Mogami Multi-Channel Snake Cables are world renowned, and are found in high-end professional studios, weaving out of rackmount and console equipment. It is based on Mogami's own #2932 Neglex multipair snake cable, which is well respected for its neutral tone, remarkable transmission of audio detail, noise-free background and super-flexible jacket.

Each length of audio channel wire is individually shielded with numbered jackets for simplified organization of cable clusters. The jacket is 0.047" (1.2mm) and the overall diameter is 0.453" (11.5mm).

Stunning cable construction is both supple and rugged

Individually shielded wire sets drastically minimize EMI/RFI

Eight-channel I/O with standard analog pinouts will fit Apogee, Mackie, Sony, Tascam, Yamaha and other similar multitrack recording units

Related Questions and Answers

Q: 1. Is the 1.5 extender included in the lens?

A: Yes. 1.5x extender is built into the system.

Q: 2. Is that lens compatible with BlackMagic URSA?

A: This lens is compatible with Blackmagic URSA cameras with an EF mount.

Q: 3. May I know which version is suitable for Nissin Di700?

A: Unfortunately, there are no better beamer models currently produced for the Nissin Di700.

Q: 4. Does the /I data including distortion data and shading data like XD lenses?

A: NO the I date is standard Cooke-I metadata. extended DATA is only available on lenses that support XD like the zeiss CP.3 XD through the Extended data port

Q: 5. Would this be compatible with the Red V-Raptor with an RF-EF adaptor? If not, can you recommend a servo zoom for the Raptor?

A: You can use the CINE-SERVO 25-250mm lens with the RED Raptor in the 6K mode.

Q: 6. Would this lens work with a metabones adaptor attached to a Blackmagic Design Studio 4k camera?

A: The pairing will work as long as you power the lens.

Q: 7. With a supporter cinema camera, like the C500 II, or supported EOS cameras, like the R3 and R5C with WFT-R10A, can this lens be controlled using the browser remote function?

A: No, the Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens (PL Mount) is not compatible with the browser remote function.

Q: 8. How many stops of dynamic range it has?

A: Panasonic reports that their redesigned Venus Engine processor offers an 25% increase in dynamic range over its predecessor, but did not give a measurement in stops. Because we can't confirm with any accuracy until the camera is released and comprehensively tested, we assume this increase will give it an approximate DR in V-log of 14~15 stops (assumption is based on 25% increase from GH5's DR testing).

Q: 9. If I were to use this Super 35 lens with a Red V-Raptor I would be limited to shooting in 6k mode due to that camera's 8k full frame sensor. But, if I were to engage the built-in 1.5 extender on this lens it would sufficiently cover the 8k sensor. My question: wouldn't the FOV of the image that is recorded be equivalent to shooting a camera with a Super 35 sensor without the 1.5 extender. By that I mean, the 1.5 extender causes the FOV to narrow, but since it's a full frame sensor, it would have an equivalency that is similar to a Super 35 sensor WITHOUT the 1.5 extender. In other words it's a trade off. Am I right?

A: Forget crop factor and calculate FOV based on the size of the sensor and the mm of the lens after engaging the 1.5x extender.

Q: 10. is this lens compatible with a Sony fx9?

A: The Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens (PL Mount) is not directly compatible with the Sony FX9 E-mount. However, there are PL lens adapters that would allow you to work with this lens. Please note you would need to use the lens in S35 4k resolution mode.