Ideal for instructors, presenters, worship leaders, and performers, the Samson Concert 88x Wireless Lavalier Microphone System with LM5 Lav offers straightforward operation and quality performance. It features a bodypack transmitter, the LM5 lavalier mic, and a tabletop true-diversity receiver with XLR and 1/4" outputs and a rackmount kit.

With 100 available frequencies, simple syncing via IR, and one-touch automatic frequency scanning, you can quickly get started and find a strong channel. Two AA batteries (available separately) will power the microphone for up to eight hours, and the transmitter's power switch doubles as a handy mute function. If you move beyond the system's 300' line-of-sight operating range, the integrated tone key and auto mute functions mitigate transmission of undesired noise.

For Presenters and Performers    LM5 Omni Lavalier Mic    Bodypack Transmitter & Tabletop Receiver    8-Hour Run Time via AA Batteries    One-Touch Automatic Frequency Scan    True Diversity, Dual-Antenna Design    Balanced XLR and Unbalanced 1/4" Outputs    Up to 8 Mics per Band / 300' Range

The Concert 88x system is designed for easy setup and reliable operation. Its true-diversity design minimizes dropouts while tone key and auto mute functions prevent unwanted noise when the transmitter is off or out of range. By operating from 470 to 494 MHz in the UHF spectrum, it avoids interference from Bluetooth and Wi-Fi signals.

The CB88 bodypack transmitter connects to the included LM5 lavalier microphone, which clips discreetly to clothing—perfect for presenters and performers in need of a hands-free audio solution.

The mic features an omnidirectional polar pattern for consistent audio levels even when the talent turns away from the microphone.

Two AA batteries (available separately) can power the transmitter for up to eight hours of operating time. Use the power switch to mute the mic between performances or turn it off for battery conservation.

Beneath the battery cover, you'll find a plastic screwdriver for adjusting the transmitter's input sensitivity. Generally avoid the maximum gain setting as it can cause distortion when the mic is used on loud sources.

The tabletop receiver includes a rackmount kit for easy installation in an equipment rack or road case. Its balanced XLR and unbalanced 1/4" outputs enable proper hookup to mixers, audio recorders, and PA systems.

• 100 operating channels across 25 MHz bandwidth
• Up to eight systems can be used simultaneously per frequency band (region dependent)
• 300' operating range (line of sight)
• One-touch automatic frequency scan finds the best operating channel
• Two-digit LED display on receiver
• Infrared link locks the receiver and transmitter to the same channel

Related Questions and Answers

Q: 1. Can I plug this into an Amp or the line out of a speaker? Would that be too much voltage?

A: You can send the output from the F2 to the line input of an amp or powered speaker. The input on the F2 is intended for use with a microphone and not a line level signal from an amplifier or speaker. In order to connect a line level signal to the mic input on the F2, you would need to use a line-to-mic level attenuator and possibly other adapters to provide compatibility.

Q: 2. Is the UltraSync Blue the only timecode clock option for the F2? My camera doesn't have bluetooth.

A: Yes. Bluetooth is the only option for timecode sync

Q: 3. What's the Equivalent Input Noise (EIN) ? Thanks

A: The manufacturer has not specified what the EIN is for the Zoom F2 Ultracompact Portable Field Recorder with Lavalier Microphone.

Q: 4. Will this act as an audio input device via the usb?

A: No, the F2 does not function as an audio input device like a USB audio interface. When connected to a computer via USB, the F2 can transfer files and you can also control the F2's settings while using the F2 Editor app. The USB port can also be used with Zoom's AD-17 adapter for AC power.

Q: 5. would this be able to record off a dj soundboard?

A: The Zoom F2 Ultracompact Portable Field Recorder is intended for use with a microphone for recording mic level signal. A mixer's output signal is line level. In order to connect a mixer to the input of the F2, you will need to use adapters as well as a line-to-mic attenuator. Since the F2 has a locking 3.5mm TRS input, you can use the Sennheiser CL-1 Cable (B&H # SECL1), which has a locking 3.5mm TRS male connector on one side and a standard non-locking 3.5mm TRS male connector on the other side. Then, you can attach a coupler like the Hosa Technology GMM303 3.5mm Female Stereo Mini to 3.5mm Female Stereo Mini Adapter (B&H # HOASMFSMF). Since many DJ mixers have RCA output, you can use the Sescom Attenuating Line to Mic Level Cable - TRS Male to Male RCA, 18" (B&H # SES43DBMZ2P), which has a built-in attenuator to convert the line level signal from the mixer to mic level while also providing connections to the mixer's RCA output.

Q: 6. Can you have 2 mics recording at once with this device for an interview?

A: No. This will ony allow recording form one microphone.

Q: 7. The Zoom F2 records in mono only, is that correct? So only 1 channel can be recorded, right?

A: Correct! The Zoom F2 Ultracompact Portable Field Recorder with Lavalier Microphone (BH #ZOF) records mono tracks only. It records the same mono audio on both the left and right channels with the included single-element microphone.

Q: 8. can i add rode videomic ntg on this?

A: Yes, you can use a standard TRS cable for the 3.5mm output. Since the F2 has a locking connector, use a cable like the Sennheiser CL1 3.5mm to 3.5mm Output Cable for EW Series Camera-Mount Receiver (B&H# SECL1) which has a non-locking 3.5mm TRS connector on one side and a locking 3.5mm TRS connector for the recorder's input. This cable is 20" long but you can use a standard aux extension cable like the Hosa Technology Stereo Mini Male to Stereo Mini Female Audio Cable - 10' (B&H# HOSMMSMF10) or any similar cable in the length you need. Connect the male end to the mic's output and the female end will connect to extend the length of the cable connected to the F2's locking input.

Q: 9. Can the 32 bit be edited properly using adobe premiere?

A: Yes. Adobe offers 32 Bit Floating Point Audio.

Q: 10. Can I use it with the Sennheiser MKE 600? Will I need an attenuation cable?

A: The MKE600 will work with no other adapters needed