Amt Q7-vs Dual-channel Q7 Receiver And Single Transmitter Wireless System For Violin (900 Mhz)
- Product Code: ga193646
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The 900 MHz Q7-VS Dual-Channel Q7 Receiver and Single Transmitter Wireless System for Violin includes a Q7 dual-channel, true diversity wireless receiver, a Q7 clip-on transmitter, a VS microphone, rack ears, and cables. It can be used to capture audio for a violin in live stage, theater, recording, and rehearsal applications.
The system is simple to use while providing professional-quality sound. The Q7 clip-on transmitter works with all past and present AMT microphone models that include a disconnect (D.C.T.) connector. It is powered by a single AA battery and is designed as a simple setup.
Furthermore, the dual-channel receiver can work with two transmitters at the same time and has a line-of-sight operation range of 300'; it is built with an LCD display providing readouts for AF and RF signals and independent volume control for both channels. Equipped with 1/4" and XLR outputs and constructed with a rugged metal chassis, the system syncs the receiver to the transmitter via IR and delivers a high-quality transient response, no delay, no background noise, and multi-level narrow band filter technology.
Q7 Dual-Channel Diversity Receiver Q7 Single Clip-On Transmitter VS Microphone for Violin 100 Preset Frequencies 30 MHz Bandwidth Works with All AMT Microphones Works with All Quantum 7 Transmitters XLR and 1/4" Outputs
Key Specs | |
---|---|
Wireless Technology | Digital UHF (900 MHz) |
Included Transmitters | 1x Clip-On with Microphone |
Diversity | True Diversity |
Max Operating Range | 328.1' / 100 m (Line of Sight) |
Receiver Type | Rackmount |
Microphone Type | Clip-On Instrument |
Polar Pattern | Cardioid |
System | |
Wireless Technology | Digital UHF (900 MHz) |
Number of RF Channel Frequencies | 100 |
Included Transmitters | 1x Clip-On with Microphone |
Diversity | True Diversity |
RF Frequency Band | 902 to 928 MHz |
RF Bandwidth | Up to 30 MHz |
Max Operating Range | 328.1' / 100 m (Line of Sight) |
Dynamic Range | 95 dB (Typical) |
Encryption | Yes |
Receiver | |
Receiver Type | Rackmount |
Mounting Options | Rackmount, Tabletop |
Rackmount Size | 1 RU (1/2 Rack) |
Antenna | 2x 1/4 Wave Telescopic, BNC (Rear-Mount) |
Number of Audio Channels | 2 |
Audio I/O | 2x XLR 3-Pin Male Balanced Line Output 1x 1/4" TS Female Unbalanced Line Output |
Frequency Response | 40 Hz to 15 kHz |
Power Requirements | AC/DC Power Adapter |
AC/DC Power Adapter | 12 to 18 VDC (Included) |
Display & Indicators | 1x Backlit LCD (AF Level, Channel, RF Level) |
Housing | Metal |
Operating Temperature | 14 to 122°F / -10 to 50°C |
Dimensions | 8.3 x 1.7 x 6.7" / 210 x 44 x 170 mm |
Transmitter | |
Transmitter Type | Clip-On with Microphone |
RF Output Power | 10 mW (30 mW Peak) |
Audio I/O | 1x TA3/Mini-XLR 3-Pin Female Input |
Sync Method | IR |
Antenna | 1x 1/4 Wave Wire |
Power Requirements | Battery |
Battery Type | 1x AA (Not Included) |
Approx. Battery Life | 10 Hours (Alkaline) |
Housing | ABS |
Dimensions | 4.5 x 2.4 x 1" / 115 x 62 x 25 mm |
Microphone | |
Microphone Type | Clip-On Instrument |
Instrument Mic Type | Violin |
Sound Field | Mono |
Capsule | Condenser |
Polar Pattern | Cardioid |
Dual-channel, true diversity receiver allows reception of two separate transmitters simultaneously with an operation range of 300'
100 channels (region dependent) with up to 30 MHz bandwidth
LCD display of radio frequency (RF) and audio frequency (AF)
Large analog style volume controls for quick and easy access
IR sync from receiver to transmitter
Two XLR and one 1/4" outputs
EIA standard rack mountable 1/2 RU metal chassis
Clip-on transmitter—free of bodypack transmitters and wires
Compatible with all AMT instrument microphones that include a disconnect (D.C.T.)
Designed specifically for acoustic musical instruments
Related Questions and Answers
Q: 1. I'm looking to find a cheap 12G-SDI on-cam monitor. How does the Lilliput Q7-12G compare to the BMD Video Assist 7" in terms of build quality and display panel quality / color accuracy? Do they have similar shooting assist features (peaking / zebra / false color / focus assist zooming)?
A: The two units both provide (peaking / zebra / false color / focus assist zooming) BMD does show to have better panel quality and color rendering.
Q: 2. can i go in with sdi and out with hdmi? will it cross convert?
A: Yes, Cross conversion is supported allowing you to input via SDI and output via HDMI.
Q: 3. Is this flicker (PWM) free in the same sense that Asus and LG advertise their computer monitors as flicker-free ?
A: On camera monitors do not advertise themselves as "flicker free" therefore there is no data on how much or little these monitors flicker.
Q: 4. Is there a battery plate for Sony LP batteries? I dont see a plate in the pictures. Can a Sony LP plate be mounted to the monitor?
A: Thank you for your inquiry, yes,the package comes with a Sony F970 plate which is for Sony L series battery and also comes with a Canon LP-E6 battery plate.
Q: 5. Can this monitor handle RGB 444?
A: No, the Lilliput Q7-12G 7" HD 12G-SDI/HDMI 2.0 Ultra-Bright On-Camera Monitor would not support RGB signals.
Q: 6. What battery plate does this use?
A: This monitor comes with Sony NP-F and Canon LP-E6 style battery plates.
Q: 7. What size pin is the DC power input?
A: Thank you for your question. The size is 3.5mm 12V DC power ,the package comes with the power adapater .
Q: 8. is there an adapter to power this with lemo or d tap?
A: Yes, an option to power the Lilliput Q7-12G 7" HD 12G-SDI/HDMI 2.0 Ultra-Bright On-Camera Monitor via D-Tap would be the IndiPRO Tools D-Tap to L-Series Dummy Battery Power Converter Cable, B&H # INPTS74.
Q: 9. Are there mounting points so it can be screwed into by an articulating arm?
A: Yes
Q: 10. What latency, if any, does the pass-through SDI add? I'm looking for an external monitor for a mounted camera for live video that will be used for IMAG.
A: Response Time Symbol Min (msec) Typ. (msec) Max (msec) Tblack-white - TBD 27 T gg - 16 35
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