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Countryman E6x Omnidirectional Earset Mic, Medium Gain With Detachable 1mm Cable And Ch-style 4-pin Connector For Audio Technica Wireless Transmitters (black)

Countryman E6x Omnidirectional Earset Mic, Medium Gain With Detachable 1mm Cable And Ch-style 4-pin Connector For Audio Technica Wireless Transmitters (black)
  • Product Code: ga197940
  • Availability: In Stock

$1,755.00 $2,228.85

The black Countryman E6X Omnidirectional Earset Mic, Medium Gain with Detachable 1mm Cable and cH-style 4-pin Connector for Audio Technica Wireless Transmitters is a versatile blend of the E6 and the E6i earset that features a springy, thin earpiece and a flexible boom and is suitable for use when a few people will be using the same mic.

The E6X earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6X earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers medium gain for very loud speaking, such as in theater performances and most vocals. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6X earset's cable terminates to a cH-style 4-pin connector for direct connection to Audio Technica ATW-3201 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Audio Technica Transmitters    Headroom for Speaking and Vocals    Detachable 1mm Diameter Cable    Versatile, Flexible Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

Key Specs
Polar PatternOmnidirectional
Frequency Response20 Hz to 20 kHz
Maximum SPL130 dB (A-Weighted)
SensitivityW6/6/Mid Gain for Speaking and Vocals (H6, E6, EM6, EM2)
Analog Output1x Hirose cH-Style 4-Pin Male
Environmental ResistanceWater-Resistant with Included Housing (Unrated)
Microphone
Polar PatternOmnidirectional
Performance
Frequency Response20 Hz to 20 kHz
Maximum SPL130 dB (A-Weighted)
Sensitivity2 mV/Pa
SensitivityW6/6/Mid Gain for Speaking and Vocals (H6, E6, EM6, EM2)
Equivalent Noise Level29 dB (A-Weighted)
Connectivity
Analog Output1x Hirose cH-Style 4-Pin Male
Cable Length5' / 1.52 m
Cable Diameter0.039" / 1 mm
Power
Power SourcesPlug-In Power
Operating Voltage1 to 2 V
Physical
ColorBlack
Environmental ResistanceWater-Resistant with Included Housing (Unrated)
Weight0.07 oz / 2 g

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6 Flex or E6X offers a versatile blend of the E6 and the E6i. With a springy, thin earpiece and a flexible boom, the E6 Flex is secure on the ear and fast to fit without compromising true invisibility and sound.

The E6X's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6X earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6X earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. How would these lenses perform on a Sony Alpha a7R IV, say compared to the 2 Sony video lens, ie FE PZ 28-135 F4 OSS and E PZ 18-105 F4 G OSS?

A: Both the Fujinon MK18-55mm T2.9 Lens (Sony E Mount) and the Fujinon MK50-135mm T2.9 Lens (Sony E Mount) would be compatible for use with the Sony Alpha a7R IV Mirrorless Digital Cameras. While I have not seen optical performance comparison tests between the Fujinon lenses and the Sony lenses, both would be compatible for use on the a7R, and should have similar build quality and performance.

Q: 2. what tripod do you recommend for it?

A: Please review the following Impact Air-Cushioned Light Stand (Black, 8') B&H # IMLS8AI MFR # LS-8AI https://bhpho.to/3mqKJse Manfrotto 755XB MDeVe Aluminum Video Tripod BH #MA755XB • MFR #755XB https://bhpho.to/3BdAqxT

Q: 3. Will this work for a D500 with a 80-400 mm zoom?

A: Think Tank Photo Emergency Rain Cover (Medium) measures 18.9" long. If you attached the Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR Lens to Nikon D500 DSLR camera body, it has a total lengh of 10.5inches. If you zoom out to 400mm, the camera and lens messures 12.5 inches.

Q: 4. Can you use this setup if you also have a neckstrap attached to the camera ( for extra security )?

A: The Cotton Carrier Skout G2 Sling-Style Camera Harness (Gray) can be used with a neckstrap on the camera.

Q: 5. Hello, I'm curious to know how these would perform on the Sony Fx6 Full Frame sensor. Anyone with insight or experience with such a setup? Thanks

A: These lenses are not designed to cover a full frame sensors (only up to Super 35) so unfortunately they will produce a very large vignette around your footage. These lenses are best used on super 35mm cameras such as the Sony FS7/FS7 mkII

Q: 6. Would this kit on a Sony FS7 give the same practical focal length equivalent as a Canon 24-105 + 70-200 with a speed booster adapter?

A: The Fuji lens kit give you an 18mm to 135mm focal range. The Canon 24-105mm lens, if you multiply by the Metabones Canon EF Lens to Sony E Mount T CINE Speed Booster ULTRA 0.71x (Fifth Generation) B&H # MEMBSPEFEBT3 0.71 factor gives you an effective 17mm to 95.85mm. So you get 1 more mm at the wide end, which helps, but you lose at the tele end a fair amount. I would say this is a good, affordable solution until you can get the Fujinon's.

Q: 7. At the wide end (18mm) how much vignetting would we see in 4K on the Soggy - FS5 mkii sensor?

A: yes these lenses provide s35 coverage through out their entire range and will work on the sony FS5 at the 18mm end of the lens

Q: 8. Hello! Is it suitable for Nikon D7500 and AF-P DX lens NIKKOR 70-300MM F / 4.5-6.3G ED VR ?

A: Yes it is.

Q: 9. What are the difference between the PRO and the regular Carbon Fiber track? Is the flywheel worth the price difference?

A: The difference between the Syrp Magic Carpet Pro and Syrp Magic Carpet carbon slider is the Pro provides a flywheel carriage and 90mm quick release plate for rapid set up changes. The flywheel does help in how smooth the slider starts and stops when in motion.

Q: 10. There is a PL mount also?

A: We do not have this kit of lenses available with a PL mount.

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