This 5' Mogami Gold AES/EBU DB-25 to DB-25 Digital Audio Cable meets AES/EBU specifications with 110-ohm impedance. Its cellular PP (polypropylene) insulation material results in lower attenuation than other cable builds. The cable's pinout is compatible with the Tascam AES 8-channel I/O format making it compatible with Avid/Digidesign, Panasonic, RME, and Tascam digital recording machines that use the DB-25 connector.

Since AES/EBU digital audio cable has low capacitance characteristics, it can result in high-quality analog audio transmission in general, especially for high-frequency-range material.

Tascam AES/EBU pinout

DB-25 connectors with gold contacts

Ultra-flexible with long flex life, maintaining excellent strength characteristics

Related Questions and Answers

Q: 1. Is that lens compatible with BlackMagic URSA?

A: This lens is compatible with Blackmagic URSA cameras with an EF mount.

Q: 2. Can a 12pin to D-tap power the zoom? If not what are zoom power options for non Canon Camera like Red?

A: The Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens (PL Mount) will need a D-Tap to Hirose Cable instead of a 12pin to D-tap cable for power. An option would be the IDX System Technology C-ZLPRO D-Tap to Hirose Cable for Canon CINE-SERVO Zoom Lenses (12.5"), BH #IDCZLPRO.

Q: 3. What is the difference between the Gold series and the Cobalt series?

A: The Cobalt Prograde cards have a faster read and write speed over the Gold series cards.

Q: 4. If I were to use this Super 35 lens with a Red V-Raptor I would be limited to shooting in 6k mode due to that camera's 8k full frame sensor. But, if I were to engage the built-in 1.5 extender on this lens it would sufficiently cover the 8k sensor. My question: wouldn't the FOV of the image that is recorded be equivalent to shooting a camera with a Super 35 sensor without the 1.5 extender. By that I mean, the 1.5 extender causes the FOV to narrow, but since it's a full frame sensor, it would have an equivalency that is similar to a Super 35 sensor WITHOUT the 1.5 extender. In other words it's a trade off. Am I right?

A: Forget crop factor and calculate FOV based on the size of the sensor and the mm of the lens after engaging the 1.5x extender.

Q: 5. can I use FX Better Beamer with my Polarorid PL-190 TTL Flash for Nikon Cameras?

A: The Better Beamer is held on by a velcro strap. It may not be a perfect fit but it should work, your results may vary.

Q: 6. May I know which version is suitable for Nissin Di700?

A: Unfortunately, there are no better beamer models currently produced for the Nissin Di700.

Q: 7. What Better Beamer model do I need to use on a Canon EL-5 speed light?

A: The Visual Echoes FX2 Better Beamer Flash Extender for Use with Telephoto Lenses - for Canon 540EZ & 550EX, Nikon SB-25 & 26, Sigma EF500 Series will not fit the Canon Speedlite EL-5. The best fitting option for your flash is the Visual Echoes FX6 Better Beamer Flash Extender.

Q: 8. Does this have a through zoom focus hold on it? Eg can you set the focus and zoom without it losing focus?

A: Yes, the Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens (EF Mount) is a parfocal lens.

Q: 9. Are support rails needed for a Black Magic Ursa Mini Pro?

A: Yes, we recommend using a lens support system when working with larger lenses like the Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens (EF Mount).

Q: 10. Would this be compatible with the Red V-Raptor with an RF-EF adaptor? If not, can you recommend a servo zoom for the Raptor?

A: You can use the CINE-SERVO 25-250mm lens with the RED Raptor in the 6K mode.