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Countryman I2 Instrument Mic, Standard Gain, With 4-pin Hirose Connector For Audio Technica Atw-t1801, Atw-t201, Atw-t210, Atw-t210a, Atw-t27, Atw-t31, Atw-t310, Atw-t310b, And Atw-t51 Wireless Transmitters (black)

Countryman I2 Instrument Mic, Standard Gain, With 4-pin Hirose Connector For Audio Technica Atw-t1801, Atw-t201, Atw-t210, Atw-t210a, Atw-t27, Atw-t31, Atw-t310, Atw-t310b, And Atw-t51 Wireless Transmitters (black)
  • Product Code: ga194680
  • Availability: In Stock

$776.85 $1,033.21

The black I2 Instrument Microphone, Standard Gain, with 4-Pin Hirose Connector for Audio Technica ATW-T1801, ATW-T201, ATW-T210, ATW-T210a, ATW-T27, ATW-T31, ATW-T310, ATW-T310b, and ATW-T51 Wireless Transmitters from Countryman is a mic that has been engineered from the ground up for natural on- and off-axis frequency response, low-noise, and precise polar patterns with deep nulls. This tiny instrument microphone can be used to capture audio in sound reinforcement applications for saxophone, violin, viola, cello, double bass, acoustic guitars, piano, brass, and percussion instruments.

The I2 instrument microphone is suitable for distance miking that is invisible in front of audiences and on camera. This version offers a standard gain and is suitable for close miking and loud instruments like horns. It is supplied with a foam windscreen, a basic clip, and a carrying case. In addition, the 5' cable is permanently attached to the mic and terminates to a 4-pin Hirose connector for direct connection to Audio Technica ATW-T1801, ATW-T201, ATW-T210, ATW-T210a, ATW-T27, ATW-T31, ATW-T310, ATW-T310b, and ATW-T51 wireless bodypack transmitters.

Cardioid Polar Pattern    For Instruments and Sound Reinforcement    Natural On-/Off-Axis Frequency Response    For Uncolored Recordings    Reduced Feedback Issues

Key Specs
Compatible TransmittersAudio Technica: ATW-T1801, ATW-T201, ATW-T210, ATW-T210a, ATW-T27, ATW-T31, ATW-T310, ATW-T310b, ATW-T51
Polar PatternCardioid
Frequency Response50 Hz to 20 kHz
Maximum SPL150 dB (A-Weighted)
SensitivityS for Standard Gain/Close Miking (I2)
Analog Output1x Hirose 4-Pin Female
Environmental ResistanceNo
Microphone
Compatible TransmittersAudio Technica: ATW-T1801, ATW-T201, ATW-T210, ATW-T210a, ATW-T27, ATW-T31, ATW-T310, ATW-T310b, ATW-T51
Polar PatternCardioid
Included Tone/Pattern CapsNo
Performance
Frequency Response50 Hz to 20 kHz
Maximum SPL150 dB (A-Weighted)
Sensitivity-56.5 dBV/Pa (1 kHz)
SensitivityS for Standard Gain/Close Miking (I2)
Equivalent Noise Level38 dB (A-Weighted)
Connectivity
Analog Output1x Hirose 4-Pin Female
Cable Length5' / 1.52 m
Power
Power SourcesPhantom Power
Operating Voltage6 to 50 V (Phantom Power)
Physical
ColorBlack
Environmental ResistanceNo
DimensionsH: 0.16 x W: 0.28 x L: 0.44" / H: 3.5 x W: 7 x L: 10.5 mm (excluding Cable Strain Relief)

The I2 maintains excellent pattern control and frequency response at all angles. It offers uncolored recordings and reduced feedback issues.

Flexible close miking techniques can be aided by the various selection of instrument mounts (sold separately), which position securely and gently to strings, brass, and more.

Small size and sonic precision makes this microphone suitable for X-Y, M-S, and other techniques that rely on accurate, coincident positioning, and consistent patterns.

The cardioid polar pattern is effective for picking up sound directly in front of the microphone and is less sensitive to sound directly behind the microphone. It picks up about 1/3 less ambient noise than the omnidirectional polar pattern, so the working distance (the distance a performer could be positioned from the microphone) is approximately 1.7 times that of the omni. The cardioid pattern works best when you can position the microphone directly towards the sound you wish to record (a lead singer, for example) and directly away from unwanted sound sources like a crowd or a loud monitor).

Related Questions and Answers

Q: 1. Can the recording be separate into 4 independent tracks?

A: Yes, this can be done easily in post-production.

Q: 2. IS IT WORKS WITH NIKON D 500 AND OPERETE THE VIDEO?

A: I have one use it on Nikon D300. works great. On continuous mode it may do video. I use it for single shots, but have used continuous mode when shooting humming birds.

Q: 3. can you record or use this as a mic for video meetings?

A: Yes. There is an output connection, which would allow a live audio feed to be included in a meeting.

Q: 4. Is this ideal for recording a symphony orchestra?

A: Yes, the Zoom H3-VR Handy Audio Recorder with Built-In Ambisonics Mic Array would be a good option to use for recording a symphony orchestra.

Q: 5. Does the wireless remote work with the Nikon D7000?

A: Sorry I cant help you. I bought it as a present.

Q: 6. does it work with a Canon R6?

A: No, the Canon R6 requires a mini sub connection please review the following item Vello FreeWave Wireless Remote Shutter Release (Canon Sub-Mini Connection) B&H # VERWC1 MFR # RW-C1 https://www.bhphotovideo.com/c/product/749989-REG/Vello_RW_C1_FreeWave_Wireless_Remote_Shutter.html

Q: 7. What are the accessory cables/cords that are needed?

A: You need a USB 2.0 cable to download audio to your computer.

Q: 8. Is it possible separate recording into 4 different tracks?

A: Yes you can separate them in your DAW

Q: 9. What are the lowest and highest HZ it can pick up?

A: Zoom does not provide the frequency response range for their recorders but the mic should handle the frequency range of 20 Hz to 20 kHz.

Q: 10. Will the transmitter in this work with the Vello Fusion Basic Receiver (for off-camera flash)? Product page is a href= http://www.bhphotovideo.com/c/product/1019809-REG/vello_fwb_r_freewave_fusion_basic_receiver.html target= _blank http://www.bhphotovideo.com/c/product/1019809-REG/vello_fwb_r_freewave_fusion_basic_receiver.html/a

A: No, they are not compatible.

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