL rating for the Zoom SSH-6 Stereo Shotgun Microphone Capsule for H5, H6, U-44 and Q8 has not been provided by the manufacturer.

Q: 6. What kind of distance will this work with, roughly?

A: There is no specification for the operating distance. Variables like ambient noise,sound level of the subject, indoors or outdoors, size and composition of the inside space and flooring, wall and ceiling are all factors to consider. In general - get your mics as close to the source as possible.

Q: 7. I'm wondering: is the SSH-6 as good as the SGH-6 in terms of directional 'power'? Or do i need to move it closer to the subject than with the SGH-6?

A: I conducted several tests using both the SGH-6 and the SSH-6. The SSH-6 is 1 inch longer than the SGH-6. The end of the microphone was moved back by 1 inch for each SSH-6 test. So, the distance from the end of the microphone to my mouth was always the same for both. I conducted the tests at 6 inches, 1 foot, 2 feet, and 3 feet. In each case to achieve a level above 12 dB but below 6 dB I adjusted the gain on the microphone. In all cases the two microphones required the same gain. The side stereo level on the SSH-6 was set to 0 dBfor all test. So, I would say to your question, Yes, the power and beam for the shotgun portion of the two microphones are the same.

Q: 8. I have the zoom h6, and my question is which h6 accessory microphones are best for for recording:-acoustic classical nylon string guitar in a studio.-nature and animal sounds/sampling.-live music performance as a spectator in the audience... outdoor or indoor.Also, I get confused on the purpose of the ssh-6 vs sgh-6.

A: I got an SS6-6 (to attach to Q8 on head of guitar.Two women have walked up to tell me how cooland high-tech it looks:)I've ended up using it more to capture live eventsrather than aimed at myself/guitar (which really requiressome other mics mixed in for good studio sound.THE BENEFIT of an SSH-6 (I think) is that live soundis a mix of direct, reflective AND audience sounds,and it tends to capture that well. (If I was doing interviewsI'd want an SGH-6, but I'm basing that on quick reading)FOR CLASSIC GUITAR I have no insights, AND all I've written here is based on a little experience with the SSH-6 on a Q8... and my surprise at it's utility in capturing a live event sound that isn't the usual mushy distortion.

Q: 9. Can this remote be used for the Zoom H6?

A: The correct remote to be used with the Zoom H6 is the Auray RC-ZH6. The RC-ZH5 is designed for the H5.

Q: 10. does the SSH-6 require phantom power?

A: No idea, but as long as you connect it to a Zoom audio module like the F1 (the one I have), etc... it will be powered. This is for sure not a stand alone mic. It is designed to be used on capsule compatible zoom recorders. Not your question but let me tell you this thing is amazing ! Cheers.