Countryman E6s Omnidirectional Earset Microphone For Specific Sony Transmitters (high Gain, Cocoa)
- Product Code: ga212059
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The Countryman E6s Omnidirectional Microphone is a miniature earset microphone for virtually invisible operation. The compact size and placement just in front of the ear make this microphone particularly well-suited for intimate theater and broadcast applications, or any use where low mic visibility is a key factor.
The omnidirectional pickup pattern provides a generous and forgiving pickup area around the perimeter of the capsule, while the stainless steel construction stands up to daily use, makeup, and sweat. The mic also comes with 3 different interchangeable caps that let you choose between a flat, bright, or very bright frequency response.
This version of the E6s is cocoa and comes with a 2mm diameter Duramax cable. It terminates to a 4-Pin Hirose connector for use with specific* Sony wireless transmitters.
Omnidirectional Pickup Pattern Discreet Design Stainless Steel Construction 2mm Diameter Duramax Cable 4-Pin Hirose Connector Interchangeable Frequency Response Caps Optimized for General Speaking
Key Specs | |
---|---|
Compatible Transmitters | Sony: WRT-8B, WRT-420, WRT-822B |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Analog Output | 1x Hirose 4-Pin |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Microphone | |
Compatible Transmitters | Sony: WRT-8B, WRT-420, WRT-822B |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +0 dB Flat, +4 dB Bright, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB |
Sensitivity | 7.0 mV/Pa |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Equivalent Noise Level | 24 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x Hirose 4-Pin |
Cable Length | 5' / 1.52 m |
Cable Diameter | 0.08" / 2 mm |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Cocoa |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Weight | 0.07 oz / 2 g |
Packaging Info | |
Package Weight | 0.5 lb |
Box Dimensions (LxWxH) | 10 x 10 x 2" |
The miniature design is ideal for use in applications where visibility is a key factor, such as intimate theater settings and broadcasting
The stainless steel construction allows the mic to stand up to daily use, makeup, and sweat. When used with the included caps, the mic is virtually waterproof
The included 2mm diameter Duramax cable detaches easily from the headset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy, as they are available with a wide selection of connectors to accommodate various wireless transmitters
The omnidirectional polar pattern is effective in minimizing handling noise from fabric and wind
The mic comes with 3 interchangeable caps that provide you with a flat, bright, or very bright frequency response
The mic has a high sensitivity that is ideal for general speaking applications
Related Questions and Answers
Q: 1. Will this work with a Sony AX-43A video camera directly on the shoe and not using the 3.5 mm cable ?
A: Yes, the Sony ECM-G1 is fully compatible with the Sony FDR-AX43A.
Q: 2. Is the microphone compatible with SONY A7S ii ? and if so, what all functions are supported? (Noise cancelation, directionality function and digital mode)
A: This is only compible with cameras the have the Sony Multi Interface Shoe, not the A7S iii.
Q: 3. anyone with experience with ECM-680S and a current on camera mike like ECM-B1M or ECM-M1? What's the difference in camera noise?
A: The Sony ECM-680S M/S Stereo Shotgun Microphone, when properly mounted in a shock mount, should pick up less handling noise than on-camera mics with a solid mount such as the Sony ECM-B1M.
Q: 4. Will this microphone loose the Noise Cancelation and Microphone Directionality functions on analog mode? e.g. Sony a7III & Sony a6500.
A: No it will not. Everything should work fine regardless of the mode you are in
Q: 5. Can this send separate M and S channels to the sound recorder for decoding later in post?
A: It's decoded inside the mic. All you need is a Y cable 5 pin XLR to two 3 pin XLR's. This is the cable B&H # RECAXSTE you can find it on the B&H website.
Q: 6. Will this work well with the Sony XLR-K3M and a Sennheiser 5 pin to 3 pin y cable for stereo inputs to Channels 1-2
A: Yes, the Sony ECM-680S M/S Stereo Shotgun Microphone could be used with the Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter and 5-Pin to dual 3-Pin XLR cable in the manner described.
Q: 7. whats the difference between the Sony ECM 678, now discontinued mic and the new Sony ECM 678/9x shotgun mic?
A: The available documentation from Sony shows identical specifications for both mics. The only mentioned difference would be in the included accessories, with the ECM-678/9x a short XLR cable is provided for connection to the camera.
Q: 8. Is this compatible with Sony A7RII using just multi-interface hot shoe and no audio cable?
A: Yes, the Sony ECM-G1 may be used with Sony cameras with an MI shoe without the use of an analog audio cable.
Q: 9. What other cameras will this microphone be compatible with?
A: Compatibility: Digital Audio Sony Alpha a7R IV Analog Audio Sony cameras equipped with Multi Interface Shoe
Q: 10. Length of XLR5 cable, please. And did you buy a supplemental wind screen?
A: We mounted the mic on our PDW-700 using the front port so we got the smallest cable(about 12 ) and we used the basic windscreen that just slides on with no extra fuzzy muff - we are inside 99% of the time.
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