Telefunken M81-wh Wireless Supercardioid Universal Dynamic Microphone Capsule (copper)
- Product Code: ga193429
-
The copper Telefunken M81-WH Wireless Universal Dynamic Microphone Capsule is a screw-on capsule version of the wired handheld M81 microphone. This wireless capsule is intended for use with compatible Shure wireless transmitters (Axient, UHF-R, QLXD, ULXD, ULX, PG, PGXD, SLX, and UR2), Lectrosonics HH and HHa transmitters, and Sony UTX-M03 transmitters. Its tonal character is tuned to soften bright or thin sources and yield a stronger emphasis on midrange clarity. Also contributing to the desirable tone is a custom-wound Telefunken T80 transformer. The supercardioid polar pattern of the M81-WH minimizes feedback, proximity effect, and pickup of off-axis noise.
For Select Shure Wireless Transmitters For Lectrosonics HH/HHa Transmitters For Sony UTX-M03 Transmitters Supercardioid Polar Pattern Enhanced Directionality Wide 50 Hz to 18 kHz Frequency Response High 135 dB Maximum SPL
Key Specs | |
---|---|
Frequency Response | 50 Hz to 18 kHz ±3 dB |
Maximum SPL | 135 dB (1% THD) |
Parameters | |
Polar Pattern | Supercardioid |
Element Type | Dynamic |
Diaphragm | 1" / 25 mm |
Performance | |
Frequency Response | 50 Hz to 18 kHz ±3 dB |
Maximum SPL | 135 dB (1% THD) |
Sensitivity | 1.54 mV/Pa |
Connectivity | |
Analog Output | 1x Concentric Ring Conductor Plate |
Power | |
Operating Voltage | Not Specified by Manufacturer |
Physical | |
Color | Copper |
Mounting Thread Size | 1.25"-28 Male |
Environmental Resistance | No |
Packaging Info | |
Package Weight | 0.68 lb |
Box Dimensions (LxWxH) | 6.2 x 5.7 x 2.5" |
Interchangeable capsule for a variety of wireless transmitters: Shure Axient, UHF-R, QLXD, ULXD, ULX, PG, PGX, SLX, and UR2, Lectrosonics HH and HHa, and Sony UTX-M03
Wide frequency response and high SPL capabilities
Condenser-like performance in a rugged dynamic design
Capsule assembly has been designed to reduce proximity effect while delivering articulate midrange and a slightly subdued top end
American-made, custom-wound, impedance-matching transformer
Related Questions and Answers
Q: 1. Does this work with the H8?
A: Yes, this will work with the H8.
Q: 2. Will this work with the Rode VideoMicro?
A: The Rode VideoMicro should fit inside the SmallRig 1859 shockmount when used without the windshield.
Q: 3. Will this work with fujifilm H2s?
A: Yes, Westcott FJ-X3 M Universal Wireless Flash Trigger would work on FUJIFILM X-H2S Mirrorless Cameras. You just need to set up the trigger to manual mode and control the power of your flash through the trigger.
Q: 4. Hi there any advantage in in the cradle type vs side mount Wimberley Gimbal?
A: The main advantage of this type of gimbal is its portability.
Q: 5. Will this fire the Newer Vision 4 wireless strobes?
A: The FJ x3 M only works with Westcott lights with the same built in radio. Compatible strobes include only the following Westcott FJ200 Westcott FJ400 Westcott FJ80 Westcott FJ80 II Westcott FJ80 and FJ400 Strobe Westcott Fj200
Q: 6. Can I use the same plates as my RRS B2 Lever Release?
A: Yes, they are both Arca Swiss compatible systems.
Q: 7. Will this mic fit in the skb 1209 case? I read here that it won't due to its longer length compared to the other model shotgun mic
A: The SKB iSeries Waterproof Case for Zoom H6 Recorder and Mic Modules available on our site is customized to fit the Zoom SGH-6 Shotgun Microphone which is slightly smaller than the Zoom SSH-6 Stereo Shotgun Microphone.
Q: 8. Would this mic work well with a Blackmagic Pocket Cinema Camera? Many thanks for your answers!
A: If you are connecting this mike to a Zoom H5, H6, or Q8, and you wanted a stereo shotgun mic (as opposed to a standard mono shotgun mic) then it will work with virtually any camera. But it will not connect directly to your BMPCC without first going through a Zoom recorder.
Q: 9. I have the zoom h6, and my question is which h6 accessory microphones are best for for recording:-acoustic classical nylon string guitar in a studio.-nature and animal sounds/sampling.-live music performance as a spectator in the audience... outdoor or indoor.Also, I get confused on the purpose of the ssh-6 vs sgh-6.
A: I got an SS6-6 (to attach to Q8 on head of guitar.Two women have walked up to tell me how cooland high-tech it looks:)I've ended up using it more to capture live eventsrather than aimed at myself/guitar (which really requiressome other mics mixed in for good studio sound.THE BENEFIT of an SSH-6 (I think) is that live soundis a mix of direct, reflective AND audience sounds,and it tends to capture that well. (If I was doing interviewsI'd want an SGH-6, but I'm basing that on quick reading)FOR CLASSIC GUITAR I have no insights, AND all I've written here is based on a little experience with the SSH-6 on a Q8... and my surprise at it's utility in capturing a live event sound that isn't the usual mushy distortion.
Q: 10. I wish to use the 200-s for my Canon 7d with a canon 70-300L lens. Is this compatable? What adapter plate is required for the type C tripod ring?
A: It is compatible. You will need a plate like this one https://bhpho.to/2XeyJAe for the collar https://bhpho.to/2NiVOgQ.
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