Countryman E6s Omnidirectional Earset Microphone For Azden Transmitters (low Gain, Cocoa)
- Product Code: ga211206
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The Countryman E6s Omnidirectional Microphone is a miniature earset microphone for virtually invisible operation. The compact size and placement just in front of the ear make this microphone particularly well-suited for intimate theater and broadcast applications, or any use where low mic visibility is a key factor.
The omnidirectional pickup pattern provides a generous and forgiving pickup area around the perimeter of the capsule, while the stainless steel construction stands up to daily use, makeup, and sweat. The mic also comes with 3 different interchangeable caps that let you choose between a flat, bright, or very bright frequency response.
This version of the E6s is cocoa and comes with a 1mm diameter cable. It terminates to a 1/8" (3.5mm) Mini connector for use with Azden wireless transmitters.
Omnidirectional Pickup Pattern Discreet Design Stainless Steel Construction 1mm Diameter Cable 1/8" (3.5mm) Mini Connector Interchangeable Frequency Response Caps Optimized for Powerful Vocals
Key Specs | |
---|---|
Compatible Transmitters | Azden: WM-PRO, WLT-PRO, 32BT, WM22, 31LT |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 140 dB (A-Weighted) |
Sensitivity | W7/7/Low Gain for Very Powerful Vocals (H6, E6, EM6, EM2) |
Analog Output | 1x Hirose 4-Pin |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Microphone | |
Compatible Transmitters | Azden: WM-PRO, WLT-PRO, 32BT, WM22, 31LT |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +0 dB Flat, +4 dB Bright, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 140 dB (A-Weighted) |
Sensitivity | 0.6 mV/Pa |
Sensitivity | W7/7/Low Gain for Very Powerful Vocals (H6, E6, EM6, EM2) |
Equivalent Noise Level | 39 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x Hirose 4-Pin |
Cable Length | 5' / 1.52 m |
Cable Diameter | 0.04" / 1 mm |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Cocoa |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Weight | 0.07 oz / 2 g |
Packaging Info | |
Package Weight | 0.5 lb |
Box Dimensions (LxWxH) | 10 x 10 x 2" |
The miniature design is ideal for use in applications where visibility is a key factor, such as intimate theater settings and broadcasting
The stainless steel construction allows the mic to stand up to daily use, makeup, and sweat. When used with the included caps, the mic is virtually waterproof
The included 1mm diameter cable detaches easily from the headset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy, as they are available with a wide selection of connectors to accommodate various wireless transmitters
The omnidirectional polar pattern is effective in minimizing handling noise from fabric and wind
The mic comes with 3 interchangeable caps that provide you with a flat, bright, or very bright frequency response
The mic has a low sensitivity that is ideal for powerful vocal applications
Related Questions and Answers
Q: 1. Does this microphone have to be mounted on a camera? We are using a teleprompter so we need a mic that can stand alone and not have to be mounted to our camera.
A: We use this as a boom mic which is on a boompole (fish pole) connected to a C-stand that hangs over the talent (speaker). The C stand is weighed down by two 30LB sand bags. You will also need a Matthelini clamp to attach the boom to the C-stand.
Q: 2. Is PSC A4812 48V Phantom or Sennheiser 12TP48 going to work with Ntg4? I'm looking for something similar or smaller than a box shaped power supply. Thank you.
A: It looks like those should work fine with this unit.
Q: 3. Is this mic compatible with DSLR cameras? I have a Canon 5D mark III and am looking for on on-camera shotgun mic.
A: The NTG1 requires power in order to operate that is supplied by the device the mic is connected to. unfortunately this is not able to be supplied by the cameras mini jack output. For the 5D mkIII and similar cameras you will need an additional adapter that is able to provide the power to the mic such as a Beachtek DXA-SLR ULTRA, which will allow the connection of 2 mics, level control, metering and limiters to protect from overload. Alternatively a battery powered mic will also work directly connected. The NTG-2 would be an example.
Q: 4. Is this pole aluminum or carbon fiber?
A: K-Tek - KE-89CC Avalon Series Aluminum Boompole with Internal XLR Cable
Q: 5. Are there any audio quality differences between the NTG4+ and NTG?
A: Both are excellent
Q: 6. Does this have built in isolation to eliminate handling noise?
A: Yes it does. All interview microphones have some type of shock mount in the handle to reduce handling noise when out in the field. Some are better than others.
Q: 7. is it includes these microphone wind shild
A: It actually comes with the foam windshield. It will the do the job inside, but it's not very effective outside. I recommend buying a separate windshield.
Q: 8. What is the Signal to Noise Ratio?
A: The S/N ratio for the Zhiyun TransMount Shotgun Microphone (B&H # ZHTMSGM) has not been published, nor is it available through any documentation.
Q: 9. Does it need Phantom power?
A: The F112 is a dynamic mic which does not require phantom power to operate.
Q: 10. Which is the best option between the 3? NTG2, NTG4 or Sennheiser MKE 600
A: Having owned the NTG2, NTG4+, and used the NTG3 quite a bit, I can tell you they are very different microphones. If you can afford the NTG3 it will give you the most sensitivity. Too much at times. The NTG2 is inexpensive and can hold a AA battery for phantom power, but has no off switch. This is why I purchased the NTG4+. The internal battery lasts a full day and can be turned off when not in use. I like Sennheiser, but have not owned a shotgun from them, so can not offer an honest opinion.
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