Presented as a matched pair in a wooden case, the matte gray Schoeps Colette CMC 6 Microphone Amp and MK 4V Side-Address Cardioid Condenser Capsule is a Colette Series modular cardioid condenser microphone bundle designed for demanding stereo recording applications. The MK 4V capsule has its main axis along its side and offers a brighter tone than the MK 4 end-address capsule.

Ideal for capturing dialog, foley, and instruments in film, television, and music production, this mic pair provides frequency-independent directionality and transparent, low-distortion sound pickup. The mics can be powered via 12 or 48 VDC phantom power without compromising reliability or sonic performance. Also included are two stand clamps and two foam windscreens, which reduce wind noise and plosives.

Matched Pair of Condenser Microphones    MK 4V Side-Address Cardioid Capsule    CMC 6 Microphone Amplifier    Transformerless Class-A Output Stage    Slightly Brighter than Schoeps MK 4    Supports 12 or 48 VDC Phantom Powering    Includes Stand Clamps & Foam Windscreens    Includes Wooden Case

• Two CMC 6 microphone amplifiers
• Matched pair of MK 4V side-address cardioid condenser capsules
• Certificate of matching
• Two stand clamps
• Two foam windscreens
• Schoeps touch fastener cable strap
• Wooden case

• Cardioid polar pattern
• Directionality is well maintained even at higher frequencies
• Side-address design
• Acoustically transparent housing
• Mild high-frequency elevation around 10 kHz
• Brighter than the MK 4

• Flat frequency response
• Very-low harmonic distortion and noise
• Works with 12 or 48 VDC phantom power
• Balanced, low-impedance output
• High suppression of interference on the microphone cable
• Excellent protection against high-frequency radio interference via integrated Schoeps RFI Shield
• Frequency-independent impedance
• Signal transmission possible over very-long cable runs (up to 1300')
• Reliable operation even with weak phantom power
• Symmetrical, transformer- and capacitor-free output stage with a Class-A amplifier
• Signal above 20 kHz is attenuated for protection against interference in the ultrasonic range (e.g. through the ultrasonic autofocus of a film camera)
• 12 dB/octave low-cut filter at 20 Hz

Related Questions and Answers

Q: 1. Will this work with AKG P120?

A: No, per the specs on these products; the mic is over 2" and the holder on;y allows for mics up to 48mm( 1.89") Auray holder: For Cylindrical Mics Between 42 and 48mm AKG P120 Physical Dimensions ø: 2.13 x L: 6.5" / ø: 54 x L: 165.1 mm

Q: 2. Can it go on a black magic 4k

A: Yes it is compatible!

Q: 3. In some photos of this product on your web page, it appears as a f2.0 lens with 49mm filters, and in other photos on the same page, it is shown as a f1.7 lens with 52 mm filters. Which is it?

A: It is 49mm.

Q: 4. Does this lens include a lens hood?

A: I'm sorry, no, it does not come with a hood. In the accessories section of the lens, there are a variety of hoods that are listed.

Q: 5. Does this Work w/ the At2020

A: The Auray SHM-UC2 would not be recommended for use with the AT2020 due to its larger diameter. There are several options for the AT2020 including the Audio Technica recommended AT8458 https://bhpho.to/2l604lr or the Auray SHM-SCM1. https://bhpho.to/2lNFfts

Q: 6. Does it work with the OSMO Pocket 2 and 3?

A: Yes, the BOYA BY-DM100-OP Camera-Mount Digital Condenser Microphone for Osmo Pocket Gimbal is compatible with the DJI Osmo Pocket 2 and DJI Osmo Pocket 3.

Q: 7. will this work for the canon eos m50?

A: Yes it will.

Q: 8. Will this lens fit the Lumix DMC-G7 without any adapter?

A: Yes, the Meike MK-50mm f/2 Lens for Micro Four Thirds will fit the Panasonic DMC-G7 or any other Micro 4/3 camera without the need for any adapter.

Q: 9. Does the aperture ring on the 50/2 have click-stops? I absolutely want them.

A: The aperture ring on this lens is de-clicked.

Q: 10. How does a microphone support 32bit float wide dynamic range recording?

A: The Zoom SSH-6e Stereo Mid-Side Shotgun Microphone for H6essential Portable Recorder connects to two (2) analog to digital converters (ADC) inside of the Zoom H6essential—one that handles all of your low-SPL audio and one that handles all signals that are high SPL. The ADC that handles your low-SPL signals is there to be able to capture very quiet sounds and retain a low noise floor, while the other ADC (for high-SPL audio) is used to help prevent clipping.