Merging the best of analog and digital worlds, the WesAudio ngBusComp rackmount stereo bus compressor offers legendary mix bus glue, three operating modes (stereo, dual mono, and mid-side), and the powerful luxury of digital total recall. On the analog side, it provides high headroom of +26 dBu, THAT 2181 VCAs, Carnhill transformers, variable parallel compression, and adjustable THD coloration intensity for big tone that'll help you get pro impact in your mixes and masters. Plus, there's true bypass and hardware A/B/C switching, so you can easily compare dry versus compressed or three different configurations of settings.

When it comes to the digital integration, ngBusComp is high-tech with USB/Ethernet connectivity and plug-in control. It has five touch-sensitive encoders per channel that not only adjust the settings of the analog circuitry, but also allow you to write real-time automation from ngBusComp to your DAW. Alternatively, you can draw automation in the DAW and ngBusComp will react accordingly. You can route external sources to the sidechains of ngBusComp via dedicated 1/4" inputs or use the five different filter settings for full control over the internal sidechain.

Legendary Stereo Bus Compressor Design    Digital Recall and Plug-In Control    Supports DAW and Analog Automation    External or Internal Filtered Sidechain    Hardware A/B/C Switching and True Bypass    Five Touch-Sensitive Encoders per Side    High Headroom of +26 dBu    THAT 2181 VCAs and Carnhill Transformers    Mix Knob for Parallel Compression    Selectable THD Coloration Intensity

The legendary sound of "the" stereo bus compressor has been a true companion on countless recordings for 40 years. Often recognized as "mix bus glue," this particular compression sound has become the industry standard in the analog and DAW worlds. WesAudio's ngBusComp implements legendary VCA compression into a 3 RU rack unit and brings with it one of the most demanded features in the audio industry—digital recall.

ngBusComp is a 100% analog device with +26 dBu headroom. Regardless of its digital control nature, the fully analog signal path provides top-tier VCA compression. It contains four THAT 2181 VCAs in the signal chain and one more in the sidechain detector of each channel.

ngBusComp detectors can be linked and unlinked anytime, allowing true bus compression behavior or dual mono compression when needed.

ngBusComp supports mid-side operation, so you can give your side channel different compression settings than the middle channel. This makes the ngBusComp capable for mastering as well as mixing.

Channels can be linked/unlinked at anytime to support different settings on both channels and still manage them in a relative way. Work on a mid-side mix separately for each channel, or engage "parameter link" and the makeup gain for both channels will be adjusted relatively to keep the same amount of volume difference.

With ngBusComp you can select your output stage to be either electronically balanced or transformer-balanced with precise output pad control.

In "Iron" mode, it is possible to use makeup gain to drive the transformers, and the special output pad is there to turn the signal down. The pad is a passive attenuator managed via a relay cascade, up to 15 dB of attenuation is available in 1 dB steps.

The inclusion of a dedicated mix knob allows ngBusComp to perform parallel compression at the twist of a dial.

ngBusComp's sidechain filter functionality allows you to modify signal going into the compressor's detector. It includes three high-pass filters at 60, 90, and 150 Hz, and two tilt filters which are special "curve" filters.

THD stands for "total harmonic distortion" and it allows you to saturate your signal with beautiful analog color with variable intensity ranging from 0 to 8% THD.

ngBusComo provides selectable ratios of 1.5:1 and 2:1 for gentle mix bus processing, and 4:1 and 10:1 for more aggressive compression. Select INF mode to crush the signal with extreme limiting.

Equipped with XLR main I/O and 1/4" sidechain jacks, ngBusComp lets you create a custom sidechain signal to control each channel of the compressor.

Even using ngBusComp as a pure analog signal processor, you can easily switch between three memory settings with the magic of simple A/B/C buttons.

ngBusComp supports direct USB connection, or you can manage it in your local network after connecting it to your router via Ethernet.

Each channel shows detail metering for input, output, and gain reduction. Of course, analog metering is forwarded to the plug-in instance.

Along with classic analog compression, you receive one of the most demanded features in the audio industry—total recall. Plus, full plug-in control (VST2, VST3, AU, AAX, and AAX DSP) makes ngBusComp compatible with most, if not all, major DAWs. This total integration with your beloved DAW will change your workflow forever.

It's very common to want different device settings based on song sections. Now it is possible; just draw automation lines in your DAW and the ngBusComp analog device will follow. And remember, you can use five touch-sensitive encoders per channel to record automation to your DAW.

• Fully digitally controlled analog circuit powered by four THAT 2181 VCAs
• +26 dBu of headroom
• Dual mono, stereo, and mid-side modes
• Normal (electronically balanced) and Iron (transformer balanced) selectable output stages
• Passive attenuator enabled in Iron mode, allows driving the output transformer for musical saturation
• Mix knob for parallel compression
• Relative parameter linking
• THD coloration with variable control
• Sidechain filters and external sidechain via TRS
• Digital recall and management can be achieved by connecting directly through the USB Type-B jack or the Ethernet port
• Controllable through standalone WesAudio application
• Five touch-sensitive encoders per channel, perfect for recording automation of all parameters to your DAW in real time
• True bypass and hardware A/B/C comparing
• Accurate analog gain reduction meter and its precise simulation implemented in the plug-in
• Free software and firmware upgrades

Related Questions and Answers

Q: 1. Can I pair my Bluetooth speaker to this receiver?

A: The Sony STR-DH190 Stereo Receiver BH #SOSTRDH190 will accept/receive a Bluetooth audio stream from a device like computers, MP3 players, smartphones, and tablets. It cannot transmit a Bluetooth audio signal to another device like a Bluetooth speaker.

Q: 2. Does the Canon DM-E1D have an integrated shock mount?

A: Canon does not make specific mention of any internal or integrated shock absorption capabilities for the Canon DM-E1D Stereo Microphone. It does not appear that there is any internal shock mount integration.

Q: 3. Is this microphone compatible with the Canon XA10 Camcorder?

A: No problem at all - just plug and play with the included cable.

Q: 4. Do you need a phono preamp to plug in a ken wood turntable?

A: No. This receiver offers a Stereo Phono Input.

Q: 5. compatible with panasonic lumix cameras?

A: Yes. This mic has a 3.5mm male connector and runs on a 9V battery, so will work with any camera that has a 3.5mm mic in jack.

Q: 6. Is the threading for the boompole plastic?

A: its plastic and metal , the main threading is metal

Q: 7. Will it support a sound bar through the Rca output?

A: Yes it will.

Q: 8. Can you use and graphic equalizer with this receiver?

A: Yes. There is an output (Audio 4) allowing an external device, such as a graphic EQ to be connected and returned on 'Audio 4" input.

Q: 9. What's the thickest gauge wire the speaker terminals will accept?

A: 11AWG

Q: 10. Is this compatible with the EOS 90D?

A: The Canon DM-E1D Stereo Microphone is compatible for use with select Canon cameras that incorporate Canon's Multi-Function Shoe interface. The Canon EOS 90D DSLR Camera does not incorporate the Multi-Function Shoe and is therefore not compatible for use with the DM-E1D Stereo Microphone.