From the Audio-Technica UniPoint Series, the U853RU Hanging Microphone is designed for accurate signal reproduction in theaters, houses-of-worship, conference halls, boardrooms, schools, professional recording applications and more. The U853RU features a flexible steel hanger that grips the suspended cable and capsule, enabling easy microphone placement without excess hardware.

The U853RU features Audio-Technica's UniLine cardioid capsule. The UniLine cardioid capsule features a tight 90 degree acceptance angle, virtually eliminating audio signal outside of the pick up pattern. The result is a focused pattern that accurately reproduces audio signal in noisy environments.

A low frequency roll-off switch eliminates rumble and noise associated with room ambiance, acoustics, wind, proximity effect, etc. The U853AU's rich audio quality, detailed signal reproduction, small profile and flexibility make it an excellent choice for capturing choirs, theatrical performances, lectures, sermons, etc.

The included UniLine cardioid capsule provides a focused pick up pattern with a 90 degree acceptance angle. The focused pick up eliminates unwanted noise outside of the pattern

The steel hanger wraps around the ceiling suspended cable and capsule. The flexible design enables flexible positioning and placement.

The UniPoint series features interchangeable capsules. A cardioid capsule is included although hyper-cardioid, omni-directional and UniLine capsules are available as options.

The included cardioid capsule provides a focused pick up pattern while minimizing noise and ambiance that can cause feedback.

Switchable low-frequency roll-off filter eliminates low-frequency residual noise at 80Hz.

UniGuard RFI-shielding protects the microphone against noise caused by radio-frequency interference in the area.

Related Questions and Answers

Q: 1. Could we record a Universal Audio Sphere DLX Modeling Microphone into the Tentacle TRACK E somehow? What about power?

A: The Universal Audio Sphere DLX Modeling Microphone (B&H # UNMICUADLX) is not compatible for direct connection to the Tentacle Sync TRACK E Pocket Audio Recorder. Aside from the different connector type, the recorder cannot supply enough voltage to power the mic. You will need to use a separate phantom power supply like the Mackie M48 Single-Channel 48V Phantom Power Supply (B&H # MAM48), and an adapter cable like the Sennheiser XLR Female Microphone Cable (B&H # SECM1), which has a locking 3.5mm connector that will connect to the input on the recorder.

Q: 2. Using with the Rode NTG without need to sync. I see another similar question but the answers aren't satisfactory. I merely want to record with my mike then worry about syncing later in Davinci Resolve. Soooooo, Will it work simply with the NTG?

A: Yes, you can use the VideoMic NTG with the Tentacle Sync TRACK E Pocket Audio Recorder. Instead of using the cable that is included with the mic, use the Sennheiser CL 35 TRS Locking 3.5mm TRS to 3.5mm TRS Coiled Cable (B&H # SECL35TRS). The Sennheiser cable provides the locking 3.5mm TRS connector that is needed to secure the mic to the recorder and a standard 3.5mm TRS connector to attach to the mic.

Q: 3. Right out of the box, is the unit's default set to 24 or 32 bit audio?

A: The default is 24-bit.

Q: 4. Is the Tascam DR-10 lav compatible?

A: Yes, the Tentacle Sync TRACK E Pocket Audio Recorder Basic Box with Timecode Support is compatible with the TASCAM TM-10LB Lavalier Microphone for DR-10L Digital Recorder.

Q: 5. If I have two Track E pocket recorders, can I sync them with the phone app, or do I have to have the Sync E in order to sync?

A: Yes, it is possible to sync multiple Tentacle Sync TRACK E Pocket Audio Recorders and to control them using the phone app.

Q: 6. Can this device also work as an on-camera recorder? I would like to plug in a Rode VideoMic NTG to take advantage of the small size and 32 bit float technology and then also send the sync signal from the recorder to my unbalanced audio in jack. This solution would be amazing for cameras with bad pre-amps when you need to shoot with a mic on the camera. I don't mind connecting to a Sync E to complete this task if necessary but I would love to have a small, 32 bit float recorder on my camera (rather than both devices on the camera). Thanks

A: A shotgun mic with an XLR connection can be attached to this unit using an adapter cable, such as the Remote Audio 3-Pin XLR Female to 3.5mm TRS Locking Adapter Cable for Sennheiser G3 / G4 Transmitter (2'), BH #RECASENK1KG3. While Time Code cannot be sent out of the Sync Track E, it can be accepted or jam sync'ed , using a Sync Sync E Timecode Generator with Bluetooth (Single Unit), BH #TETE1, which would then be outputted to your camera's 3.5mm mic input.

Q: 7. Compatibility question. Is this the right Sanken COS 11D model for this recorder? https://www.bhphotovideo.com/c/product/926368-REG/sanken_cos_11d_pt_1_8_trs_be_lavalier_microphone_with_5_9.html

A: The Tentacle Sync TRACK E Pocket Audio Recorder with Lavalier Mic and Timecode Support has a "Sennheiser style" input wiring, so a Sanken COS-11D wired for Sennheiser should work well.

Q: 8. Is the microphone size equivalent to the Sanken COS11 or DPA 6040? I'm looking to get Ursa adapters for it.

A: This is bigger than your reference mics. It's closer in size to the Sennheiser ME-2.

Q: 9. Can I use this with a sennheiser mke2 lave mic that needs 7.5v?

A: Yes, the Track E can be used with a Sennheiser MKE 2 or most any lav with a 3.5mm connector.

Q: 10. Is there a tentacle sync compatible recorder that can provide 48V phantom power?

A: Almost any professional audio recorder with XLR microphone inputs will be able to provide phantom power. When it comes to compatibility with the Tentacle Sync, the best option would be a recorder with timecode input such as the Zoom F6 for example. However, your choice of a recorder should be based on your needs such as number of inputs, recording format, and so on, and in a pinch timecode data from the Tentacle Sync can be recorded on a spare audio track.