Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24mm Lens    84.1° FOV, Full-Frame Coverage    Multi-Layer Coating to Reduce Flare    Standard Gearing for Focus and Iris    Dual Side Focus and T-Stop Scales    "De-Clicked" Aperture Ring    Hybrid Aspherical Lenses    Manual Focus and Aperture    Removable Petal-Type Lens Hood    Accepts 77mm Threaded Filter Rings

24mm lens with approximate angle of view of:
Full-Frame: 84.1°
APS-C: 57.6°

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

"De-clicked" aperture ring for smooth iris pulls.

A minimum focusing distance of 9.8" allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

Related Questions and Answers

Q: 1. How much does it weight?

A: This lens weighs 24.7 oz.

Q: 2. What size filter does it use?

A: 77mm

Q: 3. How much does it weigh

A: The shipping weight is 1.75 lb. So say about 1 lb/ 0.45 kg.

Q: 4. Where on the lens is the serial number?

A: The Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount's serial number will be listed on the box, and is not printed on the lens itself.

Q: 5. what's the difference between?Rokinon 35mm T1.5 Cine DS Lens for Sony E-MountRokinon 35mm T1.5 Cine AS UMC Lens for Sony E Mount

A: The DS in the new version stands for Dual Scale which means there is a smart and dumb side scale for operating the lens from either side of the camera, instead of the top side position that the other versions offered. The focus and iris gear positions have been moved along the axis in order to maintain a consistent position from lens to lens making swapping a very easy when using a follow focus or motors. Additionally, each of the lenses is carefully color matched to a certain degree in order to sustain a specific cinematic look throughout the set. The optics however in each set, remain the same as the non-DS set.

Q: 6. will this lens work perfect with sony a7s2?

A: Yes it does!!!

Q: 7. how will it work with Sony PMW F3?

A: You can use this lens on that camera. You will need an adapter. See below. You will not need the adapter's aperture feature with this lens but you will if you get Canon EF lenses.

Q: 8. I'd like to buy ND filters to go with this one and it's the 77mm ND filters, correct? Just wanna be on the same side. Thanks!

A: Yes, this lens takes 77mm filters.

Q: 9. What exactly is the difference between these Cine DS lenses compared to their equivalent non-DS lenses? I get that the DS lenses have some new markings to make it easier to look at focus and adjust exposure. But what is the difference in the DS lens that makes it cost about $200 more?Also, what different markings are there on the lens that make it obvious this is a Cine DS lens compared to the previous models? If you were looking at the two side by side, how could you tell the difference?

A: ) All of the gears are unified among all Rokinon Cine DS lenses. The focus and aperture gears are exactly aligned so that the user does not have to re-adjust his/her follow focus when swapping out lenses. 2) The new Cine DS lenses now feature dual focusing scales, one on each side. 3) All of the Cine DS lenses are tested to be color matched to provide the same color & contrast in video production.

Q: 10. What is the multiplier when used on the JVC GY-LS300 MFT mount with super 35 Sensor?Is it 1.5x or 2x?

A: JVC GY-LS300 MFT is 35% larger than a standard MFT