The black I2 Instrument Microphone, Standard Gain, with 4-Pin Hirose Connector for Audio Technica AEW-T1000, AEW-T1000a, ATW-T1001, ATW-T35m, ATW-T601, ATW-T701, ATW-T75, and ESW-T211 Wireless Transmitters from Countryman is a mic that has been engineered from the ground up for natural on- and off-axis frequency response, low-noise, and precise polar patterns with deep nulls. This tiny instrument microphone can be used to capture audio in sound reinforcement applications for saxophone, violin, viola, cello, double bass, acoustic guitars, piano, brass, and percussion instruments.

The I2 instrument microphone is suitable for distance miking that is invisible in front of audiences and on camera. This version offers a standard gain and is suitable for close miking and loud instruments like horns. It is supplied with a foam windscreen, a basic clip, and a carrying case. In addition, the 5' cable is permanently attached to the mic and terminates to a 4-pin Hirose connector for direct connection to Audio Technica AEW-T1000, AEW-T1000a, ATW-T1001, ATW-T35m, ATW-T601, ATW-T701, ATW-T75, and ESW-T211 wireless bodypack transmitters.

Figure-8 Polar Pattern    For Instruments and Sound Reinforcement    Natural On-/Off-Axis Frequency Response    For Uncolored Recordings    Reduced Feedback Issues

The I2 maintains excellent pattern control and frequency response at all angles. It offers uncolored recordings and reduced feedback issues.

Flexible close miking techniques can be aided by the various selection of instrument mounts (sold separately), which position securely and gently to strings, brass, and more.

Small size and sonic precision makes this microphone suitable for X-Y, M-S, and other techniques that rely on accurate, coincident positioning, and consistent patterns.

A microphone with a figure-8 (bidirectional) pickup pattern is sensitive to sound coming from the front and coming from the rear, but has a very high rejection for sound coming from the sides. Great for mid/side and Blumlein stereo applications.

Related Questions and Answers

Q: 1. Is it possible separate recording into 4 different tracks?

A: Yes you can separate them in your DAW

Q: 2. would this work with solidcom C1 hub base?

A: The Hollyland Extension Panel Antenna is not listed as compatible with the Solidcom C1 Hub.

Q: 3. Can you remap the F- and F+ buttons to something else other than Iris, like ISO or shutter speed?

A: We are not aware of any ability to remap the buttons on this controller I'm afraid.

Q: 4. can you record or use this as a mic for video meetings?

A: Yes. There is an output connection, which would allow a live audio feed to be included in a meeting.

Q: 5. Are both of the ports meant to connect to the receiver, or is one a "thru" which can be used to extend the signal range by connecting another antenna?

A: One port is for connection to the SYSCOM 1000T or Mars T1000 base station using the included cable and there are two RP-SMA male mounts on the bottom which can be used to add optional antenna extensions for an even more stable transmission.

Q: 6. What is the signal distance range on this antenna?

A: This unit extends the range of the original antenna by 100 meters.

Q: 7. Do I connect both SMA connections to the base station or is one a pass-thru?

A: Yes, both SMA ports on the Hollyland Extension Panel Antenna do need to be connected to the base station.

Q: 8. What port does the cable for this unit go into the hollyland mars t1000 coms system?

A: the following unit plugs does not plug into a port but extends your wireless transmission frequency range when using the SYSCOM 1000T or Mars T1000 intercom transmission systems with this Extension Panel Antenna from Hollyland.

Q: 9. can I extend the cable if the antenna

A: This antenna uses an SMA cable, so it would be possible to purchase a longer one than that which is provided.

Q: 10. What’s the workflow like to convert to Dolby Atmos?

A: It’s a 1st order ambisonic recording. It’s common to decode the recording into 5.1 or 7.1 easily with many software options. I use Harpex. You can get creative and expand it to more than 7 channels. I like to get 11.1 out of content if it is appropriate, but you’ll need to be creative and experimental with the tools. Once you have the channels you want then just put into your normal mix workflow. There’s no such thing as “converting to atoms” You either have atmos software and a session to mix it for, or... you don’t. Hope that helps.