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Dynacord Powermate3 16-channel Powered Mixer

Product Code: ga189013
Availability: In Stock

$10,712.40 $14,568.86

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The PowerMate3 16-Channel Powered Mixer from Dynacord features 12 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.

A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).

2 x 1000W Built-In Class-D Amplifiers 12 x Mic/Line Channels 4 x Mic/Stereo Line Channels 6 x AUX Channels Dual 24-Bit Stereo Effects USB Audio Interface 11-Band Stereo Graphic Equalizer

Parameters
Channels	12 x Mic/Line 4 x Mic/Stereo Line
Auxiliary	2 x Pre 2 x Post 2 x Pre/Post Switchable
Output Power	Max Single Channel, Dynamic-Headroom, IHF-A: Into 2.66 Ohms: 2 x 1600 W Into 4 Ohms: 2 x 1250 W Into 8 Ohms: 2 x 675 W Max Single Channel, Continuous, 1 kHz, THD = 1%: Into 2.66 Ohms: 2 x 1350 W Into 4 Ohms: 2 x 1150 W Into 8 Ohms: 2 x 650 W Max Midband, 1 kHz, THD = 1%, Dual Channel: Into 2.66 Ohms: 2 x 1350 W Into 4 Ohms: 2 x 1000 W Into 8 Ohms: 2 x 600 W Rated, 20 Hz to 20 kHz, THD < 0.5%, Single Channel: Into 4 Ohms: 2 x 900 W Into 8 Ohms: 2 x 450 W
Maximum Output Voltage	Power Amplifier, 1 kHz, No Load: 74 V rms
Maximum THD @ 1kHz	MBW = 80 kHz: MIC Input to Master A L/R Outputs, +16 dBu, Typical: < 0.005% Power AMP Inputs to Speaker L/R Outputs: < 0.075%
DIM 30	Power Amplifier, 3.15 kHz, 15 kHz: < 0.05%
IMD SMPTE	Power Amplifier, 60 Hz, 7 kHz: < 0.15%
Frequency Response	-3 dB, ref. 1 kHz: Any Input to Any Mixer Output: 15 Hz to 70 kHz Any Input to Speaker L/R Output: 20 Hz to 30 kHz
Crosstalk @ 1 kHz	Amplifier L/R: < -85 dB Channel to Channel: < -80 dB Mute- and Standby-Switch Attenuation: > 100 dB Fader and FX/AUX/MON-Send Attenuation: > 85 dB
CMRR	MIC Input, 1 kHz: > 80 dB
Input Sensitivity	All Level Controls in Max Position: Microphone: -74 dBu (155 µV) Line (Mono): -54 dBu (1.55 mV) Line (Stereo): -34 dBu (15.5 mV) CD (Stereo): -34 dBu (15.5 mV) Power AMP Inputs: +8 dBu (1.95 V)
Maximum Level	Mixing Desk: Microphone Inputs: 21 dBu Mono Line Inputs: 41 dBu Stereo Line Inputs: 30 dBu All Other Inputs: 22 dBu All Other Outputs: 22 dBu
Input Impedances	Microphone: 2 Kilohms Insert Return: 3.3 Kilohms 2-Track Return & CD Input: 10 Kilohms All Other Inputs: > 15 Kilohms
Output Impedances	Phones: 47 Ohms All Other Outputs: 75 Ohms
Equivalent Input Noise	Microphone Input, A-Weighted, 150 Ohms: -130 dBu
Noise	Channel Inputs to Master A L/R Outputs, A-Weighted: Master Fader Down: -97 dBu Master Fader 0 dB, Channel Fader Down: -89 dBu Master Fader 0 dB, Channel Fader 0 dB, Channel Gain Unity: -82 dBu
Signal / Noise	Power Amplifier, A-Weighted, 4 Ohms: 105 dB
Output Stage	Amplifier: Class-D
Equalization	LO Shelving: ±15 dB / 60 Hz MID Peaking, Mono Inputs: ±15 dB / 100 Hz to 8 kHz MID Peaking, Stereo Inputs: ±12 dB / 2.4 kHz HI Shelving: ±15 dB / 12 kHz Master EQ 11-Band (63 Hz, 125 Hz, 250 Hz, 400 Hz, 630 Hz, 1 kHz, 1.6 kHz, 2.5 kHz, 4 kHz, 6.3 kHz, 12 kHz): ±10 dB / Q = 1.5 to 2.5
Filter	LO-CUT, Mono Inputs: f = 80 Hz, 18 dB/oct. Voice Filter, Mono Inputs: Switchable Feedback Filter, MON 1/2: 70 Hz to 7 kHz, Notch, -9 dB Speaker Processing: LPN, Switchable
Effects	Type: Dual Stereo 24/48-Bit Multi-Effects Processors Effects Presets: 100 Factory + 20 User, Tap-Delay Remote Control: Footswitch, MIDI
Display	128 x 64 pixels, OLED
Digital Audio	Channels: 4 x Inputs / 4 x Outputs AD/DA Conversion: 24-Bit Sampling Rate: 44.1 / 48 / 88.2 / 96 kHz PC Interface: USB 2.0, Female Type-B Peak Display: 6 dB Before Clip
MIDI Connectors	1 x 5-Pin DIN, Input / Output
Power Control	Output: Adjustable Longterm RMS Limiter
Protection	Mixer Outputs (Relay Controlled): MON 1, MON 2, MASTER A Amplifier: Audio Limiters, High Temperature, DC, HF, Short Circuit, Peak Current Limiters, Turn-On Delay, Back EMF Switching Mode Power Supply (µC controlled): Inrush Current Limiters, Mains Over/Undervoltage, Mains Overcurrent, High Temperature
Cooling	Continuous Speed-Controlled Fans
Phantom Power	Switchable In Groups: 48 VDC
Power Requirements	SMPS with Auto Range Mains Input: 100 to 240 VAC, 50/60 Hz
Power Consumption	At 1/8 Maximum Output Power, 4 Ohms: 450 W
Safety Class	I
Ambient Temperature	40 to 105°F / 5 to 40°C
Dimensions	26.1 x 6.5 x 22.5" / 663.5 x 164.5 x 571.5 mm (with Lid)
Weight	33.1 lb / 15 kg (without Lid) 37.5 lb / 17 kg (with Lid)

