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Countryman Isomax 2 All-purpose Microphone, Low Gain, With 3.5mm Connector For Azden 31lt, 32bt, Wlt-pro, Wm22, And Wm-pro Wireless Transmitters (black)

Countryman Isomax 2 All-purpose Microphone, Low Gain, With 3.5mm Connector For Azden 31lt, 32bt, Wlt-pro, Wm22, And Wm-pro Wireless Transmitters (black)
  • Product Code: ga199364
  • Availability: In Stock

$671.85 $994.34

The black Isomax 2 All-Purpose Microphone, Low Gain with 3.5mm Connector for Azden 31LT, 32BT, WLT-PRO, WM22, and WM-PRO Wireless Transmitters from Countryman features a frequency-independent capsule that delivers tight pattern control as an all-around instrument microphone. It can be used to capture audio in sound reinforcement applications for saxophone, violin, viola, cello, double bass, acoustic guitar, flute, piano, brass, and percussion instruments.

The Isomax 2 is built with exceptional gain before feedback and excellent rejection of the surrounding environment. It is lightweight, easy to use, and is designed to handle very-high sound pressure levels. It is supplied with a foam windscreen, basic clip, and carrying case. In addition, the 5' cable is permanently attached to the mic and terminates to a 3.5mm connector for direct connection to Azden 31LT, 32BT, WLT-PRO, WM22, and WM-PRO wireless bodypack transmitters.

 

Figure-8 Polar Pattern    For Instruments and Sound Reinforcement    Natural On-/Off-Axis Frequency Response    For Uncolored Recordings    Reduced Feedback Issues

Key Specs
Compatible TransmittersAzden: 31LT, 32BT, WLT-PRO, WM-PRO, WM22
Polar PatternFigure-8
Frequency Response50 Hz to 20 kHz
Maximum SPL150 dB (A-Weighted)
SensitivityW5 Low Gain (ISOMAX, ISOMAX 2)
Analog Output1x 1/8" / 3.5 mm TRS Male
Environmental ResistanceNo
Microphone
Compatible TransmittersAzden: 31LT, 32BT, WLT-PRO, WM-PRO, WM22
Polar PatternFigure-8
Included Tone/Pattern CapsNo
Performance
Frequency Response50 Hz to 20 kHz
Maximum SPL150 dB (A-Weighted)
Sensitivity-57 dBV/Pa
SensitivityW5 Low Gain (ISOMAX, ISOMAX 2)
Equivalent Noise Level29 dB (A-Weighted)
Connectivity
Analog Output1x 1/8" / 3.5 mm TRS Male
Cable Length5' / 1.52 m
Power
Power SourcesPlug-In Power / Phantom Power
Operating Voltage6 to 50 V
Physical
ColorBlack
Environmental ResistanceNo
DimensionsH: 0.16 x W: 0.31 x L: 0.63" / H: 4 x W: 8 x L: 16 mm (excluding Cable Strain Relief)

Inside or outside musical instruments, placed on or hung over stages, and hidden in sets for theater, motion pictures, and TV, the mic can also be used as an audience mic or stage floor mic.

The microphone is sleek, small, and lightweight and will not distract the instrumentalist or the public. It is easy to hang without scaffolding, which eliminates the risk of bulky equipment falling on performers.

Very-low distortion at high SPL levels encountered inside instruments. It offers an uncolored and clean sound with a superflat frequency response.

A microphone with a figure-8 (bidirectional) pickup pattern is sensitive to sound coming from the front and coming from the rear, but has a very-high rejection to sound coming from the sides. Great for mid/side and Blumlein stereo applications.

Related Questions and Answers

Q: 1. How is the shielding on this mic? My original Rode Video Mic Pro picks up RF spray from my Hollyland transmitter.

A: The Rode VideoMic Pro+ Camera-Mount Shotgun Microphone is a much better quality mic all around than the original VideoMic Pro. We don't have any specific details regarding the shielding of the mic itself. It's also possible that the cable is picking up the RF, so you may want to test your mic or the VideoMic Pro+ with a high quality cable that you know is well shielded. For more information regarding the shielding used inside of the microphone, you can contact Rode directly and they should be able to help. Their US offices are based in California and their phone number is 562-364-7400.

Q: 2. There is another version of ART Spliter: ART ProSplit with one input and two outputs. Does ART SPLITCom do whatever ART ProSplit do? ART ProSplit costs more than ART SPLITCom, though.

A: The units I bought are can be used either as a splitter (two outputs for one input) or a combiner (two inputs merged into one output).

Q: 3. Where is this mic made?

A: The Rode VideoMic Pro Camera-Mount Shotgun Microphone is made in Australia.

Q: 4. Can this be used as a mic for the pc, mac, or portable device as well as on camera?

A: I have used it successfully on my android phone (Nexus 6)

Q: 5. Does it use TLC or MLC cells? I know the 4TB version use MLC.

A: The Samsung 2TB 980 PRO PCIe 4.0 x4 M.2 Internal SSD uses TLC flash.

Q: 6. Is it compatible with Canon cameras? Which ones?

A: The RODE VideoMic Pro+ Camera-Mount Shotgun Microphone is compatible with any camera that has a 3.5mm microphone input.

Q: 7. will this work with a zoom h1?

A: Yes. I own a Zoom H1 and just plug the Rode's output jack into the mic input on the Zoom.

Q: 8. does this mic have a headphone jack? i want to use it with a mirrorless camera that does not have a headphone jack.

A: The Rode VideoMic Pro Plus does not have a headphone output.

Q: 9. Does this work with a Fuji X-T3?

A: Yes, the Rode VideoMic Pro+ Camera-Mount Shotgun Microphone is compatible for use with the FUJIFILM X-T3 Mirrorless Digital Camera. The Rode VideoMic Pro+ Camera-Mount Shotgun Microphone has a 1/8” (3.5mm) miniphone plug which would connect to the MIC connection terminal pictured on the "Parts of the Camera" page (page 2) of the Fujifilm X-T3 Mirrorless Digital Camera's instruction manual (labeled in the image as #24).

Q: 10. Can I use this this with Blackmagic Production Camera 4K directly?

A: Yes you can use it directly into the Blackmagic 4k camera into the 3.5mm microphone input.

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