Countryman E6x Omnidirectional Earset Mic, Standard Gain With Detachable 2mm Cable And 6-pin Hirose Connector For Samson Wireless Transmitters (tan)
- Product Code: ga197812
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The tan Countryman E6X Omnidirectional Earset Mic, Standard Gain with Detachable 2mm Cable and 6-pin Hirose Connector for Samson Wireless Transmitters is a versatile blend of the E6 and the E6i earset that features a springy, thin earpiece and a flexible boom and is suitable for use when a few people will be using the same mic.
The E6X earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.
The low-profile, omnidirectional E6X earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the highest gain for general speaking such as presentations or sermons. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6X earset's cable terminates to a 6-pin Hirose connector for direct connection to Samson BT3, CT2, TX4, and UT4 wireless bodypack transmitters.
For Stage, Theater, and Broadcast TV Fits Samson Transmitters Headroom for General Speaking Detachable 2mm Diameter Cable Versatile, Flexible Boom Includes Windscreen 3 x Protective Caps Black and White Single Tie Cable Clips Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Samson: BT3, CT2, TX4 (Gray), UT4 |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB (A-Weighted) |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Analog Output | 1x Hirose 6-Pin Female |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Microphone | |
Compatible Transmitters | Samson: BT3, CT2, TX4 (Gray), UT4 |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +0 dB Flat, +4 dB Bright, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB (A-Weighted) |
Sensitivity | 7.0 mV/Pa |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Equivalent Noise Level | 24 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x Hirose 6-Pin Female |
Cable Length | 5' / 1.52 m |
Cable Diameter | 0.079" / 2 mm |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Tan |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Weight | 0.07 oz / 2 g |
The Countryman earsets are very small, lightweight, and the least visible headworn microphones.
The E6 Flex or E6X offers a versatile blend of the E6 and the E6i. With a springy, thin earpiece and a flexible boom, the E6 Flex is secure on the ear and fast to fit without compromising true invisibility and sound.
The E6X's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.
The E6X earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)
Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6X earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.
The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.
Related Questions and Answers
Q: 1. Does this mount fit the threads on the Shure KSM 27?
A: The KSM 27 is not compatible with the Samson mount and requires a Shure part. The A27SM is the recommended mount for the KSM27.
Q: 2. rode boompole handling area has a padding can anyone tell me what kinda material is it? have an old one i knew what kinda material it is mayb i cud chk out at some upholstery
A: I can't tell you exactly what it is but would describe it as a dense, thin foam.
Q: 3. Did they ever update the firmware to allow recording in 48kHz?
A: No. The Zoom PodTrak P8 Portable Multitrack Podcast Recorder records audio at a maximum sampling rate of 44.1 kHz / 16-bit. As another option for a similar multitrack recorder that can also be used for podcasting, but with the ability to provide higher resolution recorded audio, you may want to consider the Zoom LiveTrak L-8 Portable 8-Channel Digital Mixer and Multitrack Recorder (B&H # ZOLTL8), which is capable of recording WAV files up to 96 kHz / 24-bit. You can select between 44.1, 48, or 96 kHz for the sampling rate and 16- or 24-bit for the bit depth.
Q: 4. Can I use this pole with the NTG4+? If not what rode pole would be the best fit?
A: You should be able to use it fine, I use a similar mic with the Rode blimp and pole and it holds it fine, even at max extension. The pole is really sturdy.
Q: 5. Will this adapter also work in the Insta 360 One R Model, I am trying to get a Saramonic SR-XM1 with TRS pole to work in my Insta 360 One r ?
A: Unfortunately no. The Insta360 3.5mm Mic Adapter with Charging Input for ONE X2 will only work as a mic adapter for the ONE X2.
Q: 6. Is the handle section of this boom pole padded?
A: Very Good
Q: 7. On the very tip of the pole where you attach your audio gear, the gold thing for attaching the mic unit keeps swiveling around and I can't lock it. What am I doing wrong?
A: If a shock mount will not actually thread onto the tip, the thread itself may be stripped. Depending on when you purchased it, you may want to look into a possible exchange or warranty fix from Rode.
Q: 8. Regardless of possible stitch-line interference can a DJI wireless mic receiver be connected to the adapter. If the answer no, why not.
A: Yes the receiver from the DJI Mic Wireless Microphone Kit could, in theory, connect to the microphone input on the Insta360 3.5mm Mic Adapter with Charging Input for ONE X2 via 3.5mm cable.
Q: 9. Would this work on a NTG 4+ Shotgun Mic --?
A: Yes. However, this does not come with a shock mount, which is necessary for mounting any shotgun mic to a boom pole.They can be purchased elsewhere on the website for cheap (there are likely some in the accessories section).
Q: 10. Will this adapter ( Novoflex FTCONT For Contax/Yashica Lenses to Standard Four Thirds Cameras B&H # NOACFT MFR # FT/CONT) allow the Zeiss lenses for my Contax G2 rangefinder camera to work on my Lumix GX7 camera?
A: No, the Contax G2 used a different mount, special for the Contax G mount rangefinders. Metabones and Fotodiox both make an adapter. Here is one of them: https://a href= http://www.bhphotovideo.com/c/product/983717-REG/ target= _blank www.bhphotovideo.com/c/product/983717-REG//a
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