Steinberg Cubase software

Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage

Slim housing protected by a rugged plastic lid with integrated handle for easy transportation

Optional speaker protection allows limitation of long-term power without giving up dynamics

Made in Germany

Related Questions and Answers

Q: 1. Can an active and a passive speaker be connected to this unit at the same time? Also, how to connect an active (powered) speaker?

A: The only way to connect active speakers to the Pyle PMX840BT would be through the RCA Stereo Pair Rec Output.

Q: 2. Can you pad the master output signal down to mic level?

A: Yes, you can pad the master output signal from the Zoom LiveTrak L-12 Digital Mixer & Multitrack Recorder by using an attenuator like the Hosa Technology ATT-448 In-Line Switchable Input Attenuator XLR Barrel (B&H # HOATT448) and setting the attenuation level for -30 or -40 dB to reduce the line level signal to mic level. The ATT-448 can be used on each of the XLR outputs with XLR cables.

Q: 3. Can anyone recommend a cheap or inexpensive mixer that can handle 3-4 microphone inputs, and one output to our video recorder?

A: The Azden CAM-3 3-Channel Mic Mixer allows you to add and mix sound from three Azden wireless or hard wired microphone sources simultaneously. It easily attaches to the camera via 3.5mm (1/8 ) stereo mini output. Cables are included.

Q: 4. On Dec.4,2019, Zoom customer support answered "They(Ch7,8)are each mono inputs" then on Mar.2nd, 2020, Zoom customer support said "Channels 7 and 8 are both stereo channels" . Which answer is correct? Are ch7,8 two mono or two stereo?

A: It depends on the input. If you are using the 1/4" input it's mono, the 3.5mm is stereo (using both 7 and 8).

Q: 5. Can this mixer be connected to a laptop through bluetooth?

A: Yes, the Pyle Pro PMX840BT Bluetooth 8-Channel 800-Watt Powered Mixer with Bluetooth could receive Bluetooth signal from a laptop capable of Bluetooth transmission.

Q: 6. Does this mixer have 3.5mm cableAux in input?

A: Yes it does. The input is next to the rca connectors.

Q: 7. Hi, I know this mixer has 6 aux sends. Do you know if 5 can be used for in ears mixes?

A: Yes, any number of auxiliary outputs on the Soundcraft LX7 II - 24 Channel Recording Mixer can be used for in-ear mix sends.

Q: 8. The echo function on my Pyle Pro PMX840BT mixer has stopped working. How to fix it?

A: For the best troubleshooting and repair assistance on your technical issue, we recommend contacting Pyle directly. https://pyleusa.com/pages/contacts

Q: 9. Does this mixer provide phantom power? If so, how many channels?

A: Nothing in the manual or front panel mentions phantom power. All the inputs are standard XLR and/or 1/4 phone plugs. All channels are identical.

Q: 10. Will I be able to hook up 3 or 4 speakers to this for my baseball field? I read another customer wrote something about only 2 speakers? Using for Baseball Field Sound system. Thanks!

A: Yes. Make sure you have the correct OHMS , speaker gauge wire for distance and stay below the total watts output. Hope this heps

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