Focal 100 Icw6 6.5" 2-way In-wall / In-ceiling Speaker (single)
- Product Code: ga209339
-
The 100 ICW6 6.5" 2-Way In-Wall / In-Ceiling Speaker from Focal is a compact installation speaker geared toward the home audio market. Designed for small to medium sized rooms, they can be used in stereo, surround sound, or distributed audio systems. The 100 ICW6 feature Focal's aluminum inverted dome adjustable tweeter for improved sound dispersion and the 6.5" Polyglass woofer for clear and natural midrange. These speakers have a low-profile design and are humidity resistant, making them suitable for installation in any room of the house, including kitchens and bathrooms. Paintable, magnetic grilles are supplied, both round and square, allowing them to blend in with any décor. All Focal speaker drivers are developed and manufactured in France by Focal.
For In-Ceiling or In-Wall Installation 1" Aluminum Inverted Dome Tweeter 6.5" Polyglass Midbass Woofer 62 Hz to 23 kHz Frequency Response 8 Ohm Nominal Impedance 25 to 100W Recommended Amplifier Power Low-Profile, Under 4" In Depth Round & Square Magnetic Grilles Included
Key Specs | |
---|---|
Number of Included Speakers | 1 |
Speaker Configuration | 2-Way |
Impedance | 8 Ohms (Nominal) |
Enclosure Type | Open-Back |
HF Driver | 1x 1" / 25 mm Aluminum Tweeter |
MF Driver | 1x 6.5" / 16.5 cm Cone |
Frequency Response | 62 Hz to 23 kHz ±3 dB |
Color | White |
Speaker | |
Number of Included Speakers | 1 |
Speaker Configuration | 2-Way |
Recommended Amplifier Power | 25 to 100 W |
Impedance | 8 Ohms (Nominal) |
Enclosure Type | Open-Back |
Drivers | |
HF Driver | 1x 1" / 25 mm Aluminum Tweeter |
MF Driver | 1x 6.5" / 16.5 cm Cone |
Performance | |
Frequency Response | 62 Hz to 23 kHz ±3 dB |
Sensitivity | 89 dB |
Physical | |
Environmental Resistance | Humidity-Resistant (Unrated) |
Color | White |
Mounting | In-Ceiling In-Wall |
Cutout Depth | 3.6" / 91 mm |
Cutout Size | 7.2" / 184 mm |
Mount Surface Thickness | 0.3 to 1.6" / 8 to 40 mm |
Dimensions | 8.2 x 8.2 x 3.7" / 208 x 208 x 95 mm |
Weight | 3.3 lb / 1.5 kg |
Packaging Info | |
Package Weight | 5.325 lb |
Box Dimensions (LxWxH) | 11.3 x 10.9 x 6.9" |
The tweeter developed for the 100 SERIES range uses Focal exclusive inverted dome technology, for optimal energy transfer and limited directivity. The aluminium dome guarantees outstanding lightness and damping to provide a smooth and precise high end. The ICW6 also allows for the tweeter to be adjusted with 360° rotation and 20° inclination for improved sound spatialisation.
The speaker driver cones of the 100 SERIES range are made using Polyglass cone technology. The glass micro-balls applied on the surface of the cone make the structure of the cone more rigid, providing a rich mid-range register and bass free of distortion.
The ODC optimises the directionality for more homogeneous sound, particularly when listening to the loudspeakers off axis. It also avoids having a shower effect with in ceiling loudspeakers.
The 100 ICW6 has a three position switch (-3dB, 0 dB, +3 dB) to adjust the treble according to the acoustic environment (reverberation on windows or on tiles for example). Two loudspeakers can be connected to the same amplifier.
The three mounting brackets with optimised grips ensure a quick and easy installation. The screw system prevents screws from falling out when dismantling the product. The 100 Series products have a shallow mounting depth which greatly facilitates installation.
Tropicalization is used on Polyglass membranes to allow the installation in humid environments, such as bathrooms and kitchens.
Founded in 1979, Focal continues to write its own history each day, driven by men and women whom possess unique know-how. Focal is proud to manufacture exceptional products in their production workshops in Saint Étienne and cabinetry workshops in Bourbon-Lancy, France. Every day Focal honors this exclusive heritage, which has afforded the brand certification as a French Living Heritage Company and recognition worldwide.
Related Questions and Answers
Q: 1. is this a cartridge like spool that can be inserted into my Bell & Howell 16mm magazine camera
A: For your camera you would need one with a double perforated edge, this is only perforated on one side.
Q: 2. Does this film come on a daylight spool?
A: Yes, the 100ft version comes on a standard 16mm black daylight spool for loading into most cameras. The longer lengths come on cores.
Q: 3. When does this film generally expire? Also where on the actual can/box does it say the expiration date because I've looked on both 100' daylight spools and 400' mags and can't find any expiration date.
A: We sell film that will be good for at least 6 months or we note on the sales page that it's close dated and give the expiry date. You'd need to contact Kodak for the expiration date location as it may be either on the box or on the tape that is used to seal the canister: https://bit.ly/2RIKQ3F
Q: 4. The package reads Load in Total Darkness. This film is not on a daylight loading reel?
A: It's on a daylight reel so you don't have to load in total darkness.
Q: 5. Will this work with the krasnogorsk-3?
A: The Krasnogorsk-3 is a 16mm movie camera that can take both double perf and single perf film. Since Kodak VISION3 50D Color Negative Film #7203 (16mm, 100' Roll, Single Perf) is single perf, you are good to go.
Q: 6. What is the ASA of this film?
A: The ASA/ISO of this film is 50 when using it under daylight lighting conditions. Otherwise, the ASA?ISO of the film is 12 when shooting under tungsten light with an 80A filter on the camera.
Q: 7. Will this film work in a Eumig C16 movie camera and where can I get extra spools?
A: No, the Eumig C16 can only handle 100' rolls.
Q: 8. How much time is a 100ft?
A: At 24 fps, it will last a little under three minutes.
Q: 9. I'm using my SLR for exposure and was wandering what ASA to clock in to my camera to equal an Exposure Index of 50?
A: ASA and ISO are the same thing - they just changed the name like CPS to Hz. But the exposure on this film is really simple: f/16 in bright daylight, open up a little if it's overcast. Exposure is generally fixed in post-production (computer or positive print). --Gary
Q: 10. shall i put the ISO to 200 while using external light meter?
A: That is correct.
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