Chauvet Professional Ovation Rêve E-3 Multicolor Led Ellipsoidal (black)
- Product Code: ga205155
-
Lighting designers looking for a bright ellipsoidal fixture with multicolor LEDs and tunable whites will be impressed with the black Chauvet Professional Ovation Rêve E-3, a full-spectrum LED ERS-style lighting fixture for theater, film, and broadcast production.
With color-temperatures presets ranging from 2800 to 8000K, the Ovation Rêve E-3 maintains remarkable brightness and high-quality light with emulated redshift for a tungsten feel. Other notable features include several dimming curves, a silent Fan Off mode, and an adjustable low-clearance yoke for difficult installations.
The Ovation Rêve E-3 can be controlled via DMX and RDM, with nine personalities and nine channels (1, 5, 6, 8, 12, 14-ch1, 14-ch2, 18, or Hue Saturation Value (HSV). The fixture includes power-thru via Seetronic Powerkon connectors. A Seetronic Powerkon power cord, Ovation metal gobo holder, and a soft-focus filter are included.
For Theater, Film, and Broadcast Full-Spectrum LED ERS-Style Fixture Virtual Color Wheel Matches Popular Color Gels & Temp Preset Green Adjustment + Emulated Redshift Smooth 16-Bit Dimming Curves and Speeds RDM and DMX Control Direct Power/Data Connections Silent Operation for Quiet Low-Clearance Adjustable Yoke
Key Specs | |
---|---|
Fixture Type | Spotlight |
Light Source | 91x Color LED - 10 W / 2.4 A |
Colors | Red Green Blue Dark Blue Amber Mint |
Beam Angle | 5 to 50° (with Included Lens) |
Control Protocols | DMX512 |
AC Input Power | 100 to 240 VAC, 50/60 Hz |
Power / Current Consumption | 120 VAC, 60 Hz: 367 W / 3.04 A 208 VAC, 60 Hz: 356 W / 1.76 A 230 VAC, 50 Hz: 353 W / 1.59 A |
Mounting | Single Yoke Only |
Light | |
Fixture Type | Spotlight |
Light Source | 91x Color LED - 10 W / 2.4 A |
Expected Lamp Life | 50,000 Hours (L70) |
Colors | Red Green Blue Dark Blue Amber Mint |
Photometrics | 5°: 2959 fc / 31,856 Lux at 16.4' / 5 m 10°: 1758 fc / 18,924 Lux at 16.4' / 5 m 14°: 862 fc / 9284 Lux at 16.4' / 5 m 19°: 523 fc / 5635 Lux at 16.4' / 5 m 26°: 313 fc / 3378 Lux at 16.4' / 5 m 36°: 193 fc / 2085 Lux at 16.4' / 5 m 50°: 80 fc / 870 Lux at 16.4' / 5 m |
Color Temperature | 2800 to 8000K |
Lumen Output | 12,216 Lumens (Peak) |
Beam Angle | 5 to 50° (with Included Lens) |
Field Angle | 5.6 to 55.7° (with Included Lens) |
Shutter / Strobe | Electronic |
Focus | Manual |
Dimming | 16-Bit Electronic, 0 to 100% with 4 Dimmer Modes |
Performance | |
Operating Modes | DMX |
Macros / Programs | 5x Auto-Program |
Effects | No |
Strobe Rate | 0 to 30 Hz |
Gobos | No |
Color Accuracy Index | CRI: 95.4 |
Control | |
Control Protocols | DMX512 |
DMX Channel Modes | 9 Mode(s):1 / 5 / 6 / 8 / 12 / 14a / 14b / 18-Channel |
Display / Controls | LCD / 5-Button |
Remote Control | No |
Mobile App Compatible | No |
Connectivity | |
Inputs/Outputs | 2 x XLR 3-Pin DMX Input/Output 2 x XLR 5-Pin DMX Input/Output |
Wireless | No |
Power | |
AC Input Power | 100 to 240 VAC, 50/60 Hz |
AC Power Connector | Input: 1x Seetronic IP-Rated Output: 1x Seetronic IP-Rated Plug Type: NEMA 5-15 Cord Length: 5' / 1.5 m |
Fuse | No |
Power / Current Consumption | 120 VAC, 60 Hz: 367 W / 3.04 A 208 VAC, 60 Hz: 356 W / 1.76 A 230 VAC, 50 Hz: 353 W / 1.59 A |
Power Linking | 4 Units at 120 VAC 7 Units at 208 VAC 8 Units at 230 VAC |
Physical | |
Environmental Resistance | No |
Operating Conditions | -4 to 113°F / -20 to 45°C |
Mounting | Single Yoke Only |
Included Accessories | 1x Power Cable 1x Filter |
Duty Cycle | No |
