Shure Blx14/b98 Wireless Cardioid Instrument Microphone System (j11: 596 To 616 Mhz)
- Product Code: ga198278
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The Shure BLX14/B98 brings brass, woodwind, and percussion players a cost-effective wireless instrument microphone system with quality sound, simple setup, intuitive operation, and dependable performance right out of the box. It includes the compact and lightweight BLX4 single-channel tabletop receiver with internal antennas, ideal for portable use.
The BLX14/B98 also includes a bodypack transmitter and a WB98H/C cardioid gooseneck mic with an integrated clip ready to attach to your instrument. The receiver features one-touch QuickScan frequency selection to quickly search 123 available frequencies and locate a clean RF channel in case of interference. The system provides up to 14 hours of continuous use with two AA batteries, at a range up to 300'. Up to 12 mic channels can operate simultaneously in each frequency band.
This streamlined system is well suited for live performance in small music venues, wedding halls, and houses of worship.
For Wind & Percussion Instruments WB98H/C Cardioid Clip-On Mic Single-Channel Tabletop Receiver 123 Auto-Scan Frequencies Internal Antenna Diversity 14-Hr AA Batteries Expandable to 12 Mic Channels/300' Range
Key Specs | |
---|---|
Wireless Technology | Analog UHF |
Included Transmitters | 1x Bodypack |
Diversity | Antenna Diversity |
Max Operating Range | 300' / 91.4 m (Line of Sight) |
Receiver Type | Tabletop |
Microphone Type | Clip-On Instrument |
Polar Pattern | Cardioid |
System | |
Wireless Technology | Analog UHF |
Number of RF Channel Frequencies | 123 |
Included Transmitters | 1x Bodypack |
Diversity | Antenna Diversity |
RF Frequency Band | J11: 596 to 608 MHz 614 to 616 MHz |
RF Bandwidth | 14 MHz |
RF Channel Scanning | Auto-Scan |
Max Operating Range | 300' / 91.4 m (Line of Sight) |
Max Transmitters per Band | 12 |
Built-In Recorder | No |
Timecode Support | No |
Mobile App Compatible | No |
Dynamic Range | 100 dBA |
Encryption | No |
Receiver | |
Receiver Type | Tabletop |
Mounting Options | Tabletop (with Included Hardware) |
Antenna | 2x Internal, Fixed |
Number of Audio Channels | 1 |
Built-In Microphone | No |
Audio I/O | 1x XLR 3-Pin Male Balanced Output 1x 1/4" TRS Female Unbalanced Output |
Audio Output Level | XLR Output: -27 dBV (Mic Level) 1/4" Output: -13 dBV (Instrument Level) |
Phantom Power Protection | No |
Frequency Response | 50 Hz to 15 kHz (Dependent on Mic) |
Network I/O | No |
USB/Lightning Connectivity | No |
USB Class-Compliant | No USB Connectivity |
Impedance | XLR Output: 200 Ohms 1/4" Output: 50 Ohms |
Power Requirements | AC/DC Power Adapter |
AC/DC Power Adapter | 12 to 15 VDC at 160 mA, Center-Positive (Included) |
DC Input Power | 12 to 15 VDC at 160mA |
Display & Indicators | 1x Multi-Segment LED (Channel, Group) 2x LED (AF Level, Sync) |
Housing | ABS |
Dimensions | 7.4 x 1.6 x 4.1" / 188 x 40 x 103 mm |
Weight | 8.5 oz / 241 g |
Transmitter | |
Transmitter Type | Bodypack |
RF Output Power | 10 mW |
Audio I/O | 1x TA4/Mini-XLR 4-Pin Male Input (Locking) |
Muting | Off/On Switch |
Auto-Level Control | No |
Gain Range | -16 to +10 dB |
Sync Method | Manual |
Antenna | 1x Flexible Whip, Fixed (Beltpack) |
Power Requirements | Battery |
Battery Type | 2x AA (Included) |
Approx. Battery Life | 14 Hours (Alkaline) |
USB/Lightning I/O | No |
Display & Indicators | 1x Multi-Segment LED (Channel, Group) 1x LED (Battery Status, Power) |
Housing | ABS |
Dimensions | 2.5 x 4.3 x 0.8" / 64 x 110 x 21 mm |
Weight | 2.6 oz / 75 g (without Batteries) |
Microphone | |
Microphone Type | Clip-On Instrument |
Instrument Mic Type | Clarinet, French Horn, Percussion/Drum, Saxophone, Trombone, Trumpet, Tuba |
Sound Field | Mono |
Capsule | Electret Condenser |
Polar Pattern | Cardioid |
Frequency Range | 20 Hz to 20 kHz |
SNR | 63 dB |
Equivalent Noise Level | 31 dB |
Maximum SPL | 155 dB SPL |
Dynamic Range | 132 dB |
Output Connector | 1x TA4F/Mini-XLR 4-Pin Female (Locking) |
Cable Length | 5.3' / 1.62 m |
The WB98H/C miniature condenser microphone clamps onto the bell of wind instruments or onto the rim of percussion instruments. It features a cardioid polar pattern that helps reject unwanted noise in loud environments. The integrated gooseneck and ratcheting swivel joint allow the microphone to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument key noise and other mechanical sounds.
