The cocoa B6 Omnidirectional Lavalier Microphone, Standard Sensitivity, with Hardwired 3.5mm Locking Connector for Nady Wireless Transmitters from Countryman is a very small lav microphone measuring one tenth of an inch in diameter with changeable protective caps, which provide moisture resistance and color options. The mic can be used to capture audio for theater, broadcast, churches, and general lavalier applications.

Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in hair or on costumes, or taped to a performer's face. The aramid cable and ultra-thin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's cable terminates to a 3.5mm locking connector for direct connection to a Nady UB10, UB16, WLT14, or WLT15 wireless bodypack transmitter.

Additionally, swappable protective caps let you shape the frequency response for different situations or match other microphones. The B6 microphone is resistant to makeup, sweat, and moisture when used with the supplied protective caps. These caps can be quickly removed for cleaning or replacement.

For Theater, Live, & Studio Use    Hardwired Connector    3.5mm Locking (NL), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Strong Vocals    Windscreen    Cable Clips    Carrying Case

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps, and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Standard, for most uses.

Related Questions and Answers

Q: 1. Is there a d-tap cable or other method to power this recorder from a V-Mount battery? Or a source that will last longer then AA batteries?

A: This can be powered via the AA bateries, USB bus power or AC.

Q: 2. Can you gain the output to the cam and by how much, i.e. turning audio on Canon to a notch above zero so to send a hot signal from the tascam and get a decent audio recorded so to avoid later syncing from the double system?

A: Under Menu Monitor, you can set the Camera Out port to either CAM level or LINE level, and there is a separate Output Gain for that port as well, that goes from -12db to +12db.I tried to record to a 5D Mark III, by setting the 5D's audio to manual and turning the gain just 1 click to the right. I set the DR70D to CAM output, and with the gain turned up to +12, the levels still weren't reaching the optimum spot on the camera meters.So I set the Output to LINE instead, and the camera levels jumped up considerably. It describes it in the Tascam Reference book that if the camera levels are too low using CAM setting, to switch over to LINE.I haven't done a comparison to see if LINE is as clean as CAM though.

Q: 3. Can I put another trs mic in the camera input?

A: You can, but the camera will, in that case, only capture the audio from the additional microphone and the Tascam recorder will record all of your other microphones. It would be best to consider a mini to XLR adapter to connect your TRS mic. If that TRS mic requires mic plugin power, you can use an adapter that will convert phantom power from the recorder, to mic plugin power for that compatibility, like the B&H # DEDXLR.

Q: 4. Can this be used as a multi-USB mixer on a Mac with Adobe Audition?

A: I don't know I haven't used it with a Mac but I think you can.

Q: 5. Does anyone know why Alkaline batteries are recommended instead of lithium?

A: Litium batteries may be used as well: Energizer Ultimate Lithium AA Batteries (1.5V, 3500mAh, 4-Pack) B&H # ENAALU4: https://bhpho.to/2UQXceR Key Features: Weighs 33% Less Than Alkaline Batteries Holds Power for 20 Years Operating Temperature: -40 to 140°F Leakproof Construction

Q: 6. Can I use internal mics and a phantom powered condenser at the same time?So two channels will have the signal from the builtin mics on the front and a third channel will record from an XLR input that gets phantom power?Thanks.

A: Yes, when your managing the settings prior to recording you can choose phantom power for a particular channel. By going to the menu then to your input you can between LINE MIC or MIC + PHANTOM . It doesn't interfere with signals for mics not using phantom power. It's quite nice.

Q: 7. Is the line out to camera a stereo or mono signal?

A: The Tascam DR-70D features a 3.5mm stereo camera output. The unit is capable of outputting stereo or a dual mono signal to the camera.

Q: 8. Has anyone tried the built-in mic? Is it good? Compare to the Zoom H6's built-in mic?Thanks

A: Its not bad! I wouldn't use it as a primary mic, but its good for nat sound and stuff like that. Its a little better than the h4n built in mic. I havent used the h6

Q: 9. Hello , I recently bought a Tascam dr 70d in bhphotoand I want to know how? to monitor independent mics entries in record mode and pause mode1.01 0044

A: there is no switch to play the tracks separately, which is a shame ...Looking forward to the next generation

Q: 10. How does this unit's preamp compare to a Sound Devices MM-1, Mix Pre-d or 302?

A: Preamps are great. No difference between them and the preamps on my Soundcraft and Mackie boards./