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Samson Concert 88x Wireless Lavalier Microphone System With Lm5 Lav (d: 542 To 566 Mhz)

Samson Concert 88x Wireless Lavalier Microphone System With Lm5 Lav (d: 542 To 566 Mhz)
  • Product Code: ga201161
  • Availability: In Stock

$554.85 $871.11

Ideal for instructors, presenters, worship leaders, and performers, the Samson Concert 88x Wireless Lavalier Microphone System with LM5 Lav offers straightforward operation and quality performance. It features a bodypack transmitter, the LM5 lavalier mic, and a tabletop true-diversity receiver with XLR and 1/4" outputs and a rackmount kit.

With 100 available frequencies, simple syncing via IR, and one-touch automatic frequency scanning, you can quickly get started and find a strong channel. Two AA batteries (available separately) will power the microphone for up to eight hours, and the transmitter's power switch doubles as a handy mute function. If you move beyond the system's 300' line-of-sight operating range, the integrated tone key and auto mute functions mitigate transmission of undesired noise.

For Presenters and Performers    LM5 Omni Lavalier Mic    Bodypack Transmitter & Tabletop Receiver    8-Hour Run Time via AA Batteries    One-Touch Automatic Frequency Scan    True Diversity, Dual-Antenna Design    Balanced XLR and Unbalanced 1/4" Outputs    Up to 8 Mics per Band / 300' Range

Key Specs
Wireless TechnologyAnalog UHF
Included Transmitters1x Bodypack with Microphone
DiversityTrue Diversity
Max Operating Range300' / 91.4 m (Line of Sight)
Receiver TypeTabletop
Microphone TypeLavalier
Polar PatternOmnidirectional
System
Wireless TechnologyAnalog UHF
Number of RF Channel Frequencies100
Included Transmitters1x Bodypack with Microphone
DiversityTrue Diversity
RF Frequency BandD: 542 to 566 MHz
RF BandwidthUp to 25 MHz
RF Channel ScanningAuto-Scan
Max Operating Range300' / 91.4 m (Line of Sight)
Max Transmitters per Band8
Built-In RecorderNo
Timecode SupportNo
Mobile App CompatibleNo
Dynamic Range>100 dBA
EncryptionNo
Pilot Tone35 kHz
Receiver
Receiver TypeTabletop
Mounting OptionsRackmount, Tabletop (with Included Hardware)
Rackmount Size1 RU (1/2 Rack)
Antenna2x 1/4 Wave External, Fixed (Front-Mount)
Number of Audio Channels1
Built-In MicrophoneNo
Audio I/O1x XLR 3-Pin Male Balanced Output
1x 1/4" TS Female Unbalanced Output
Audio Output LevelXLR Output:
+9 dBu
1/4" Output:
+14 dBu
Frequency Response50 Hz to 15 kHz (Dependent on Mic)
Word Clock I/ONo
USB Class-CompliantNo USB Connectivity
ImpedanceXLR Output:
240 Ohms
1/4" Output:
810 Ohms
Power RequirementsAC/DC Power Adapter
AC/DC Power Adapter15 VDC at 200 mA, Center-Positive (Included)
Display & Indicators1x LCD (Channel)
1x LED (Data Transmission)
1x LED (Clip)
1x LED (Sync)
Operating Temperature14 to 140°F / -10 to 60°C
Dimensions8.3 x 1.7 x 4.9" / 21 x 4.4 x 12.5 cm
Weight14.1 oz / 400 g
Transmitter
Transmitter TypeBodypack
RF Output Power10 mW (EIRP)
Built-In MicrophoneNo
Audio I/O1x TA3/Mini-XLR 3-Pin Male Input
PadNo
MutingOff/On Switch
Auto-Level ControlNo
Gain RangeUp to 38 dB
Signal ProcessingNo
Frequency Response50 Hz to 15 kHz (Dependent on Mic)
Sync MethodIR
Antenna1x 1/4 Wave Flexible Whip, Fixed
Power RequirementsBattery
Battery Type2x AA (Not Included)
Approx. Battery Life8 Hours (Alkaline)
USB/Lightning I/ONo
Display & Indicators1x LED (Battery Status, Mute, Sync)
HousingPlastic
Dimensions2.4 x 3.8 x 0.7" / 62 x 96 x 18.5 mm
Weight3.3 oz / 93 g
Microphone
Microphone TypeLavalier
ColorBlack
Sound FieldMono
Operating PrinciplePressure Gradient
CapsuleElectret Condenser
Polar PatternOmnidirectional
Output Connector1x TA3F/Mini-XLR 3-Pin Female (Locking)
Packaging Info
Package Weight2.695 lb
Box Dimensions (LxWxH)12.4 x 9.7 x 3.5"

The Concert 88x system is designed for easy setup and reliable operation. Its true-diversity design minimizes dropouts while tone key and auto mute functions prevent unwanted noise when the transmitter is off or out of range. By operating from 542 to 566 MHz in the UHF spectrum, it avoids interference from Bluetooth and Wi-Fi signals.

The CB88 bodypack transmitter connects to the included LM5 lavalier microphone, which clips discreetly to clothing—perfect for presenters and performers in need of a hands-free audio solution.

The mic features an omnidirectional polar pattern for consistent audio levels even when the talent turns away from the microphone.

