Countryman E6s Omnidirectional Earset Microphone For Specific Sony Transmitters (high Gain, Black)
- Product Code: ga212010
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The Countryman E6s Omnidirectional Microphone is a miniature earset microphone for virtually invisible operation. The compact size and placement just in front of the ear make this microphone particularly well-suited for intimate theater and broadcast applications, or any use where low mic visibility is a key factor.
The omnidirectional pickup pattern provides a generous and forgiving pickup area around the perimeter of the capsule, while the stainless steel construction stands up to daily use, makeup, and sweat. The mic also comes with 3 different interchangeable caps that let you choose between a flat, bright, or very bright frequency response.
This version of the E6s is black and comes with a 2mm diameter Duramax cable. It terminates to a 4-pin Hirose connector for use with specific* Sony wireless transmitters.
Omnidirectional Pickup Pattern Discreet Design Stainless Steel Construction 2mm Diameter Duramax Cable 4-pin Hirose Connector Interchangeable Frequency Response Caps Optimized for General Speaking
Key Specs | |
---|---|
Compatible Transmitters | Sony: WRT-28, WRT-820A, WRT-860A |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Analog Output | 1x Hirose 4-Pin |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Microphone | |
Compatible Transmitters | Sony: WRT-28, WRT-820A, WRT-860A |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +0 dB Flat, +4 dB Bright, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB |
Sensitivity | 7.0 mV/Pa |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Equivalent Noise Level | 24 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x Hirose 4-Pin |
Cable Length | 5' / 1.52 m |
Cable Diameter | 0.08" / 2 mm |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Black |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Weight | 0.07 oz / 2 g |
Packaging Info | |
Package Weight | 0.5 lb |
Box Dimensions (LxWxH) | 10 x 10 x 2" |
The miniature design is ideal for use in applications where visibility is a key factor, such as intimate theater settings and broadcasting
The stainless steel construction allows the mic to stand up to daily use, makeup, and sweat. When used with the included caps, the mic is virtually waterproof
The included 2mm diameter Duramax cable detaches easily from the headset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy, as they are available with a wide selection of connectors to accommodate various wireless transmitters
The omnidirectional polar pattern is effective in minimizing handling noise from fabric and wind
The mic comes with 3 interchangeable caps that provide you with a flat, bright, or very bright frequency response
The mic has a high sensitivity that is ideal for general speaking applications
Related Questions and Answers
Q: 1. anyone with experience with ECM-680S and a current on camera mike like ECM-B1M or ECM-M1? What's the difference in camera noise?
A: The Sony ECM-680S M/S Stereo Shotgun Microphone, when properly mounted in a shock mount, should pick up less handling noise than on-camera mics with a solid mount such as the Sony ECM-B1M.
Q: 2. Would this be compatible with the Sennheiser ew100 G-series transmitter (I have the G4)?
A: Sony headsets are not compatible with Sennheiser wireless due to different wiring schemes. For a similar low profile headset for Sennheiser, here's an option BH #GAHS8OBG4MXD.
Q: 3. Has anyone tried zone focusing with this lens, like for street photography?
A: The TTArtisan 50mm f/2 Lens for Sony E (Silver) is an excellent lens to use zone focusing for street photography.
Q: 4. what are the dimensions of the lens, please? how far does the lens protrude from the lens mount? thank you.
A: The TTArtisan 50mm f/2 Lens for Leica L (Black) is 1.38x1.95x1.95".
Q: 5. Would this work with a Sony A1 or A9ii?
A: The TTArtisan 50mm f/2 Lens for Sony E is a manual focus lens that would work with both Sony A1 and a Sony A9 II.
Q: 6. How would you compare this to the Sennheiser 418s?
A: Hi Jesse R, The ECM680S is one of Sonys best shotgun microphones. It is switchable between mono and stereo and I don't believe that is something the Sennheiser does. I would also say that at almost half the price of the Sennheiser it is an excellent value. Ralph
Q: 7. How to use off camera flash remote along with microphone?
A: You will not be able to use this product and Sony FA-CS1M Off-Camera Shoe at the same time. Both will require a direct connection to the Multi-Interface Shoe on the camera.
Q: 8. How does this mic behave in humid recording conditions ?
A: This is a robustly built microphone, but SONY does not offer any weather or humidity ratings.
Q: 9. Hello,It is possible to use this mic on spectacle, theater, contest, show that the loudspeakers are relatively close and or should not have feedback (Larsen) ?
A: Hi there! The ECM-322 is a headset ONMNI mic, and an Omni mic cannot (by design) isolate sound sources in a specific direction. If it gets strong enough signal, it will deliver that to the speaker and feedback will result. Good speaker placement is also key in this equation. The more you can get the mic/talent OFF speaker axis (farther from directly in front) - the more HF will be attenuated naturally and the whole system will be less sensitive to feedback. Best regards, Erin
Q: 10. So if I want my audio converted to digital IN-MIC, I need a Sony A7R IV? And using it on my Sony A7iii only gets me analog into camera? Please confirm.
A: Hi Roger, This microphone will work with the Sony A7III for Analog Audio through the Multi-Interface Shoe on the camera. For digital audio, you will need Sony A7RIV or A9II for the feature to work.
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