Building upon the success of the PRO 1 and PRO 2 synthesizers, the special edition Sequential PRO 3 SE Multi-Filter Mono/3-Voice Paraphonic Synthesizer features a handsome, multi-angle tilt-up panel, premium-grade walnut trim, and is designed for studio recording and live performance applications.

The 3-octave synthesizer with velocity and aftertouch semi-weighted keyboard is referred to as a hybrid because it combines two analog oscillators, a wavetable oscillator, three classic filters, and a monophonic, 3-voice paraphonic architecture. With over 60 knobs and 70 buttons, the instrument is a breeze to program without intensive menu diving.

Three vintage-style filters cover the gamut of sonic textures. Filter 1 is a low-pass based on the Prophet 6, while filter 2 sports a classic low-pass ladder filter design with resonance compensation. Filter 3 is a classic state-variable OB-6 multimode that can be continuously varied between notch, low-pass, and high-pass with an optional band-pass mode. An additional drive control provides punch when you need that bit of extra mojo.

Onboard modulation capabilities include four loopable ADSR envelope generators, three syncable LFOs with slew and phase offset, a full-featured arpeggiator, and a 32-slot modulation matrix with over 46 mod sources and over 171 mod destinations. If that weren't enough, the 16-track sequencer with real-time and step inputs is a most powerful performance tool. Each track offers 16-steps and four phrases and is capable of ratcheting, variable gate and sequence lengths, multiple playback modes, and a paraphonic operation. In addition to notes, sequence tracks can control any parameter in the 171-destination modulation matrix.

The dual engine multi-effects processor offers stereo delay, BBD delay, chorus, flanger, phaser, ring-mod, vintage rotary speaker, distortion, high-pass filter, and super plate reverb. Additionally, the PRO 3 is equipped with a programmable analog distortion and tuned feedback with Grunge for extra-aggressive tonal destruction.

The rear panel offers four CV inputs, four CV outputs, and a gate output, which allows the PRO 3 to interface with modular synthesizers and other analog gear. Control voltages can be assigned and routed from within the modulation matrix and can be sequenced for inspirational performances. Control voltages can also run at audio rates for extreme modulation effects. Additional expression controls include a position-sensitive latchable touch slider and two backlit pitch and modulation wheels. The pitch wheel has independently adjustable upper and lower ranges for advanced programming and performances.

Tilt-Up Control Panel    Premium-Grade Walnut Trim    3 x VCO: 2 Analog + Wavetable    Wavetable: 32 Tables of 16 Waves + Morph    3 Filters: Prophet 6, OB-6, Ladder    4-Phrase, 16-Track, 16-Step Sequencer    32-Slot Modulation Matrix    4 CV Inputs and 4 CV Outputs + Gate Out    Dual Digital Effects    Tuned Feedback + Analog Distortion

• Two voltage-controlled oscillators provide warmth and presence
• One digital wavetable oscillator provides digital edge and grit. (32 tables of 16 waves each + wave morphing)
• Tuned feedback with grunge
• Analog distortion

• Filter 1: 4-pole low-pass design based on the Prophet 6 filter
• Filter 2: Classic transistor ladder filter with optional resonance compensation to preserve low-end punch
• Filter 3: Classic 2-pole, state-variable design based on the OB-6 filter that can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode
• Additional Drive control provides more punch

• 16 tracks, 16 steps, and 4 phrases
• Features both real-time and step input, ratcheting, variable gate, and sequence lengths
• Multiple playback modes and paraphonic operation
• Syncs to MIDI clock and external audio input, and inputs and outputs control voltages
• Sequence tracks can control any parameter in the 171-destination modulation matrix

• Flexible architecture opens the door to processing external audio and interfacing with modular synths
• Four rear-panel control voltage inputs/outputs and a dedicated gate output
• Control voltages can be assigned and routed from within the modulation matrix
• Capable of running at audio rates for extreme modulation effects
• Many parameters can be sent to the CV outputs including oscillators, LFOs, envelopes, and sequencer tracks
• Allows Pro 3 to become the central hub of a modular or multi-synth setup

• Effects section provides delays, reverbs, time-domain effects such as chorus/phasing/flanging, and more
• Four loopable five-stage envelope generators
• Three syncable LFOs with slew and phase offset
• Full-featured arpeggiator
• 32-slot modulation matrix with 46+ mod sources and 171+ mod destinations

• Designed to be a super-powerful monosynth, but it is also a versatile 3-voice paraphonic synth
• 3-note chords are possible
• Creative use of effects and per-oscillator modulation yields highly expressive performance
• Three-octave, semi-weighted keyboard with velocity and channel aftertouch
• Backlit pitch, mod wheels, and a location-sensitive touch slider

Related Questions and Answers

Q: 1. When going from the camera to this system via HDMI/ SDI, then to a monitor via HDMI/ SDI how much latency is there?

A: While it would depend on your camera and monitor model, generally the latency of the Accsoon CineView SE Multi-Spectrum Wireless Video Transmitter is stated to be less than 50 ms.

Q: 2. Can the receiver's HDMI and SDI outputs be used simultaneously or only one at a time?

A: When using the Accsoon CineView SE Multi-Spectrum Wireless Video Transmission System the HDMI and SDI output from the receiver would be live and output simultaneously..

Q: 3. Does the remote come with built in rechargeable batteries or does it require 2xAA batteries?

A: The included remote control for the Roku Ultra 4K UHD Streaming Media Player with Voice Remote Pro (2022 Edition, BH # RO4802R, will use two (2) included AA batteries.

Q: 4. I'm using an SDI splitter on an FX6. Feeding Ninja 4k60 but client monitor only needs 1080. Will this down covert a 12G signal?

A: The Accsoon CineView SE Multi-Spectrum Wireless Video Transmission System will not down convert a 4k60p signal. The Accsoon CineView SE Multi-Spectrum Wireless Video Transmission System can only accept up to a 1080p60 fps signal via SDI.

Q: 5. is this a dx or fx lens? it states on your website that it is fx format.

A: This is a full frame format Z mount lens which can be used on both DX or FX Z mount bodies.

Q: 6. I am a bit confused, it states that it is a DX format lens, but states it is compatible with the Z6/Z7 cameras. Will it function in FX mode on a Z6/Z7 camera? If so, I could see this lens being a nice compact video lens with a gimbal.

A: When using this lens on an FX camera, the FX camera would go into DX mode, and you'd be using the center most portion of the sensor as opposed to the full size of an FX sensor.

Q: 7. on a z6 would this lens go into the crop mode or stay full frame? it's confusing.

A: The, Nikon 28mm f/2.8 NIKKOR Z Lens (SE) is a full frame lens. So, on a full frame Z mount camera it will be 28mm.

Q: 8. Is Avi compatible?

A: Roku Ultra 4K is not compatible with AVI video format. It is compatible with H.264/AVC (.MKV, .MP4, .MOV).

Q: 9. if the tx get a sdi signal will the rx output via hdmi?

A: Yes, the Accsoon CineView SE Multi-Spectrum Wireless Video Transmission System can intake a HDMI signal and output via SDI.

Q: 10. Can you have two transmitters connect to the same receiver? Also can two transmitters connect to the Accssoon app go at the same time? Like it can switch back to back.

A: No, Normally with any wireless solution it would be one Transmitter and multiple receivers ( The Cineview SE supports up to 4). You would need two full Accsoon Cineview SE kits to have two signals sent.