The black I2 Instrument Microphone, Standard Gain, with 4-Pin Hirose Connector for Audio Technica ATW-T1801, ATW-T201, ATW-T210, ATW-T210a, ATW-T27, ATW-T31, ATW-T310, ATW-T310b, and ATW-T51 Wireless Transmitters from Countryman is a mic that has been engineered from the ground up for natural on- and off-axis frequency response, low-noise, and precise polar patterns with deep nulls. This tiny instrument microphone can be used to capture audio in sound reinforcement applications for saxophone, violin, viola, cello, double bass, acoustic guitars, piano, brass, and percussion instruments.

The I2 instrument microphone is suitable for distance miking that is invisible in front of audiences and on camera. This version offers a standard gain and is suitable for close miking and loud instruments like horns. It is supplied with a foam windscreen, a basic clip, and a carrying case. In addition, the 5' cable is permanently attached to the mic and terminates to a 4-pin Hirose connector for direct connection to Audio Technica ATW-T1801, ATW-T201, ATW-T210, ATW-T210a, ATW-T27, ATW-T31, ATW-T310, ATW-T310b, and ATW-T51 wireless bodypack transmitters.

Hypercardioid Polar Pattern    For Instruments and Sound Reinforcement    Natural On-/Off-Axis Frequency Response    For Uncolored Recordings    Reduced Feedback Issues

The I2 maintains excellent pattern control and frequency response at all angles. It offers uncolored recordings and reduced feedback issues.

Flexible close miking techniques can be aided by the various selection of instrument mounts (sold separately), which position securely and gently to strings, brass, and more.

Small size and sonic precision makes this microphone suitable for X-Y, M-S, and other techniques that rely on accurate, coincident positioning, and consistent patterns.

The hypercardioid polar pattern has a narrower pickup pattern in its front than the cardioid polar pattern. It offers better rejection of ambient noise and the working distance is about twice that of the omni polar pattern. The hypercardioid has a small “pickup lobe” directly behind the microphone and exhibits maximum rejection areas behind and to the sides (about 60 degrees away from the rear of the microphone on either side) of the mic. The hypercardioid pattern works best when the loudest unwanted sounds—like speakers—can be positioned in these nulls.

Related Questions and Answers

Q: 1. Is it compatible with the Nikon D4s?

A: Can't answer that. I have a Nikon D7100 and it works great

Q: 2. Will this work with Rebel SL2 ?

A: The impression you get is that Vello has distinctly different models for different cameras, but it appears that the only difference is the cable that connects to the camera. As long as your camera has an input for a remote shutter, and you pick the right cable, you should be good. I ordered one for my 80d, but I see that I can order a cable for my 7d and should be good for both.

Q: 3. Is this the best choice for a Canon Mark III 5D?

A: No, that version is not compatible. For the 5D Mark III you need this one. http://bhpho.to/PNMxo0

Q: 4. Does it work with A7 series?

A: Yes. This would work with and is Designed For Use With: B+W 403 Benro Truenight FotodioX Pro Automatic Macro Extension Tube GoGORIL Gohandle Kenko DG Extension Tube Letus35 Talon LockCircle 6500NY Opteka CXS-25 Seercam CUBE 6x SmallRig 1889 SmallRig 2081 Sony Alpha A3000 Sony Alpha A5000 Sony Alpha A5100 Sony Alpha A6000 Sony Alpha A6100 Sony Alpha A6300 Sony Alpha A6400 Sony Alpha A6500 Sony Alpha A6600 Sony Alpha A68 Sony Alpha A7 Sony Alpha A7 II Sony Alpha A7 III Sony Alpha A77 II Sony Alpha A7R Sony Alpha A7R II Sony Alpha A7R III Sony Alpha A7R IV Sony Alpha A7S Sony Alpha A7S II Sony Alpha A7S III Sony Alpha A9 Sony Alpha A9 II Sony Alpha A99 II Sony Alpha NEX-3 Sony Alpha NEX-3N Sony Alpha NEX-5 Sony Alpha NEX-5N Sony Alpha NEX-5R Sony Alpha NEX-5T Sony Alpha NEX-6 Sony Alpha NEX-7 Sony Alpha NEX-C3 Sony Alpha NEX-F3 Sony Alpha a1 Sony Alpha a6500 Sony Cyber-shot DSC-HX400V Sony Cyber-shot DSC-HX99 Sony Cyber-shot DSC-RX10 Sony Cyber-shot DSC-RX10 II Sony Cyber-shot DSC-RX10 III Sony Cyber-shot DSC-RX10 IV Sony Cyber-shot DSC-RX100 II Sony Cyber-shot DSC-RX100 III Sony Cyber-shot DSC-RX100 V Sony Cyber-shot DSC-RX100 VII Sony Cyber-shot DSC-RX1R II Sony ZV-1 Thom Alpha A6300 Tilta ES-T16 Tilta TA-BSP2-15 Tilta TA-T17-A Tilta TA-T17-B Tilta TA-T17-C-G Tilta TA-T17-FCC UURig R006 Vello EXT-SFED2 Vidpro CA-22 Viltrox Automatic Extension Tube Wimberley AP-610 Wimberley AP-611 YELANGU C5 YELANGU FIIL-YLG-206 YELANGU FIIL-YLG-CA7 Yasuhara Nanoha

Q: 5. Is there an adapter so that I can use this with the Nikon D60?

A: No unfortunately. The D60 does not have any input to plug a wired remote into.

Q: 6. Does it work with a Canon 70D?

A: This particular version is not compatible with the Canon EOS 70D, but Vello does offer a model which is compatible. See the link below for details:http://bhpho.to/1hyh4aM

Q: 7. Will this work with the Canon M3?

A: This remote is not compatible with the Canon M3. You can instead use the Canon RC-6.

Q: 8. Hello everyone!I would like to experiment with time lapse using my new Canon PowerShot SX60 HS, but I don't know if this device can be used with my camera. The list of compatible cameras shows the Canon SX50 HS, which is the previous model for this PowerShot line.Does anyone know if I can use this device with my camera? Thank you!

A: This remote is compatible with the Canon SX60.

Q: 9. Is there a maximum number of images that can be taken with this product in time lapse mode?

A: You should have no issues taking an infinite number of photos in time laps mode,

Q: 10. Does this work on rebel t7?

A: Yes, it'll work on a Canon EOS Rebel T7.