The cocoa B2D Directional Lavalier Mic, Low Gain, with Hardwired cH-Style 4-Pin Connector Cable for Audio Technica Wireless Transmitters from Countryman features a lightweight 0.18-ounce body that was designed to be discreetly mounted and can be used for miking news anchors, actors in a film or theater setting, lecturers in a school or house of worship type environment.

The B2D's tight hypercardioid pattern gives the mic an extra 6-10 dB of headroom compared to an omnidirectional lavalier mic, which means less problems with feedback, ambient noise, room rumble, and phase cancellations when using multiple microphones.

This version offers the lowest gain for powerful vocals such as in opera, which requires a higher overload level. In addition, the B2D lavalier is equipped with a hardwired cable that terminates to a cH-style 4-pin connector for direct connection to Audio Technica ATW-T5201 wireless bodypack transmitters.

Hypercardioid Pattern    Fits Audio Technica Transmitters    Headroom for Operatic Vocals    Frequency Response Tuned for Speech    Discreet Design for Minimal Visibility    Includes Foam Windscreen    Single Isolation Clip    Protective Cap    Carrying Case

With its small size and sensitivity options, the B2D can easily hide behind a shirt button. This makes it invisible for film work, theater, live shows, or any other application.

Natural vocal reproduction and a tight polar pattern make the B2D ideal for broadcast and is a dependable workhorse you can count on to perform night after night.

The isolation clips minimize clothing and vibration noise while allowing 360° of rotation for easy positioning of the microphone.

This microphone is tuned to a frequency response that is natural and intelligible at a wide range of distances from the mouth. It delivers wonderful sound quality on the chest (8-10" from the mouth) or towards the collar (3-4").

Low (blue band, -20 dB re W4) for operatic vocals

Related Questions and Answers

Q: 1. Is the rod support included also?

A: No, rod support is defined as an optional accessory.

Q: 2. Is it compatible with Manfrotto 504 HD head to switch from gimbal to tripod head?

A: Yes, this plate will be compatible with a 504HD head.

Q: 3. Can you take this type of battery into planes?

A: Yes. With the unit being under 100Wh, the NP-9X meets all passenger aircraft carry-on requirements to be travel friendly. But we always highly suggest checking with your airline carrier as regulations are always subject to change.

Q: 4. It will fit arcs Swiss monoballfix fix plate?

A: The SmallRig Manfrotto-Style Quick Release Plate with Arca-Type Mount for DJI RS 2/RSC 2 should fit the Arca-Swiss C1 Cube GP Geared Tripod Head with MonoballFix plate without any problems.

Q: 5. Would this camera work with an NVR?

A: Normally no the Sony Compact UHD 4K Box-Style POV Camera with Wide-Angle Lens (Black) would not connect to an NVR. It mostly depends on if the NVR has RTMP/RTSP channels for recording.

Q: 6. Will this fit the Manfrotto BeFree video head (to replace 501PL)?

A: Yes it should as the Befree Live Video uses this style of plate.

Q: 7. Do we keep the autofocus feature like with the original Sony lense or these are used only with manual focus?

A: Unfortunately, this lenses only offer manual focus.

Q: 8. is it true this work with zyhiyun weebill 3s as shown in the video ? https://www.youtube.com/watch?v=RbyMqOSFeNw

A: Yes, the SmallRig Manfrotto-Style Quick Release Plate with Arca-Type Mount for DJI RS Gimbals will also work with Zhiyun's Weebill 3S as well.

Q: 9. Is this lens parfocal?

A: Yes, both lenses in the the Fujinon MK18-55 & MK50-135 T2.9 Cine-Style Lens Kit are parfocal. Generally speaking, cinema manual focus zoom lenses like these are parfocal whereas still auto focus zooms are not.

Q: 10. Hello, I'm curious to know how these would perform on the Sony Fx6 Full Frame sensor. Anyone with insight or experience with such a setup? Thanks

A: These lenses are not designed to cover a full frame sensors (only up to Super 35) so unfortunately they will produce a very large vignette around your footage. These lenses are best used on super 35mm cameras such as the Sony FS7/FS7 mkII