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Countryman B6 Omni Lavalier Mic, Standard Sens, With Hardwired 3-pin Lemo Connector For Sennheiser Wireless Transmitters (black)

Countryman B6 Omni Lavalier Mic, Standard Sens, With Hardwired 3-pin Lemo Connector For Sennheiser Wireless Transmitters (black)
  • Product Code: ga215375
  • Availability: In Stock

$1,163.85 $1,547.92

The black B6 Omnidirectional Lavalier Microphone, Standard Sensitivity, with Hardwired 3-Pin LEMO Connector for Sennheiser Wireless Transmitters from Countryman is a very small lav microphone measuring one tenth of an inch in diameter with changeable protective caps, which provide moisture resistance and color options. The mic can be used to capture audio for theater, broadcast, churches, and general lavalier applications.

Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in hair or on costumes, or taped to a performer's face. The aramid cable and ultra-thin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's cable terminates to a 3-pin LEMO connector for direct connection to a Sennheiser SK 50, SK 250, SK 3063, SK 5012, SK 5212, or SK 9000 wireless bodypack transmitter.

Additionally, swappable protective caps let you shape the frequency response for different situations or match other microphones. The B6 microphone is resistant to makeup, sweat, and moisture when used with the supplied protective caps. These caps can be quickly removed for cleaning or replacement.

For Theater, Live, & Studio Use    Hardwired Connector    3-Pin LEMO (S3), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Strong Vocals    Windscreen    Cable Clips    Carrying Case

Key Specs
Compatible TransmittersAudio Ltd.: A10-TX, A10-TX-US
Sennheiser: SK250, SK3063, SK50, SK5012, SK 5212, SK 5212-II, SK6000, SK9000
Shure: AD1LEMO3, ADX1LEMO3, ADX1M, AXT100LEMO3, ULXD1LEMO3, UR1MLEMO3
Polar PatternOmnidirectional
Frequency Response20 Hz to 20 kHz
Maximum SPL120 dB
Sensitivity4 for Standard/Most Uses (B6, B3, B2D)
Analog Output1x LEMO 3-Pin
Environmental ResistanceWater-Resistant (Unrated)
Microphone
Compatible TransmittersAudio Ltd.: A10-TX, A10-TX-US
Sennheiser: SK250, SK3063, SK50, SK5012, SK 5212, SK 5212-II, SK6000, SK9000
Shure: AD1LEMO3, ADX1LEMO3, ADX1M, AXT100LEMO3, ULXD1LEMO3, UR1MLEMO3
Polar PatternOmnidirectional
Included Tone/Pattern Caps+4 dB Bright, +0 dB Flat, +8 dB Very Bright
Performance
Frequency Response20 Hz to 20 kHz
Maximum SPL120 dB
Sensitivity16 mV/Pa
Sensitivity4 for Standard/Most Uses (B6, B3, B2D)
Equivalent Noise Level24 dB (A-Weighted)
Connectivity
Analog Output1x LEMO 3-Pin
Cable Length5' / 152.4 cm
Power
Power SourcesPlug-In Power
Operating Voltage1 to 2 V
Physical
ColorBlack
Environmental ResistanceWater-Resistant (Unrated)
Weight0.07 oz / 2 g
Packaging Info
Package Weight0.5 lb
Box Dimensions (LxWxH)8.5 x 4.5 x 1.5"

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps, and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Standard, for most uses.

Related Questions and Answers

Q: 1. Am I able to set the 70D to show the levels for monitoring? That may be a killer if I'm not able to know my db range when I'm field recording or peaking.

A: Hi! Really the producto is ok, but I cant undestand how its work with 4 imputs microfone. always whit 2 microphones is ok, but with 4 its dificcult for me found the solution. For the future is posible chat in spanish?

Q: 2. Power cable besides batteries?

A: An AC power adapter/cable is not included. The included USB cable may be used with this optional adapter that is available at an additional cost:The PS-P515U AC to USB Power Adapter from Tascam is a convenient adapter that allows you to power a USB device from an AC power outlet. It is ideal for portable audio recorders, allowing you to run them for hours without worrying about battery life.

Q: 3. Can i use this Tascam DR-70D 4 Channel to recorde audior only?

A: Yes. You don't need to connect it to a camera. You can do it, but it also works separately. I use it to record audio separately from the video. And the quality is impressive. Really totally recommendable.

Q: 4. This DR-70D has a dual record function, which allows you to record a 2nd track at a quieter volume of the same input channel. Does this work when recording all 4 inputs? Is it able to record all 4 inputs separately and at the same time, record them at a lower level? It would actually be recording 8 separate audio files then.

A: Robin M gave the correct answer.Unit details available here:a href= http://tascam.com/product/dr-70d/overview/ target= _blank http://tascam.com/product/dr-70d/overview//aThank you for your interest in TASCAM products.

Q: 5. What's the best setting for DB levels on the line out to A7siii camera. If I set the tascam to +12 then it looks like camera can be at a volume setting of 3. Since the camera preamps are probably worse than the Tascam wouldn't this be best. I read elsewhere to set the Tascam so the camera ends up @ 8. What do you guys think?

A: We recommend using a level matching cable to pad the line level output signal from the Tascam DR-70D so it will provide a compatible signal level that will not overload the camera's mic input. The Sescom LN2MIC-ZOOMH4N Line to Microphone Attenuation Cable for HDSLR Cameras (B&H # SEL2MZH4N) will provide a -25 dB pad for the 70D's line level output and the Kopul ACH4-25MON Line-to-Mic Attenuator Cable (B&H # KOACH425MON) works in the same way and also includes a headphone tap.

Q: 6. Tascam DR-70D Reference Manual, D01244120B, page 15. You can monitor the input signals when the unit is stopped using headphones, for example.Does that mean monitoring cannot be done while recording?

A: You can fully monitor while recording or not. Ive got this unit. Love it. Great build quality & sound.

Q: 7. Can I use a Sennheiser ew 100 ENG G3 Wireless Microphone System Combo - B (626-668 MHz) with the DR-70D?

A: The Sennheiser Combo system ships with output cables that will allow you to connect the receiver to the Tascam DR70D via XLR or 3.5mm input jacks.

Q: 8. Can this be used as a sound with sound recorder? Could record two tracks, then add three and four while listening to the first two? [to add instruments or narration]?

A: Yes, the DR-70D is a 4-track multi-track recorder so you can overdub additional tracks.

Q: 9. Does the unit provide phantom power?

A: The Tascam DR70D is able to prove phantom power to all of the XLR mic inputs.

Q: 10. can i use it for audior recording purpose?

A: Yes.The unit's features and functions are explained here:a href= http://tascam.com/product/dr-70d/ target= _blank http://tascam.com/product/dr-70d//aAn Owner's Manual is available on the DOWNLOADS tab.Thank you for your interest in TASCAM products.

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