The beige DPA Omni Mic Boom for Core 6066 Subminiature Headset is offered as a replacement part should the original included with the headset get lost or damaged. The modular system is designed to allow users to replace only the boom mic if necessary, saving the expense of replacing the entire headset.

The 3mm omnidirectional mic capsule is protected by a grid cap which provides IP58-certified sweat and water resistance and can be removed for cleaning. The boom arm is adjustable for height and length while a sliding lock prevents unwanted movement or rotation.

Boom Arm with Omnidirectional Microphone    Tiny and Lightweight, 3mm Mic Capsule    Adjustable Length and Height    IP58-Certified Moisture Resistance    Removable Cap for Cleaning

Related Questions and Answers

Q: 1. For those of us that use the highest end XLR cables. Is removing and replacing the included and preinstalled XLR cable difficult?

A: It is not very difficult to replace the cable, but you might want to consider an uncabled arm like the Blue Compass that is designed to use your own cable, and has a channel to keep things neat. You can also easily adjust the tension on the hinges. https://www.bhphotovideo.com/c/product/1385876-REG/blue_compass_desktop_boom_arm.html

Q: 2. Is there a manual control for audio gain up or down on the DSLR mini 1/8 output?

A: The Tascam DR-70D does not feature an output level control knob for adjustment. In order to adjust level going into your camera, you will have to access this feature from the menu.

Q: 3. All this does is stand straight up how do I adjust the tension?

A: The weight of the microphone is enough to prevent it from standing straight up. This works with most mics but it is possible you are using a mic that is too light for the arm.

Q: 4. How does this unit's preamp compare to a Sound Devices MM-1, Mix Pre-d or 302?

A: Preamps are great. No difference between them and the preamps on my Soundcraft and Mackie boards./

Q: 5. Is the line out to camera a stereo or mono signal?

A: The Tascam DR-70D features a 3.5mm stereo camera output. The unit is capable of outputting stereo or a dual mono signal to the camera.

Q: 6. What is the adapter connected to the Podmic in the first photo?

A: That is an included threaded stud to connect to the microphone' holder.

Q: 7. What's the best setting for DB levels on the line out to A7siii camera. If I set the tascam to +12 then it looks like camera can be at a volume setting of 3. Since the camera preamps are probably worse than the Tascam wouldn't this be best. I read elsewhere to set the Tascam so the camera ends up @ 8. What do you guys think?

A: We recommend using a level matching cable to pad the line level output signal from the Tascam DR-70D so it will provide a compatible signal level that will not overload the camera's mic input. The Sescom LN2MIC-ZOOMH4N Line to Microphone Attenuation Cable for HDSLR Cameras (B&H # SEL2MZH4N) will provide a -25 dB pad for the 70D's line level output and the Kopul ACH4-25MON Line-to-Mic Attenuator Cable (B&H # KOACH425MON) works in the same way and also includes a headphone tap.

Q: 8. Would this work with the hyper x quadcast s mic? I mean as far as being able to hold it good enough as it is a very heavy microphone

A: Yes, the O.C. White Podcast Pro Mic Boom Package by Accu-Lite is compatible for use with the HyperX QuadCast S USB Condenser Microphone. The boom arm can support a loud of 1.4 to 2.5 pounds and the microphone weighs 1.6 pounds.

Q: 9. Can anyone explain this to me please?Frequency response20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48k Hz, JEITA)20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)

A: The frequency responses listed are based on different sampling rates with different measurement variables to offer the most honest ratings.

Q: 10. How wide does the clamp open up to?

A: This clamp is for a 1.5-inch thick desktop, but can open up to almost 2-inches.