The Tiffen 5 x 6" CC20Y Yellow Filter is a color compensating (or color correction) filter for use when making color balance adjustments. It can be used to alter the color balance of a scene by placing in front of a light source or the lens of your camera. It can also be used to apply color corrections when used in the darkroom with an enlarger or to help pre-visualize color adjustments when viewing prints.

Yellow is the opposite of blue and can be used to reduce blue tones or casts within a scene or print. This yellow CC20 is more dense than a CC10 filter and less dense than a CC30 filter, and requires a 0.3 stop compensation for normal exposure results.

Tiffen filters are made using ColorCore technology; a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 5 x 6" / 127 x 152.4mm.

Color Compensating Filter    Achieve Proper Color Balance    Also for Printing and Viewing Use    ColorCore Technology

Yellow color compensating filter for use when making color balance adjustments.

Yellow is the opposite of blue and is added to reduce blue tones or color casts within a scene or print.

Related Questions and Answers

Q: 1. What are it's advantages over the Canon EF 35mm f/1.4L II USM bound with a Metabones IV (witch I do 'already have, with latest firmware) - if we do the abstraction of price and that it's more elegant to not have to do with adapters..)? :Is the Bokhe and softer f1.4 til f2.8 a real advantage for portraits, has it better 3D effect over the latest Canon ?

A: I have the Canon 35mm F1.4 II with the Metabones V and latest firmware update, which I've been using on the A7R II. The problem is inconsistent vignetting and performance because the Metabones are inconsistent as a rule. Sometimes they work awesome, sometimes they don't. The Sony 35mm 1.4 is a great lens, and being built for the Sony it should be your first consideration. I haven't seen much difference in performance of the lenses when the Metabones is working perfectly, though some of the A7R II functionality is lost due to using the Canon lens with an adapter. Both lenses seem equal in quality with sharpness and bokeh, though the Canon 35mm is sharper to through the corners. But in short, the camera wants it's own kind...and I have to admit, I never miss a shot with the Sony 35mm on the A7R II, whereas when the Metabones acts up...shots are definitely lost. Something to think about.

Q: 2. Is this lens considered to be a flat field lens (i.e. for copywork of 2D art)?

A: Yes, it is a flat field lens.

Q: 3. What tulip hood would work with this?

A: The HB-92 lens hood has a tulip shape and is included in the box with the Nikon NIKKOR Z 70-200mm f/2.8 VR S Lens

Q: 4. I own both the Sony A7s ii and a Canon 7D. Can I use this lens on both? Thanks!

A: No, it will only mount on the sony A7 cameras.

Q: 5. Is this focus by wire?

A: Yes, it is focus by wire.

Q: 6. What's the max aperture at 70mm?

A: The max aperture at 70mm is F/6.

Q: 7. Can this lens be used for Macro photography?

A: While it can focus to under two feet, it cannot give you true macro imaging which would require a 1:1 (life size) magnification ratio. A combination of extension tubes and or close-up lenses would be needed for macro imaging, if possible, with this lens. Distortion and image degradation would likely also be a problem.

Q: 8. does this lens only manually zoom on a sony fx9?

A: Yes. No power zoom offered.

Q: 9. Is this Made in Thailand??

A: According to the information we have, our current inventory's Country of Origin is Thailand. Please be aware this can change over the product's production life without notice.

Q: 10. I want to buy this lens to use it exclusively for video on a z6. How good is the autofocus of this lens in video mode?

A: The Nikon Z-mount lenses work brilliantly in photo and video mode on the Z-series cameras. The autofocus performance in this case will mostly depend on the capabilities on the camera in question, with the Mk II versions of the Z6/7 performing better than the original generation of Nikon mirrorless cameras.