Designed for guitarists, singer songwriters, and streamers on the road or in the studio, the ESI UGM192 Pro-Go Pocket Studio is a 2x2 USB-C audio interface that offers a compact, portable, and easy-to-use solution for recording guitars and microphones. It allows you to connect a microphone (dynamic or condenser) via its 1/4" balanced mic preamp with phantom power, and an electric guitar via its 1/4" Hi-Z unbalanced instrument input, and record directly to your Windows/Mac computer or iOS/Android smartphone/tablet.

With resolutions up to 24-bit / 192kHz and a dynamic range of 114 dB, the UGM192 Pro-Go Pocket Studio delivers a clear and natural sound. The rear panel offers a 1/4" stereo line/headphone output that you can use for playback with powered speakers or for real-time input monitoring with headphones. When used with a mobile device, the unit can even be powered with an optional external battery via the microUSB port. To get you started right out of the box, UGM192 ships with a powerful software package for professional recording, creation of your own songs, mixing of any audio content, and much more.

Singer Songwriter, Guitarist, Streamer    Bus Powered / Mac, Windows, iOS, Android    1/4" Mic Preamp / Hi-Z Guitar In    Outputs: 1 Stereo Line / Headphone    24-Bit / 192 kHz AD/DA Conversion    DirectWIRE Loopback Function    48V, Mono or Stereo Monitoring    microUSB Secondary Power Connector    Cubasis LE, inTone 2 Software

• Ultramobile guitar and microphone audio interface
• Microphone preamp with balanced 1/4" TRS connector
• Hi-Z instrument input with unbalanced 1/4" TS connector
• Stereo line / headphone output with 1/4" TRS connector
• Switchable 48V phantom power
• 24-bit / 192 kHz ADC with 114 dB dynamic range (A-weighted)
• DirectWIRE loopback function for streaming (Windows only)
• Latency based on network configuration
• Powered via USB-C host connection
• Separate microUSB connector to supply the unit with additional power when used with a mobile device
• Included software: inTone 2 ESI Edition and Cubasis LE

With this button you can control the input gain of the microphone input channel.

• Push it once to increase the mic level by +20 dB.
• Push it twice to increase the mic level by +30 dB.

• If you push it once, the Mono LED will be turned on and you will be able to monitor theinput channel 1 signal on the left output channel and the input channel 2 signal on the rightoutput channel.
• If you push it twice, the Stereo LED will be turned on and you will be able to monitor the input channel 1 and 2 signals, each on both left and right output channels.
• If you push it three times, the monitoring will be turned off again and both LEDs will be off. In this case, you cannot hear the input channel signals at the output.

• With Windows, the interface has a feature called DirectWIRE that allows fully digital internal loopback recording of audio streams. This is a great feature to transfer audio signals between audio applications, create mixdowns or to provide content for online live streaming applications.

• The micro-USB port is used to supply the unit with additional power. While the unit is fully bus powered and does not need an additional power supply normally, it may be needed in some cases to provide extra additional power, for instance when connecting it to a mobile phone with limited battery life.
• In such a case, you can use this port to supply the unit with power from a portable battery pack or from a USB power supply. Note that you cannot use this connector to record / play back audio signals via your computer. You need to use the USB-C port instead.

• inTone 2 ESI Edition by Audified is a powerful jamming tool you can use to produce mixes of multiple audio signals and instruments, play files, change tracks, and prepare streams for podcasts and recordings. As an effects host, you can use it with the included GK Amplification 2 LE and ampLion Free as a bass and guitar amp simulator.
• Cubasis LE is the compact version of Steinberg's mobile multitouch sequencer, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing, and mixing a breeze, no matter where you are—right there on an iPhone or iPad when connecting Neva Duo.

Related Questions and Answers

Q: 1. Can these products be used with a DPA lav?

A: You would need a DPA lav that is made for compatibility with Sennheiser 3.5mm locking connectors like BH #DP4080DCDB34 for example.

Q: 2. Will this device allow me to use an external mic, as well as receive the timecode from the Tentacle Sync at the same time? I have a Panasonic GH5.

A: The Tentacle TRACK E itself does not output a Time code signal. Instead it can get synced with a Tentacle Sync SYNC Es. This tiny Time code generator can feed any DSLR/Mirrorless camera with Audio TC. To feed an external mic into your GH5 you can use the following adapter: https://bhpho.to/2Sw5pE7 The splitter cable allows you to record an external mic along the auxiliary time code signal on your GH5.

Q: 3. Can this provide power to a microphone such as a Deity S-Mic 2S and record 32-bit via that or other shotgun mics?

A: No, the Track E does not supply phantom power which is typically 48V. The 3.5mm input on the Track E can supply 5V of plug-in power which is sufficient for many lavalier microphones and small shotgun mics like the Deity S-Mic 2S or Rode VideoMicro. You could use a shotgun mic that is powered by batteries or a separate phantom power supply. But keep in mind that the input on the Track E is a locking 3.5mm connector so you would need to use adapters in order to connect mics that have non-locking plugs. A cable like the Sennheiser CL-1 (B&H # SECL1) has a locking and non-locking 3.5mm connectors. You can attach a female to female adapter like the Hosa Technology GMM303 3.5mm Female Stereo Mini to 3.5mm Female Stereo Mini Adapter (B&H # HOASMFSMF) to the non-locking end and that would enable compatibility for mics that have non-locking connectors.

Q: 4. Can I use this with a sennheiser mke2 lave mic that needs 7.5v?

A: Yes, the Track E can be used with a Sennheiser MKE 2 or most any lav with a 3.5mm connector.

Q: 5. Can tentacle sync send lavaliere audio to camera?

A: No, the Tentacle Sync Trak e is only capable of recording audio to its internal memory. It cannot send audio wirelessly to other devices.

Q: 6. can you use a shotgun microphone with the track E?

A: Yes, you can use a shotgun microphone with the Tentacle Sync Track E Pocket Recorder, however, the mic will need to connect using a 3.5mm TRS locking connector and must either operate using a battery for power or be capable of functioning with plug-in power of 5V of less. For example, the Rode VideoMic GO II (B&H # ROVMGII) or VideoMicro (B&H # ROVIDEOMICRO ) can be used when connected with a cable like the Sennheiser CL1 3.5mm TRS to 3.5mm TRS locking cable (B&H # SECL1). Or you can use a mic like the Sennheiser MKE 600 Shotgun Microphone (B&H # SEMKE600) when powered with a AA battery and connected with a cable like the Sennheiser CL2 (B&H # SECL2) XLR female to 3.5mm TRS locking cable.

Q: 7. What is the right cable to connect the RED Komodo EXT port for timecode?

A: The Tentacle Sync SYNC E can be used as the Timecode generator to feed a signal into to RED Komodo.

Q: 8. Hello, I would like to know if the Tentacle Sync TRACK E can be synchronized with the Tentacle Sync Sync E to work with the time code?

A: Yes, the Tentacle Sync Track E can be synchronized with the Sync E which generates timecode and functions as a master clock..

Q: 9. Will there be a version that doesn't include a kit lav? I already own a good quality lav.

A: At this time, the only version offered includes a lavalier mic.

Q: 10. If my camera don't have timecode do I need a Sync E too ?

A: When used alongside a camera that does not have timecode onboard, the Tentacle Sync TRACK E Pocket Audio Recorder with Lavalier Mic and Timecode Support could pair with a Tentacle Sync E mkII Timecode Generator, where the Sync E feeds timecode into the camera's audio input to be recorded and decoded later in editing for syncing with the TRACK E's recorded audio.