3 Channel Line Out Converter

Tascam Mm-4d/in-e 4-channel Mic/line Input Dante Converter With Built-in Dsp Mixer

Product Code: ga190731
Availability: In Stock

$2,397.00 $3,283.89

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Description
Reviews (10)

The MM-4D/IN-E 4-Channel Mic/Line Input Dante Converter with Built-In DSP Mixer from TASCAM can be used to convert 4-channel mic/line input signals on Euroblock connectors into 4-channel Dante input/output signals for pro-audio applications.

The MM-4D/IN-E Input/Output Dante Converter features level control and is compatible with Dante Domain Manager software, which offers security functions, enables the use of wide area networks, and provides easy access to Dante systems using already established network infrastructures. With AES67 mode, connection to AES67 network systems is also possible. Two installation brackets are included.

For PA, SR, and Pro Audio Environments 4 Analog Mic/Line Inputs 4 Dante Inputs/Outputs Flexible Routing PoE (Power over Ethernet) Power Supply

General
Formats Supported	44.1/48/88.2/96 kHz, 16/24-Bit, 4 Channels
Input/Output
Connector	RJ-45
Transmission Protocol	Dante
Gigabit Ethernet	1000 BASE-T (IEEE 802.3ab)
Cable	Category 5e or Faster STP Cables
Analog Inputs
Connector	Euroblock (Balanced) 3.81 mm Pitch
Minimum Input Level	-70 dBu
Maximum Input Level	+26 dBu
Input Impedance	2.0 kOhms or Higher
Control Input/Output
External Control Interface	Euroblock (Balanced) 3.81 mm Pitch
LED Configuration	Output Format: Open Collector (10 Ohms Output Impedance, 48 V Withstand Voltage, 35 mA Maximum Current) Low level Maximum Output Voltage: 0.5 V
Switch Connectors	Maximum Input Voltage: 5.5 V High Level Minimum Input Voltage: 2.31 V Low Level Maximum Input Voltage: 0.99 V
Audio Performance
Frequency Response	Dante In / Line Out: ±0.5 dB: 20 Hz - 20 kHz (44.1/48 kHz Sampling Frequency, JEITA) ±0.5 dB: 20 Hz - 40 kHz (88.2/96 kHz Sampling Frequency, JEITA)
Distortion	0.003 % (when −1 dBFS Input, 44.1/48/88.2/96 kHz Sampling Frequency, JEITA)
Signal to Noise Ratio	108 dB (44.1/48/88.2/96 kHz Sampling Frequency, JEITA)
Crosstalk	100 dB (44.1/48/88.2/96 kHz Sampling Frequency, JEITA)
Dynamic Range	108 dB (44.1/48/88.2/96 kHz Sampling Frequency, JEITA)
Other Features
Power	PoE Class 0 TASCAM PS-P1220E AC Adapter (Sold Separately)
Power Consumption	7.5 W
Operating Temperature	32 to 104°F / 0 to 40°C
Dimensions	8.4 x 1.7 x 5.4" / 21.4 x 4.4 x 13.6 cm
Weight	31.2 oz / 885.0 g
Packaging Info
Package Weight	2.925 lb
Box Dimensions (LxWxH)	12.7 x 10.7 x 3.9"

4-channel mic/line input with phantom power (+48v) support on Euroblock connectors

4 Dante inputs/outputs

Supports PoE (Power over Ethernet)

Sample rate up to 24-bit / 96 kHz

Supports Dante daisy-chain, which allows two Dante Compact Processor models to be connected without a network switch

Compatible with Dante Domain Manager and Dante AES67 mode

Flexible scene preset function allows you to work in different area situations (up to 50 presets)

Two types of user-control software available for Windows/Mac/iOS/Android devices:

TASCAM DCP CONNECT, for integrators: input/output routing selection, DSP/design/scene settings of the complete system, etc.

TASCAM EZ CONNECT, for end-users: simple app design for only the necessary functions such as area-volume settings, etc.

Remote control via Dante

Half-rack mountable size

Equipped with indicators that show LAN/Dante connection status and sample rate

Equipped with signal indicators that monitor digital input/output signals

Configurable reference level (via remote control only)

Surface-mount adapters for installation under desks included

Related Questions and Answers

Q: 1. Can this be used to input audio to an iPhone 14?

A: The TASCAM DR-60DmkII 4-Input / 4-Track Multitrack Field Recorder's direct output could technically be connected to an iPhone 14 by using a 3.5mm TRS to TRRS adapter cable and a 3.5mm TRRS to Lightning adapter.

Q: 2. Will this adapter work with the Tilta full cage mount installed?

A: The Insta360 3.5mm Mic Adapter with Charging Input for ONE X2 is not listed as compatible with any cage.

Q: 3. What kind of screw or bracket would I use to attach the Tascam to an accessory cage like the Dot Line GearBox 2? I've seen pictures where people have attached it, but I can't find the appropriate bracket.

A: The bottom of the DR-60DMKII has a 1/4-20 thread socket, just as a camera has. You just need a 1/4-20 stud to screw into the cheese-plate holes on the GearBox 2.

