The beige B6 Omnidirectional Lavalier Microphone, Standard Sensitivity, with Hardwired 3-Pin LEMO Connector for Sennheiser Wireless Transmitters from Countryman is a very small lav microphone measuring one tenth of an inch in diameter with changeable protective caps, which provide moisture resistance and color options. The mic can be used to capture audio for theater, broadcast, churches, and general lavalier applications.

Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in hair or on costumes, or taped to a performer's face. The aramid cable and ultra-thin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's cable terminates to a 3-pin LEMO connector for direct connection to a Sennheiser SK 50, SK 250, SK 3063, SK 5012, SK 5212, or SK 9000 wireless bodypack transmitter.

Additionally, swappable protective caps let you shape the frequency response for different situations or match other microphones. The B6 microphone is resistant to makeup, sweat, and moisture when used with the supplied protective caps. These caps can be quickly removed for cleaning or replacement.

For Theater, Live, & Studio Use    Hardwired Connector    3-Pin LEMO (S3), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Strong Vocals    Windscreen    Cable Clips    Carrying Case

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps, and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Standard, for most uses.

Related Questions and Answers

Q: 1. Are the 4 tracks capable of recording simultaneously?

A: The Tascam DR70D is able to record all 4 XLR mic inputs simultaneously.

Q: 2. Does the DR 70D allow for external power source. If so, what is needed that it didn't come with please?

A: Yes the Tascam dr-70D does allow for an external power source via the USB port on the left side of the product. I am currently using a Cygnett portable powerbank Cell with 11000mAh. i can record on it for 8 hours plus while it provides Phantom power to one XLR port. I havent been in a situation to run all four XLR ports on Phantom power yet to see how long the powerbank can last. I also still use 4 fully charged AA batteries cause if the powerbank runs out i still will have the batteries to safety my recordings just incase it runs out halfway why recording.

Q: 3. Question about input sources: under Basic menu, are you able to set CH1 to EXT_Power and CH2 to XLR? Everything I change CH1, CH2 changes to the same thing. Same with CH3/4. I can't have CH3 set to Mic and CH4 set to XLR.

A: I don't think that's possible since the non-XLR inputs are balanced stereo jacks. I'd assume channel separation is only possible with recorders featuring separate, unbalanced pairs of TRS inputs.

Q: 4. Where is the setting for the Phantom power? I have gone thru the menus and buttons and don't see anything on Phantom power.

A: Hamjat....there is only a plug for Phantom power. There are no settings. I plugged into my camera and took power directly through that supply source. There should be some explanation included in the brochure, but as you noted, there isn't. I wish I could be of better assistance for you.Michael

Q: 5. Does this unit support Time code to sync up with video camera?

A: Nope it does not. You'd have to use the audio to sync with the video in post.

Q: 6. can you monitor each channel input separated? like in the dr60

A: One online YouTube reviewer says this is not possible. I have not independently verified. This might change depending on firmware, although the capability would not be very useful if the feature cannot be utilized on the fly during recording, not simply presented by menu choices.

Q: 7. Setting up the input gain on my recently purchased TAscam DR-70D.If I want to use the built in mics do I set input gain to line or mic?

A: You set the input to MIC for 3 / 4 and then have and option of low high or high+ for the gain.I find that high works for most situations rather well. High+ is pretty hot -

Q: 8. Is the line out to camera a stereo or mono signal?

A: The Tascam DR-70D features a 3.5mm stereo camera output. The unit is capable of outputting stereo or a dual mono signal to the camera.

Q: 9. Are the 4 tracks recorded separately or is it a final stereo track?

A: Mixed down to stereo.

Q: 10. Can I monitor or see on the screen which channel the inputs are going to other than in the Basic menu?

A: Yes. There is metering on all the channels that is visible in the display window.