The Countryman E6s Omnidirectional Microphone is a miniature earset microphone for virtually invisible operation. The compact size and placement just in front of the ear make this microphone particularly well-suited for intimate theater and broadcast applications, or any use where low mic visibility is a key factor.

The omnidirectional pickup pattern provides a generous and forgiving pickup area around the perimeter of the capsule, while the stainless steel construction stands up to daily use, makeup, and sweat. The mic also comes with 3 different interchangeable caps that let you choose between a flat, bright, or very bright frequency response.

This version of the E6s is black and comes with a 2mm diameter Duramax cable. It terminates to a Switchcraft TA5-F connector for use with Lectrosonics wireless transmitters.

Omnidirectional Pickup Pattern    Discreet Design    Stainless Steel Construction    2mm Diameter Duramax Cable    Switchcraft TA5-F Connector    Interchangeable Frequency Response Caps    Optimized for Loud Speaking and Vocals

The miniature design is ideal for use in applications where visibility is a key factor, such as intimate theater settings and broadcasting

The stainless steel construction allows the mic to stand up to daily use, makeup, and sweat. When used with the included caps, the mic is virtually waterproof

The included 2mm diameter Duramax cable detaches easily from the headset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy, as they are available with a wide selection of connectors to accommodate various wireless transmitters

The omnidirectional polar pattern is effective in minimizing handling noise from fabric and wind

The mic comes with 3 interchangeable caps that provide you with a flat, bright, or very bright frequency response

The mic has a medium sensitivity that is ideal for loud speaking and vocal applications

Related Questions and Answers

Q: 1. When I used it in my room ( it has very low echo ) but after recording I didn't get clear sound , is using the microphone windscreen will make it better ?

A: If your audio has a lot of rumbling and low frequency noise, or a lot of plosive noise coming from the mouth, a windscreen can help. If you are having other problems in the recording, there may be other issues with your setup causing that, and a windscreen will not help. Please contact us at audio@bhphoto.com , call in by phone, or chat with us, so we can help you get the most out of your Rode NTG3 microphone.

Q: 2. If you're buying your Mic today would you get the NTG3, the MKH 416 or something else?

A: When comparing microphones, you need to find the one that best suits your particular needs and budget. The specifications for frequency response, maximum sound pressure level, and equivalent noise level are the same for the RODE NTG3 Shotgun Microphone and the Sennheiser MKH 416 Shotgun Microphone. The MKH 416 is slightly more sensitive at -32 dBV/Pa than the NTG3, which is rated at -30 dBV/Pa. The NTG3 has a supercardioid pickup pattern, and the MKH 416 has a supercardioid pickup pattern in the low to midrange frequencies and transitions to a lobar pickup pattern in the high frequencies. The specs for off-axis rejection differ a bit, with the NTG3 rated at 8 dB at 60°, 18 dB at 120°, and 17 dB at 180°, and the MKH 416 rated at 3 dB at 60°, 20 dB at 120°, and 15 dB at 180°. There are also differences in the warranties, with Sennheiser offering a two-year warranty and RODE offering a one-year warranty with an extension to 10 years with registration on RODE's website. Both mics are moisture-resistant, which makes them well-suited for outdoor use, and both mics are also popular choices for film and TV applications. As price can also be a factor for consideration, the MKH 416 is notably more expensive. To make a purchasing decision, the best thing to do is to listen to both mics side by side, as well as any other mics that may be of interest. If you are unable to perform your own hands-on testing with a camera or recorder, a good alternative is to look for side-by-side comparisons posted on YouTube or user forums where others have documented their experience while performing these types of tests. Although it’s not the same as being able to test them yourself, it can help provide more insight on the capabilities of different models and how they compare to each other. B&H offers a 30-day policy for returns, which gives you the option of ordering different microphones so you can test them on your own and decide what works best for your applications. You can then send back the items that you don’t wish to keep for a refund. Just be sure to save all of the original manufacturer’s packaging and literature, and don’t register the warranty until you are certain that you want to keep the item. Please feel free to contact us by phone or through live chat on the website if you have additional questions or if you would like further assistance, and we will be happy to help.

Q: 3. If the dials control the trim (what is recorded), how do we also set the mix levels sent to the 1/8" line-out for a live mix?

A: The dials on the face of the Zoom H6 Recorder control input gain. You can create a mix by using the project mixer on the H6's touch screen.

Q: 4. What is the maximum allowable input level on the H6 stereo mini jack?

A: Unfortunately that spec is not provided on the H6 from Zoom but you can contact them directly by phone or email on the following page to look into these details with Zoom Audio directly. https://zoomcorp.com/en/us/contact/

Q: 5. Is this Mic compatible with the Canon G40?

A: Hello Trey, unfortunately, you need 48v phantom power to operate the NTG3. It doesn't appear the G40 provides that. I recommend the Rode NTG2 or 4+ as they have power in the microphone.

Q: 6. Does the NTG3B come with a battery?

A: No. The RODE NTG3B Shotgun Microphone operates using phantom power. It does not have the options of being powered with a battery.

Q: 7. Will this work with the mount for theTascam CA-XLR2d-C XLR Microphone Adapter Kit for Canon Cameras? If so, would I need to purchase additional cables?

A: Yes, the Rode NTG3B Moisture-Resistant Shotgun Microphone will fit in the microphone holder on the Tascam CA-XLR2d-C XLR Microphone Adapter Kit for Canon Cameras. The holder is compatible with microphone diameters between 19-23mm, and the NTG3B has a specified diameter of 19mm. A short XLR cable such as the Kopul Coiled 3-Pin XLR-M to Angled 3-Pin XLR-F Cable (BH #KOM4003RC) would be required to connect the microphone to the input on the CA-XLR2d-C: https://bhpho.to/3OYmI96

Q: 8. How well does the Rode NTG3 pair with the Tascam Dr-701D or Dr-70D? Is the quality of the results great to justify buying it or would I be better off getting an Audio Technica mic?

A: The NTG3 will pair well with either recorder. It is more a question of whether your project, style, or budget is suited/comfortable with this microphone. That said, Audio-Technica offers comparable microphones at a similar price point.

Q: 9. As it's a multitrack recorder, can the various tracks be exported and the levels changed on them separately after recording? Or is it a question of having to get the relative levels right at recording and then there is just one file after comprised of all tracks?

A: Each track is a separate Audio file, that are all the same length. In an audio program you can then sync them up instantly, and adjust levels (as well as add individual effects) for each track independently. It is still important to get a clean recording from all inputs (using the levels on the zoom device). But it is not imperative to have a perfect mix on the device, you get all the tracks as separate audio files

Q: 10. Can Zoom H5/H6 monitor both {mic inputs + Windows 10} simultaneously? I'd like to use XLR mics in my remote (virtual) presentations/meetings. I want to hear both myself (from the mic) and other attendees (system sound from Windows). In USB/interface mode, does the H5/H6 monitor jack simultaneously output (mix?) both my mic and Windows system sounds? Is that standard "interface" behavior? Do the H5 and H6 behave the same in this regard? (P.S. I wish to avoid "looping" or "overdubbing" or 3rd party mixers.) Thank you all kindly in advance.

A: Yes, but most video meeting software do not give you an option to monitor your own microphone signal.