The Shure QLXD2/KSM9HS is a digital handheld wireless microphone transmitter compatible with QLX-D receivers. It comes equipped with a dual-diaphragm KSM9HS condenser capsule that captures sonic nuances with superior detail, delivering precise vocal reproduction for high-end live performance.

The KSM9HS capsule offers two switchable polar patterns to provide FOH engineers with more choices in dealing with varying environments or the microphone techniques of different performers. The hypercardioid pattern offers excellent off-axis rejection and extended gain before feedback, making it an ideal choice in loud environments. The subcardioid pattern provides a wide coverage angle with subtle off axis-rejection, resulting in a natural sound and minimized proximity effect.

The QLXD2/KSM9HS operates on a 44 MHz UHF tuning range with 1760 selectable frequencies available. It provides up to 9 hours of operation on two AA batteries, with a transmission range up to 330' and a selectable 1/10mW RF power output.

With a rugged, yet lightweight aluminum housing, the QLXD2/KSM9HS transmitter delivers pristine audio quality and RF performance, as well as AES 256-bit encryption for secure transmission and advanced rechargeability options. It is well suited for sound reinforcement applications in medium-sized venues and houses of worship as well as A/V installations in conference, educational, and corporate facilities.

For QLX-D Receivers    KSM9HS Condenser Mic Capsule    Hypercardioid/Subcardioid Polar Pattern    1760 Selectable Frequencies    Interchangeable Capsule Design    1/10mW RF Output Power    Backlit LCD, Adjustable Gain Control    Secure AES-256 Encryption    Networked Intelligent Charging    9-Hr AA Batteries

• The unit delivers clear, reliable 24-bit/48 kHz digital audio.
• The KSM9HS capsule with dual 3/4” gold-layered, low-mass Mylar diaphragms provides a consistent frequency response.
• The mic features Class-A, discrete transformerless preamplifier for transparency, extremely fast transient response, and no crossover distortion.
• The integrated three-stage "pop" protection grille reduces plosives, wind, and other breath noise.
• The interchangeable capsule design allows you to replace the KSM9HS capsule with a Shure capsule that’s ideal for your application and simply screw it onto the transmitter—including SM58, SM87A, Beta 58A, Beta 87C, KSM8 capsules, and more.

• The unit quickly syncs with a wireless receiver via infrared at the touch of a button.
• The adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech.
• Frequency and power lockout functions prevent accidental or unauthorized changes during events.
• A backlit LCD with easy-to-navigate menu and controls lets you quickly access frequency, group, and channel settings, along with mute and lock status, and RF output.
• 1/10mW selectable RF output power allows you to increase either the transmitter's range or the number of mics operating simultaneously.

• Operates for up to 9 hours on two AA batteries.
• Optional Shure SB900A lithium-ion rechargeable battery pack offers intelligent power management with over 10 hours of battery life, precision metering in hours and minutes, and zero memory effect.
• External charging contacts allow for docked battery charging with the SBC200 dual-docking charger (available separately).
• The networkable SBC220 charger (available separately) allows for remote power monitoring via Shure’s Wireless Workbench software.

Related Questions and Answers

Q: 1. Ive seen in a review that it doesnt have thread on the bottom for mounting on a tripod. Is this correct? Or does it indeed come with a screw thread for mounting on a bracket or tripod? Thanks.

A: No female threaded point for mounting. Only the male screw for mounting to the base.

Q: 2. What kind of timecode output does this have (locking 3.5mm TRS?)

A: The Deity Microphones Theos D2RX Digital Camera-Mount Wireless Microphone Receiver has two locking 3.5mm TRS audio outputs, but no dedicated timecode output. Timecode can sync wirelessly using the Deity TC-1 Timecode Generator, and the transmitter and receiver can be remotely controlled via the free Sidus Audio app.

Q: 3. why do we need this, if the camera has built in wifi?

A: This boosts the effectiveness of the built-in WiFi by adding a wired ethernet port, as well as faster connectivity. The range of use is also increased to 656 feet.

Q: 4. The Z6 doesn’t allow simultaneous HDMI and Snapbridge control. Does this allow you to record video via HDMI while controlling the camera via Camera Control Pro 2?

A: We have not found that ability for the camera with Camera Control Pro 2.

Q: 5. Will this mic fit in the skb 1209 case? I read here that it won't due to its longer length compared to the other model shotgun mic

A: The SKB iSeries Waterproof Case for Zoom H6 Recorder and Mic Modules available on our site is customized to fit the Zoom SGH-6 Shotgun Microphone which is slightly smaller than the Zoom SSH-6 Stereo Shotgun Microphone.

Q: 6. Does this mic record to three tracks; the mid to one, and the stereo side to two? If not, how would one go about mixing dialogue with ambient sound in post?

A: It is only 2 tracks. The mono mic will pick up the dialog as any shotgun would straight ahead. Then the desired amount of side can be mixed in accordingly.

Q: 7. What are the exact dimensions of the ssh-6 microphone?

A: Exact dimensions for the Zoom SSH-6 Stereo Shotgun Microphone Capsule for H5, H6, U-44 and Q8 have not been provided by Zoom.

Q: 8. I have the zoom h6, and my question is which h6 accessory microphones are best for for recording:-acoustic classical nylon string guitar in a studio.-nature and animal sounds/sampling.-live music performance as a spectator in the audience... outdoor or indoor.Also, I get confused on the purpose of the ssh-6 vs sgh-6.

A: I got an SS6-6 (to attach to Q8 on head of guitar.Two women have walked up to tell me how cooland high-tech it looks:)I've ended up using it more to capture live eventsrather than aimed at myself/guitar (which really requiressome other mics mixed in for good studio sound.THE BENEFIT of an SSH-6 (I think) is that live soundis a mix of direct, reflective AND audience sounds,and it tends to capture that well. (If I was doing interviewsI'd want an SGH-6, but I'm basing that on quick reading)FOR CLASSIC GUITAR I have no insights, AND all I've written here is based on a little experience with the SSH-6 on a Q8... and my surprise at it's utility in capturing a live event sound that isn't the usual mushy distortion.

Q: 9. I haven't found any detailed specs for the Camera Control Pro 2 software. What capabilities does this offer and does the application require use of the WT-7A WIFI unit? Can you actually see the Live View image from the camera and control aperature, shutter and perhaps zoom and focus via WIFI?

A: All of the key features of this software can be seen at the following page: http://bit.ly/1S4kzDh

Q: 10. Is it possible to record the M and S mics on separate channels for matrixing in post? Can you do this with the Q8? Thanks in advance.

A: There is an option to either enable or disable the mid-side matrix. If you disable it and you record in MOV+WAV format, one of the WAV channels will be the shotgun mic and the other will be the side mic. Please note side is a single source in a figure-8 pattern, not two different sources (left and right side). If you are going to do post-processing and want to control the ambient sound in the mix, definitely disable the matrix. It is quite straightforward then to mix in the ambient sound in post production. You may have to split the stereo WAV file, depending on what DAW you are using.