Two AA batteries (available separately) can power the transmitter for up to eight hours of operating time. Use the power switch to mute the mic between performances or turn it off for battery conservation.

Beneath the battery cover, you'll find a plastic screwdriver for adjusting the transmitter's input sensitivity. Generally avoid the maximum gain setting as it can cause distortion when the mic is used on loud sources.

The tabletop receiver includes a rackmount kit for easy installation in an equipment rack or road case. Its balanced XLR and unbalanced 1/4" outputs enable proper hookup to mixers, audio recorders, and PA systems.

  • 100 operating channels across 25 MHz bandwidth
  • Up to eight systems can be used simultaneously per frequency band (region dependent)
  • 300' operating range (line of sight)
  • One-touch automatic frequency scan finds the best operating channel
  • Two-digit LED display on receiver
  • Infrared link locks the receiver and transmitter to the same channel

Related Questions and Answers

Q: 1. Does this recorder support exFAT file system? Does it have a limit to file size? Some recorders break and restart new files at a 2gig limit. Can you make a 3, or 5 or 8 gig single audio file?

A: No, the F2 records 32-bit float WAV file format and is BWF compatible. It records to microSD cards up to 512 GB maximum. The recording continues until you press the stop button and does not automatically break in the middle to start a new file so you can make 3, 4, or 5 GB single recorded audio files.

Q: 2. Can I plug this into an Amp or the line out of a speaker? Would that be too much voltage?

A: You can send the output from the F2 to the line input of an amp or powered speaker. The input on the F2 is intended for use with a microphone and not a line level signal from an amplifier or speaker. In order to connect a line level signal to the mic input on the F2, you would need to use a line-to-mic level attenuator and possibly other adapters to provide compatibility.

Q: 3. The Zoom F2 records in mono only, is that correct? So only 1 channel can be recorded, right?

A: Correct! The Zoom F2 Ultracompact Portable Field Recorder with Lavalier Microphone (BH #ZOF) records mono tracks only. It records the same mono audio on both the left and right channels with the included single-element microphone.

Q: 4. Can I use it with the Sennheiser MKE 600? Will I need an attenuation cable?

A: The MKE600 will work with no other adapters needed

Q: 5. would this be able to record off a dj soundboard?

A: The Zoom F2 Ultracompact Portable Field Recorder is intended for use with a microphone for recording mic level signal. A mixer's output signal is line level. In order to connect a mixer to the input of the F2, you will need to use adapters as well as a line-to-mic attenuator. Since the F2 has a locking 3.5mm TRS input, you can use the Sennheiser CL-1 Cable (B&H # SECL1), which has a locking 3.5mm TRS male connector on one side and a standard non-locking 3.5mm TRS male connector on the other side. Then, you can attach a coupler like the Hosa Technology GMM303 3.5mm Female Stereo Mini to 3.5mm Female Stereo Mini Adapter (B&H # HOASMFSMF). Since many DJ mixers have RCA output, you can use the Sescom Attenuating Line to Mic Level Cable - TRS Male to Male RCA, 18" (B&H # SES43DBMZ2P), which has a built-in attenuator to convert the line level signal from the mixer to mic level while also providing connections to the mixer's RCA output.

Q: 6. can i add rode videomic ntg on this?

A: Yes, you can use a standard TRS cable for the 3.5mm output. Since the F2 has a locking connector, use a cable like the Sennheiser CL1 3.5mm to 3.5mm Output Cable for EW Series Camera-Mount Receiver (B&H# SECL1) which has a non-locking 3.5mm TRS connector on one side and a locking 3.5mm TRS connector for the recorder's input. This cable is 20" long but you can use a standard aux extension cable like the Hosa Technology Stereo Mini Male to Stereo Mini Female Audio Cable - 10' (B&H# HOSMMSMF10) or any similar cable in the length you need. Connect the male end to the mic's output and the female end will connect to extend the length of the cable connected to the F2's locking input.

Q: 7. Real world question, how durable is this? In other words, can you sit on it? (That's how lav recorders/transmitters are used..)

A: The Zoom F2 Ultracompact Portable Field Recorder with Lavalier Microphone is very durable. It is not recommended that you sit on it, as it comes with a belt clip for clipping to the belt line of the person who is using the lavalier microphone. You can also activate the 'Hold' setting on the recorder, in case any buttons are pressed during recording, the audio recording will not be affected.

Q: 8. The Boundary Microphone: I have a delightful number of Shure MX 391/O Boundary Microphones. If I use an adaptor, would I be able to use that microphone with the Zoom F2?

A: If you used an adapter that provided phantom power yes. The Zoom will not provide the power needed for you mics.

Q: 9. Can this record stereo if using an adapter for the mic input?

A: The F2 does record audio on two channels. When using the included microphone (which has a single mic element and a 3.5mm TRS locking connector) the audio recorded is dual mono, so it is the same audio on both the left and right channels. An actual stereo microphone uses two individual elements to deliver different audio on the left and right channels. Using an adapter for the mic input of the F2 may not provide actual stereo separation. Please contact us by phone or through live chat on the website if you would like further assistance.

Q: 10. Can the 32 bit be edited properly using adobe premiere?

A: Yes. Adobe offers 32 Bit Floating Point Audio.

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