Alain Briot Marketing Fine Art Photography
- Product Code: ga191358
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In Marketing Fine Art Photography from Rocky Nook, Alain Briot shares his business and marketing knowledge as a successful fine art and landscape photographer. As an artist who makes his living selling fine art prints, he outlines field-tested marketing and sales techniques to guide you through the steps to sell your own prints as well as increase your profits and direct your destiny as a money-making artist. Briot's approach is based on offering clients quality over quantity, and providing unique artwork as opposed to mass-produced prints. He has taught fine art photography marketing to students through seminars, one-on-one consulting, tutorial DVDs, and books.
Author: Alain Briot Softcover, 320 Pages Date Published: 2011 Learn to Market Fine Art Photography
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Publisher | Rocky Nook |
Publication Date | June, 2011 |
Author | Alain Briot |
ISBN Number | ISBN 13: 978-1-933952-55-0 |
Cover Type | Soft |
Number of Pages | 320 |
Dimensions | 8.0 x 10.0" / 20.3 x 25.4 cm |
Packaging Info | |
Package Weight | 2.055 lb |
Box Dimensions (LxWxH) | 9.9 x 7.8 x 0.6" |
- Defining Fine Art Photography
- Wholesale, Retail, and Consignment
- Knowing Your Customer
- Where to Sell and How to Price Fine Art
- Fundamentals of Marketing and Salesmanship
- Profitability and Honesty in Business
- Packing and Shipping Fine Art
- Common Marketing Mistakes
Related Questions and Answers
Q: 1. Can it be used with mirrorless cameras?
A: Yes of course, using the correct T-mount ring attached to your camera body.
Q: 2. What is the maximum height that the armature? I need to know what the height of the photographed object can be.
A: Approximately 15" High
Q: 3. Is this film meant to placed emulsion to emulsion with the original? Or some other way?
A: That's used if you are making a contact exposure, but we have found that different customers have different preferences and beliefs with respect to their darkroom processing procedures. We recommend you use the procedure that you find to produce the results you prefer.
Q: 4. What is the expiration date?
A: We are sorry. We can't confirm the expiration date of the stock of the Ilford FP4+ Black and White Negative Film (Expired 620 Roll) as we have stocks from different batches mixed in the inventory.
Q: 5. Can this monobath be used to develope Kentmere Pan 400?
A: Film Photography Project Super Monobath One-Step BW Developer (1 Liter) has not been tested with Kentmere Pan 400. The manufacture recommends in Kentmere the100, not 400.
Q: 6. There is another version of ART Spliter: ART ProSplit with one input and two outputs. Does ART SPLITCom do whatever ART ProSplit do? ART ProSplit costs more than ART SPLITCom, though.
A: The units I bought are can be used either as a splitter (two outputs for one input) or a combiner (two inputs merged into one output).
Q: 7. How does it synch to a camera? Will it synch to other flashes such as Yongnuo?
A: This has a 3.5mm sync port and can be attached to a cable or a radio trigger.
Q: 8. Is the lamp bare or is there a protective covering? I would hate to have it burn out because of finger oils.
A: The lamp is bare without a protective covering.
Q: 9. I do high school basketball play by play with an Irigpro. Can this ART SPLITCOM Pro be used to add another Mic for a second announcer doing commentary during pauses in my play by play while still running both mics through the iRigPro?? What does this do to the sound quality? We use the MIXLR app to do all our basketball games. Thanks, Jay
A: The ART SPLITCom Pro Microphone Splitter/Combiner can be used as desired to combine two microphones into one output signal. It will not allow for individual level control of each microphone however. For a solution that does allow level control, a small mixer such as BH #ARUSBMIX4 would be suitable.
Q: 10. Can this be used to split one phantom-powered mic into 2 tracks on an audio recorder for a low safety track?
A: Yes, you can use the ART SPLITCom Pro Microphone Splitter/Combiner to split the power on a phantom powered mic.
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