Coles Microphones 4104b Lip Microphone
- Product Code: ga213386
-
The Coles 4104B Lip Microphone is a ribbon microphone designed for commentary and speech capturing in noisy environments. A sensitive ribbon transducer is combined with a directional polar pattern and flat, low-cut frequency response at 16 Hz. The result is accurate signal reproduction without noise caused by ambiance or proximity effect.
In order to minimize noise and achieve the best frequency response, the Lip Microphone requires the user to position the microphone close to the mouth. A positioning bar makes contact with the user's lip and creates the correct talking distance between the user and microphone. Stainless steel breath shields protect the capsule against moisture and noise due to sibilance and plosive sounds. A removable, plastic hygiene shield is available and can be cleaned for reuse or thrown away.
Ribbon Mic for Commentary and Speech Directional Polar Pattern Low-Cut Roll-Off at 16 Hz For Close Positioning to Mouth Reduced Noise in Ambient Environments Stainless Steel Protective Breath Shield Removable Plastic Hygiene Shield
Key Specs | |
---|---|
Polar Pattern | Cardioid |
Element Type | Ribbon |
Controls | Low Cut/HPF |
Analog Output | 1x XLR 3-Pin |
Microphone | |
Polar Pattern | Cardioid |
Element Type | Ribbon |
Sound Field | Mono |
Orientation | Side Address |
Controls | Low Cut/HPF |
Pad | No |
Filter & EQ | Low-Cut Filter: 16 Hz |
Circuitry | Solid-State |
Connectivity | |
Analog Output | 1x XLR 3-Pin |
Physical | |
Color | Brown |
Packaging Info | |
Package Weight | 1.6 lb |
Box Dimensions (LxWxH) | 9 x 8.1 x 3" |
The Coles 4104B Lip Microphone is designed for commentary applications in noisy, ambient environments. Directional polar and linear frequency response with low-cut roll-off result in accurate reproduction with minimal noise.
A ribbon transducer is featured in the capsule and requires close positioning to the mouth for best results. A positioning bar makes contact with the user's lip and maintains the necessary talking distance.
The Lip Microphone features a flat frequency response with a low-cut roll-off at 16 Hz. This eliminates low frequency ambient noise and noise due to proximity effect.
Related Questions and Answers
Q: 1. Will Sennheiser SKP300 wireless xlr transmitter fit onto the end of this? Compatible?
A: We have a Sennheiser MKH-416 with a Sennheiser EK 500 G4 Pro Wireless Plug-On XLR transmitter attached to the mic, and it works great in this blimp. Still lots of extra room inside even it you have a longer mic.
Q: 2. Can anyone explain this to me please?Frequency response20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48k Hz, JEITA)20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
A: The frequency responses listed are based on different sampling rates with different measurement variables to offer the most honest ratings.
Q: 3. Is the velcro used to attach the cold shoe strong enough?
A: Yes, each Deity Microphones TC-1 weighs only 1.4 oz. The Velcro attachment is more than strong enough to keep them secure.
Q: 4. Does this need to stay connected to the camera for the entire shoot, or can it be disconnected after syncing? Komodos/Canon DSLR
A: That would depend on if the camera in question intake and hold a time code signal or not. For most cameras the PTZOptics PT-JOY-G4 IP/Serial Joystick Controller (4th Generation) is used with, the PTZOptics PT-JOY-G4 IP/Serial Joystick Controller (4th Generation) would need to be connected the entire time.
Q: 5. Am I able to set the 70D to show the levels for monitoring? That may be a killer if I'm not able to know my db range when I'm field recording or peaking.
A: Hi! Really the producto is ok, but I cant undestand how its work with 4 imputs microfone. always whit 2 microphones is ok, but with 4 its dificcult for me found the solution. For the future is posible chat in spanish?
Q: 6. What must I plug the mic into so I'm portable inside out. I'm just starting out
A: This item acts as a shock mount to protect a condenser mic from vibrations, and as windscreen that fits a variety of Rode brand shotgun microphones. The blimp includes a a short XLR pigtail cable for connecting the mic cable to a boom pole with ease. I am not sure what type of scenario you will be using the mic for, but generally a shotgun mic would attach to a boom pole and be aimed at talent to pick up isolated dialog. The mic would be connected directly into a camera, or into a field mixer/recorder.
Q: 7. Can connect it to TASCAM Portacapture X8 via Bluetooth?
A: Regretfully, no. In order to transmit timecode to the Tascam Portacapture X8, the Deity Microphones TC-1 Wireless Timecode Generator Box (2.4 GHz, Bluetooth) would require a cable connection.
Q: 8. Does this have USB out to use for audio source interface for a computer?
A: The USB is only for file transfers. This will not work as a real time interface.
Q: 9. Can one single TC-1 provide time code synch to 3 Deity PR-2 units + a camera?
A: Yes, the Deity Microphones TC-1 Wireless Timecode Generator Box (Bluetooth, 2.4 GHz) can be used to sync three Deity Microphones PR-2 32-Bit Float Pocket Audio Recorders (BH #DEDTT0272D80) and a camera at the same time.
Q: 10. Which connecting cable is needed to make this work with the fx6?
A: The locking TRS to BNC timecode cable is required for use with the Sony FX6 Full-Frame Cinema Camera with the Deity Microphones TC-1 Wireless Timecode Generator Box 3-Pack Kit (Bluetooth, 2.4 GHz).
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