Exterior Color | Black |
Cooling | Forced Convection |
Dimensions | 20.53 x 20.44 x 13.07" / 52.15 x 51.92 x 33.2 cm (Light) |
Weight | 18.6 lb / 8.4 kg |
Packaging Info | |
Package Weight | 23.3 lb |
Box Dimensions (LxWxH) | 25.88 x 15 x 13.88" |
- Full-spectrum LED ERS-style lighting fixture for theatre, film, and production
- Linear color-temperature presets from 2800 to 8000K with high CRI and CQS
- Virtual color wheel color matched to popular gel colors
- ±Green adjustment and emulated redshift via DMX or onboard control
- RDM (Remote Device Management) for added flexibility
- Adjustable PWM (pulse width modulation) to avoid flickering on camera
- Virtually silent operation for use in studio, film, and theatre applications
- Ultrasmooth 16-bit dimming curves and speeds to complement any lighting scheme.
- Innovative adjustable yoke for mounting in low clearance areas
- Direct power/data connection and control options for the Ovation GR-1 gobo rotator
- USB port for fixture software updates
Related Questions and Answers
Q: 1. Does the Logos are printed on both side or just one side?
A: The RODE PSA1+ Pro Studio Boom Arm features the Rode logo printed on both sides of the sleeve.
Q: 2. Is there any place to put a hydration bladder?
A: I would strap it to the outside.
Q: 3. Does this bag have a water bottle pocket?
A: The Tamarc Arc Waterbottle pouch attaches to the M.O.L.L.E. straps on the side of Anvil 17 bags.
Q: 4. Can the base be mounted to a 5/8" stud or receiver?
A: The RODE PSA1+ Pro Studio Boom/Arm comes with a compatible flange-mount base so you can choose whether you want to use the clamp or the flange mount. The tip to attach the microphone has a 5/8"-27 thread.
Q: 5. Will a Fuji gfx 50R w/ L-plate attached fit?
A: Yes it will.
Q: 6. Would this bag hold two cameras with battery pack attach (Nikon cameras D810's ) to the cameras?
A: Yes.
Q: 7. Will this fit in the overhead compartment on a plane?
A: The FAA requirement for carry on bags is 14 x 22 x 9 or 45 in total volume. The Anvil 27 measures 12.2 x 20.9 x 9.8 , so you should not have an issue.
Q: 8. Is there any place to put in a sweater and a cap along with the gear in the anvil ?
A: The Anvil 27 has a roomy outer zippered pocket that extends nearly the full length of the backpack that can be used to store a sweater or a light jacket. You could also stuff a cap, gloves, etc in there as well.A cap with an adjustable strap that comes apart could be attached to the top handle (assuming you are not carrying a tripod that is attached to the back of the pack - I attach mine to the side using a lens case on the bottom attached to the lower side strap and some custom straps I made to hold the tripod at the top, for better weight distribution.Answered by Dennis H. YOU purchased on May 3, 2016
Q: 9. Would it be possible to fit a 16.7 x 13.1 inch laptop? I dont care if it has to go into the camera compartment. I will just use a camera with a 24 70 and 70 200 f4. But i really need to carry that laptop and some clothes.
A: you probably could get it inside the camera compartment, but I would not recommend it. It will be very difficult to get it in and the padding on the sides might not be enough to protect it.
Q: 10. How would one go about mounting to/on a c-stand? Any ideas?
A: The RODE PSA1+ Professional Studio Arm is not designed for use with a C-stand. It relies on a stable connection to a desk or table to maintain proper tension for its spring, and mounting it on any type of stand would not be recommended.
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