Rosco Fluorescent Lighting Sleeves/Tube Guards are a very reliable and cost-effective system for easy control of tough lighting scenarios- especially under fluorescents. In addition to the financial benefits of the sleeves, they protect against the potential disaster of glass shattering by containing the lamp within the end caps.

Rosco sleeves are constructed of a solid polycarbonate tube within which is held the specific filter. The choice of filters and combination of filters is endless - there are complete Roscolux, Cinegel or E-Colour color filter lines - something for every venue, every photographer, every cinematographer.

For T5 Lamps    Over 300 Colors Available    UL94HB Rated Polycarbonate    End Caps Protect From Shattered Glass    Easily Trimmed with Scissors

Available in sizes for T12, T8 and T5 fluorescent lamps

The T8 and T5 sizes contain a UV filter that minimizes fading

All standard sizes (2, 4, 5, and 8') are easily trimmed to accommodate any size lamp

Related Questions and Answers

Q: 1. Is Canon EF-S 15-85mm worth to buy when already have Canon EF-S 18-200mm Lens ?

A: The optical design in the 15-85mm will be slightly better than the 18-200mm lens, and it will be slightly wider. If you are looking to replace your 18-200mm, the 15-85mm might be worth it. But, if you are simply looking to add another lens to your kit, you might look at a super wide zoom instead, such as the Canon 10-22mm (B&H # CA102235EF).

Q: 2. How does this lens compare to the RF 16mm f/2.8 for mainly video work?

A: Both lenses have pros and cons. The Canon RF 16mm f/2.8 STM Lens is lighter and more compact. This will be better in low-light with more background blur but the RF Canon RF 15-30mm f/4.5-6.3 IS STM Lens will have zoom capability. If you are using a gimbal, the Canon RF 16mm f/2.8 STM Lens will be a better option.

Q: 3. with a canon 7D Mark2, is this truly a 15 - 85mm lens?

A: I have the 7D mark II body and this EF-S 15-85 mn lens as my everyday combination. The 7D mark II uses the smaller sensor, so the equivalent focal lengths for the lens is multiplied by 1.6, giving you a 24-136 mm range for this lens. I can recommend the EF-S 15-85 mm as being an absolutely superb lens for the small sensor Canon DSLRs. It can not be mounted on the full frame Canon bodies.

Q: 4. What are the anamorphic crop settings?

A: An anamorphic crop would simulate a wide screen anamorphic frame by cropping the native aspect ratio of the video. The OSEE Megamon 15 will allow you to set custom guide lines to assist you in composing for your desired aspect ratio.

Q: 5. For recent buyers what is your production date code?(first two numbers of serial) thanks!

A: 83

Q: 6. Is it possible to mount a view screen onto this rig? I have a canon r5 c and the little built in monitor is... small!

A: The Steadicam Steadimate-RS Aero 15 Arm and Aero Vest Kit is designed to work with the cameras LCD display, and does not offer a monitor mount. If you are working with the DJI RS3 Pro you could consider the wireless image transmitter in the Combo kit. That would allow you to send video from the camera as well as control to a small phone at could be clamped to part of the column of the Steadimate RS. CAMVATE Super Clamp & Arm with Dual 1/4"-20 Knob Ball Heads & T-Handle BH #CAC2096 Phone holder: Ulanzi ST-27 Metal Smartphone Tripod Mount BH #ULST27

Q: 7. are the counterweight rods 15mm with standard spacing?

A: Yes, the Steadicam Steadimate-RS Aero 15 Arm and Aero Vest Kit counterweight 15mm Rods are using the standard LW Spacing of 60mm.

Q: 8. The nits brightness in the listing has quietly been updated from 800 to 1000. Is this now the new version of the monitor?

A: The OSEE Megamon 15 HDR Production Monitor with V-Mount Kit is the most current version of the OSEE 15" production monitors. It has 1000 nits of brightness.

Q: 9. Would this fit into a Glide Gear TMP 750 teleprompter, or other similar iPad Pro teleprompters?

A: The OSEE Megamon 15 HDR Production Monitor with V-Mount Kit would not be recommended to use with the Glide Gear TMP 750 16.5" Professional Video Camera Tablet Teleprompter.

Q: 10. Is the Canon EF-S 15-85mm f/3.5-5.6 IS USM Lens better than the Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens?

A: In this case both lenses are roughly equal in quality. The 15-85mm costs a lot more than the 18-135 due to the wider starting angle.