The Tiffen 5 x 6" 2 Pink Soft-Edge Graduated Filter helps to specifically add a bright pink coloration to skies and other bright areas of an image while allowing a portion of the image to remain neutrally colored. The filter's coloring is densest at the edge and tapers to clear by the middle, with a soft-edged transition between the density and clear areas. The 2 color density provides less pink coloration than the 3 density, but more than the 1 density filter.

This filter is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. It measures 5 x 6" / 127 x 152.4mm.

Note: A vertical orientation filter's line of transition runs parallel to the short side of the filter.

Provides a bright pink coloring to select areas of the image.

Graduated filter design keeps a portion of the image neutral, resulting in a more realistic look while allowing for the sky or other bright areas to take on the color of the density.

Related Questions and Answers

Q: 1. Can you manually focus with the lens instead of using auto focus?

A: Yes, the Sony FE 24-240mm f/3.5-6.3 OSS Lens can be focused manually by placing the camera in Manual focus mode, then turning the focus ring on the lens barrel.

Q: 2. I don't see it in the specs. Does this lens also have VR?

A: There is no reason for this lens to have VR, as it is a feature of the camera.

Q: 3. I have a Sony NEX-6 with the 6-50 OSS lens. I want to get a telephoto zoom and trying to decide which one to get and whether to get an 18-200 or a 55-200?

A: This is one situation where it seems the 18-200mm lens may slightly out-perform the two-lens setup of the 16-50mm and 55-210mm lenses. While image quality does typically prefer the two-lens setup, the 18-200mm lens is well-designed (as indicated by its price), and the main struggles it would have would be with chromatic abberation, and slightly with distortion on the wide-end of the zoom; however, even for the all-in-one lens, it performs better than the 16-50mm lens at 16mm natively. When using the 16-50mm lens and the 55-210mm lens, some of the optical issues can be corrected simply by activating the camera's Distortion Correction feature, which also assists in correcting for vignetting. Basically, if you are on a budget, the two lens setup would be a good option, using the camera's Distortion Correction feature, but if you need a one-lens-does-all solution, then the 18-200mm lens is a good option on the NEX camera platform.

Q: 4. Is it by design that the manual focus ring on the 70-200GM lens remains active when the camera (and the lens) are set to Auto Focus mode?

A: Yes; in some focus modes, the lens can be auto-focused, followed by a a manual-focus override by rotating the lens focus ring.

Q: 5. What adaptor would you recommend to use iPhone 11 with this scope?

A: The Celestron NexYZ 3-Axis Universal Smartphone Adapter #81055 will be able to attach and hold the iPhone 11 up to the C5's eyepiece for proper centering.

Q: 6. What is weight?

A: Listed under the specs tab on our website, Weight 28.4 oz / 805 g

Q: 7. Has anyone experiences a very slight play in the inner barrel when especially when extended? It's subtle but audible when I gently shake the lens.

A: should speak with Nikon support and get their thoughts.

Q: 8. Can use this lens on Panasonic GH5 with dual stabilizatoon ? Thank you ! Eseanu Sorin .

A: Yes. Both the GH5 and this lens support Dual IS.

Q: 9. Does it come with a case?

A: Yes and it is a nice padded case...I would say a level below a Lowepro as comparison when it comes to protecting the lens itself

Q: 10. Does Godox make a protective case for this? Its too delicate to just throw in your bag.

A: Godox does not make a case for the Godox AD-S17 Wide Angle Soft Focus Shade Diffuser for AD180, AD360 Speedlights & AD200 Pocket Flash BH #GOADS17 but you could use a BH #PEIM2075NFB.