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Countryman B6 Omni Lavalier Mic, Standard Sens, With Hardwired 6-pin Hirose Connector For Samson Wireless Transmitters (beige)

Countryman B6 Omni Lavalier Mic, Standard Sens, With Hardwired 6-pin Hirose Connector For Samson Wireless Transmitters (beige)
  • Product Code: ga215271
  • Availability: In Stock

$1,425.00 $2,180.25

The beige B6 Omnidirectional Lavalier Microphone, Standard Sensitivity, with Hardwired 6-Pin Hirose Connector for Samson Wireless Transmitters from Countryman is a very small lav microphone measuring one tenth of an inch in diameter with changeable protective caps, which provide moisture resistance and color options. The mic can be used to capture audio for theater, broadcast, churches, and general lavalier applications.

Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in hair or on costumes, or taped to a performer's face. The aramid cable and ultra-thin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's cable terminates to a 6-pin Hirose connector for direct connection to a Samson TX3 (Black), UT5, or UT6 wireless bodypack transmitter.

Additionally, swappable protective caps let you shape the frequency response for different situations or match other microphones. The B6 microphone is resistant to makeup, sweat, and moisture when used with the supplied protective caps. These caps can be quickly removed for cleaning or replacement.

For Theater, Live, & Studio Use    Hardwired Connector    6-Pin Hirose (SX), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Strong Vocals    Windscreen    Cable Clips    Carrying Case

Key Specs
Compatible TransmittersSamson: TX3 (Black), UT5, UT6
Polar PatternOmnidirectional
Frequency Response20 Hz to 20 kHz
Maximum SPL120 dB
Sensitivity4 for Standard/Most Uses (B6, B3, B2D)
Analog Output1x Hirose 6-Pin
Environmental ResistanceWater-Resistant (Unrated)
Microphone
Compatible TransmittersSamson: TX3 (Black), UT5, UT6
Polar PatternOmnidirectional
Included Tone/Pattern Caps+4 dB Bright, +0 dB Flat, +8 dB Very Bright
Performance
Frequency Response20 Hz to 20 kHz
Maximum SPL120 dB
Sensitivity16 mV/Pa
Sensitivity4 for Standard/Most Uses (B6, B3, B2D)
Equivalent Noise Level24 dB (A-Weighted)
Connectivity
Analog Output1x Hirose 6-Pin
Cable Length5' / 1.52 m
Power
Power SourcesPlug-In Power
Operating Voltage1 to 2 V
Physical
ColorBeige
Environmental ResistanceWater-Resistant (Unrated)
Weight0.07 oz / 2 g
Packaging Info
Package Weight0.5 lb
Box Dimensions (LxWxH)10 x 10 x 2"

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps, and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Standard, for most uses.

Related Questions and Answers

Q: 1. Can any one recommend a shotgun mic for me to best work with this device? (under $400) Right now, I am looking at NTG2 and MKE600, which one is better? Or any other suggestions.The use of the mic will be very mixed. voice over, conversations, field recording...Thanks a lot.

A: In a quiet room set up close to the speaker, yes, it's a very good mic. I use it for street interviews, and back up audio in controlled environment interviews (indoors).

Q: 2. Does the DR 70D allow for external power source. If so, what is needed that it didn't come with please?

A: Yes the Tascam dr-70D does allow for an external power source via the USB port on the left side of the product. I am currently using a Cygnett portable powerbank Cell with 11000mAh. i can record on it for 8 hours plus while it provides Phantom power to one XLR port. I havent been in a situation to run all four XLR ports on Phantom power yet to see how long the powerbank can last. I also still use 4 fully charged AA batteries cause if the powerbank runs out i still will have the batteries to safety my recordings just incase it runs out halfway why recording.

Q: 3. Can I monitor or see on the screen which channel the inputs are going to other than in the Basic menu?

A: Yes. There is metering on all the channels that is visible in the display window.

Q: 4. Does this recorder provide multitrack interface for sound editors, when it is attached to computer via USB?

A: The Tascam DR 70D will not be recognized as an interface when connected to a computer. The USB is only able to be used for data transfer from the SD card.

Q: 5. Is it possible to pan the 4 channels L-R like a 4-2 mixer? I often record high-school plays/musicals with X-Y stereo array (hard L-R), a shotgun (equal (L-R) and an omni pzm up-stage (equal L-R). It would be nice to mix it up-front like that, record into the A-cam and be done.

A: You can set the left-right position of each recording channel with the PAN item on the BASIC screen.

Q: 6. Can a timestamp be put on when a recording begins?

A: While the Tascam DR-70D 6-Input / 4-Track Multi-Track Field Recorder with Onboard Omni Microphones does not have a timecode feature, recordings can be stamped with the date and time as set in the menu.

Q: 7. How do we best time synch the audio recording to a Red camera?

A: It cannot be done in real time.There is no handheld recorder (TASCAM or otherwise) that will run in perfect sync over time for two reasons.1) No common clock source. Although both devices would normally use 48kHz as a sample rate for audio, the fact that they run independent of each other, drift will show up over time due to the difference in each device's clock specification. Using higher end equipment, the audio device is given at least a video clock reference from the video device or both are fed from a common clock source (black burst generator).2) No common time-code source. Either one device feeding the other or both being fed time-code simultaneously from an external time-code generator.A couple of articles that cover this subject:a href= http://www.videomaker.com/article/15106-sync-sound-how-to-work-with-pocket-audio-recorders target= _blank http://www.videomaker.com/article/15106-sync-sound-how-to-work-with-pocket-audio-recorders/aa href= http://philipbloom.net/blog/is/ target= _blank http://philipbloom.net/blog/is//aa href= http://thinkinghard.com/blog/HowToSyncVideoAndSeparatelyRecordedAudio.html target= _blank http://thinkinghard.com/blog/HowToSyncVideoAndSeparatelyRecordedAudio.html/aDo an independent search on the internet and you'll see that many users that shoot this way ( running wild ) are using a program by Singular called DualEyes or PluralEyes to deal with the inevitable drift that will occur.a href= http://www.redgiant.com/news/featured/welcomesingular/ target= _blank http://www.redgiant.com/news/featured/welcomesingular//aThank you for your interest in TASCAM products.

Q: 8. Would this recorder be good with a parabolic collector dish and microphone?

A: Isaiah H,We would agree with Catalin R's response.Thank you for your interest in TASCAM products.

Q: 9. Can you gain the output to the cam and by how much, i.e. turning audio on Canon to a notch above zero so to send a hot signal from the tascam and get a decent audio recorded so to avoid later syncing from the double system?

A: Under Menu Monitor, you can set the Camera Out port to either CAM level or LINE level, and there is a separate Output Gain for that port as well, that goes from -12db to +12db.I tried to record to a 5D Mark III, by setting the 5D's audio to manual and turning the gain just 1 click to the right. I set the DR70D to CAM output, and with the gain turned up to +12, the levels still weren't reaching the optimum spot on the camera meters.So I set the Output to LINE instead, and the camera levels jumped up considerably. It describes it in the Tascam Reference book that if the camera levels are too low using CAM setting, to switch over to LINE.I haven't done a comparison to see if LINE is as clean as CAM though.

Q: 10. Question about input sources: under Basic menu, are you able to set CH1 to EXT_Power and CH2 to XLR? Everything I change CH1, CH2 changes to the same thing. Same with CH3/4. I can't have CH3 set to Mic and CH4 set to XLR.

A: I don't think that's possible since the non-XLR inputs are balanced stereo jacks. I'd assume channel separation is only possible with recorders featuring separate, unbalanced pairs of TRS inputs.

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