Q: 4. Does this provide plug-in power to microphones?

A: We can find no support that the Insta360 3.5mm Mic Adapter with Charging Input for ONE X2 provides plug in power for a microphone.

Q: 5. Will this adapter also work in the Insta 360 One R Model, I am trying to get a Saramonic SR-XM1 with TRS pole to work in my Insta 360 One r ?

A: Unfortunately no. The Insta360 3.5mm Mic Adapter with Charging Input for ONE X2 will only work as a mic adapter for the ONE X2.

Q: 6. I need to connect Rode NT1 with phantom power and a dynamic mic that doesn't require phantom. Can I connect both to xlr inputs? Would this harm the dynamic mic?

A: yes, you can connect dynamic microphone to XLR with phantom power. I have don it without any problem.

Q: 7. What is this generally used for?

A: The Tascam DR-60DmkII 4-Input / 4-Track Multitrack Field Recorder BH #TADR60DMKII is highly recommended for Filmmaking, TV, and Web Broadcast. It could also be used for HOW applications , meetings and most general recording applications.

Q: 8. Is the 3.5mm TRS or TRRS?

A: The Insta360 3.5mm Mic Adapter with Charging Input for ONE X2 is for TRS. It is not listed for TRRS.

Q: 9. Hi, what is the differrence between this devices and others like beachtek dxa-micro pro, I know that this device records audio, I mean in respect to provide profesional audio to dslr. Thanks

A: The difference between this recorder and a unit like the Beachtek or similar would be the ability to record. The Beacktek units only offer the preamps. The recording will still occur on the DSLR and will ultimately still pass through the DSLR electronics and not sufficient for most professional applications.

Q: 10. What are the speed requirements for SD/SDHC cards when recording all four channels at the highest quality settings?

A: Any class 10 SDHC card from a quality manufacturer like SanDisk, Delkin, Lexar, SONY Trancend, etc. will provide enough speed for any recording mode on this recorder.

Jason	27/09/2024
This recorder is amazing for what I've used it for. This is my first recorder paired with a RODE NTG2 and the sound quality is unbelievably better than what I'm used to. Being only familiar with the on camera mics in before this purchase, you can definitely tell the difference when using the DR-60mkII. While I have never used it beneath the camera like it is set up for, I have placed it on tripods for studio style recording, and I have placed straps on it for sound recordists to use. Overall, a great intro into sound quality above and beyond the camera mic. 5

Blaine	24/09/2024
The dual mono feature is great. I can record the same signal to 2 different tracks and set the levels independently ? the idea being to set a second track lower than the first incase something overmodulates. 5

James	13/09/2024
I have used the TASCAM recorder mounted onto a Manfrotto 244 arm WITHOUT the camera mounted on top of the device. To me, mounting the DSLR on top seems awkward. Moreover, having the audio and video devices on SEPARATE stands/mounts allows for ultimate stability. The first time I used the device, I found the menu system easy to navigate. I completed my first audio recording within a few minutes of unboxing. When checking out the audio recording (using a RODE NT5 mic) on my computer, I was pleased with the results. A neutral and natural sound to the voice. There was just a little bit of floor noise that was easily reduced in Adobe Audition. My only problem was kind of dumb on my part. I couldn't figure out how to open the rubber door to insert a memory card. The manual did not make it clear that the rubber door for the memory card is NOT separate from the second rubber door for the USB port. I kept on trying to open the top door as if it were separate - eventually, I just pulled on the bottom rubber door and then discovered that there really is only ONE door. This was a mild frustration. 5

Oliver	22/08/2024
This is a must have, if you plan to shoot video with your DSLR. The quality is superb and its easy to set up 5

Mark	04/08/2024
I started using the DR-60mkII and immediately learned to appreciate its capabilities. A small footprint but packed with features, an easy to learn and use menu system, and controls. 5

Sean	09/07/2024
despite using a few adapters going from 3.5mm to xlr. i had zero system noise. been waiting a long time for a recorder that had it all yer affordable. This little gem is just wonderful. Just nice clean audio and four channels to boot. Its functionality is amazing. its rare that i get what i paid for, let alone more than what i paid for. This thing is precisely that! 5

Nicholas	19/06/2024
Clean audio, easy to use, quick boot-up, with rechargeable batteries, lasts forever (Aka-two wedding receptions) 5

D. R. M.	21/05/2024
Considering the price point on this gem, it is an amazing tool for the low to mid-level DSLR videographer. The features make it so flexible. Sound quality is very good, assuming equivalent quality microphones. It takes a bit of time to get working comfortably with it, but after only two interview shoots, I am comfortable and confident in my workflow. I am still amazed that this is under $200! Two of my favorite features are the slate function and dual recording for safety take at lower levels. Speaking of levels, the little spike mark is at -12db, which takes a bit of getting used to. Levels came in a bit low on the first session as I assumed it was -3db. Just need to have confidence now. Battery life is not great but with USB power option it is not a huge deal now. 5