The durable BLX1 bodypack transmitter offers a lightweight, ergonomic design that is comfortable for the musician to wear. Group and channel selection buttons allow for quick and simple frequency matching with the receiver. Other features include an easily accessible on/off switch, adjustable gain control, and a TA4M 4-pin input jack.
The BLX4 receiver employs microprocessor-controlled internal antenna diversity to improve the quality and reliability of your wireless audio. An LED display shows group and channel settings, while two LED lights indicate when the system is ready for use and the strength of the incoming audio signal. The unit offers 1/4" and XLR outputs for connectivity to PA systems and mixing boards.
Shure offers a variety of lavalier, instrument, headset, and handheld microphone options to adapt your BLX system as your needs evolve.
- The discrete MX153 sub-miniature earset mic provides exceptional clarity in spoken word applications.
- For fitness instructors, the SM31FH is a rugged, moisture-repelling headset microphone designed to stay secure and comfortable during active performances.
- The CVL lavalier mic offers low visibility and clear vocal reproduction for discreet applications.
- The WA302 guitar cable lets you connect the bodypack transmitter to a guitar or bass.
- The BLX2 handheld transmitter is available with three different mic capsules for presenters who prefer the flexibility of a handheld microphone.
Related Questions and Answers
Q: 1. Can a multiple systems be added for a total of four users or more?
A: The Saramonic Blink Me 2-Person Clip-On Wireless Microphone System with Touchscreens & Recording (B&H # SABLINKMEB2) will offer the best performance and reliability when no more than two systems (four users total) are used simultaneously in a closed space.
Q: 2. Will this work with a Canon 5D Mark IV?
A: The Movo Photo MicRig-W2 Video Grip Handle with 2-Person Wireless Microphone System is compatible with the Canon 5D Mark IV.
Q: 3. Are the batteries replaceable?
A: No. The transmitters and receiver included with the SmallRig Forevala W60 2-Person Compact Wireless Microphone System have built-in rechargeable batteries which are not user-replaceable.
Q: 4. In the manual, it states that "if the receiver reaches its safe battery level it will stop charging the transmitters". Huh?
A: Unfortunately, there was an error in the wording of the user manual for the Saramonic Blink Me 2-Person Clip-On Wireless Microphone System. Instead of stating "if the receiver reaches its safe battery level it will stop charging the transmitters," it should say "it will start charging the transmitters." Saramonic has been made aware of the error and apologizes for any confusion it has caused.
Q: 5. Can you charge it via the d-tap?
A: Yes.
Q: 6. Does it comes with a female 3/4 to be mounted on a camera bracket?
A: Yes, the SmallRig Forevala W60 receiver can be mounted on a shoe bracket.
Q: 7. can you use this battery to charge a blackmagic Ursa mini 4k?
A: If your URSA Mini 4K has a v-mount plate, you could use this battery to power the camera.
Q: 8. Wimberley Ap -616 ,did can compatible with native male screw Sony factory ?
A: Yes, Wimberley AP-616 Replacement Foot for Sony FE 600 f/4 GM OSS BH #WIAP616 has compatible male screw from Sony.
Q: 9. Does this battery prevent ground loops if its dtaps are used to power BOTH a monitor AND the BMPCC 4k?
A: We are not of any grounding issues with this battery.
Q: 10. When the two people are recorded simultaneously, are they mixed into one track, or are they kept as separate channels?
A: The Movo Photo MicRig-W2 Video Grip Handle with 2-Person Wireless Microphone System sends a mixed (dual mono) signal with the audio from both microphones combined on the left and right channels.
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