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Countryman E6 Directional Earset Mic, Highest Overload, With Detachable 1mm Cable And 2.5mm Connector For Lectrosonics Wireless Transmitters (tan)

Countryman E6 Directional Earset Mic, Highest Overload, With Detachable 1mm Cable And 2.5mm Connector For Lectrosonics Wireless Transmitters (tan)
  • Product Code: ga232147
  • Availability: In Stock

$2,036.85 $2,709.01

The tan E6 Directional Earset Mic, Highest Overload, with Detachable 1mm Cable and 2.5mm Connector for Lectrosonics Wireless Transmitters from Countryman is a vocal microphone with an adjustable boom that weighs less than one-tenth ounce. It can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, directional E6 Earset virtually disappears against the skin, so performers forget they're wearing a mic. Three sensitivity options cover general speaking to extremely powerful vocals and four color options allow you to match the E6 to your skin tone for minimum visibility.

In addition, the E6 Earset features a pattern-changeable directional microphone for maximum isolation and gain before feedback, but is available as a water- and wind-resistant omnidirectional microphone too. This directional E6 Earset's cable terminates to a waterproof 2.5mm connector for direct connection to an Lectrosonics MM200, MM400, MM400a, MM400b, or MM400c wireless bodypack transmitter.

For Vocals and General Speaking    Detachable 1mm Cable    2.5mm (LW), See Description    30 Hz to 15 kHz Frequency Response    Includes Cardioid & Hypercardioid Caps    Headroom for Strong Vocals    Windscreen    Cable Clips    Carrying Case

Key Specs
Compatible TransmittersLectrosonics: MM200, MM400, MM400a, MM400b, MM400c
Polar PatternCardioid / Hypercardioid
Frequency Response30 Hz to 15 kHz
Maximum SPL145 dB
SensitivityW7/7/Low Gain for Very Powerful Vocals (H6, E6, EM6, EM2)
Analog Output1x 2.5 mm TS Male (Waterproof)
Environmental ResistanceWater-Resistant with Included Housing (Unrated)
Microphone
Compatible TransmittersLectrosonics: MM200, MM400, MM400a, MM400b, MM400c
Polar PatternCardioid / Hypercardioid
Included Tone/Pattern CapsHypercardioid, Cardioid
Performance
Frequency Response30 Hz to 15 kHz
Maximum SPL145 dB
Sensitivity0.6 mV/Pa
SensitivityW7/7/Low Gain for Very Powerful Vocals (H6, E6, EM6, EM2)
Equivalent Noise Level39 dB (A-Weighted)
Connectivity
Analog Output1x 2.5 mm TS Male (Waterproof)
Cable Length5' / 152.4 cm
Cable Diameter0.039" / 1 mm
Power
Power SourcesPlug-In Power
Operating Voltage1 to 2 V
Physical
ColorTan
Environmental ResistanceWater-Resistant with Included Housing (Unrated)
Weight0.07 oz / 2 g
Packaging Info
Package Weight0.5 lb
Box Dimensions (LxWxH)10 x 10 x 2"

The Countryman E6 head-worn Earset is small and lightweight, and is hardly visible from a distance.

The E6 Earset's stainless steel boom is built tough and can be bent and re-bent many times to fit different performers. The E6 is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps.

The flexible boom is easily shaped right on the performer's face and is available in multiple skin tones. Their protective caps let you shape the frequency response for different situations or to match other microphones; caps for the directional earset adjust the pattern from cardioid to hypercardioid. Choose a sensitivity for speaking or singing with up to 145 dB SPL capability.

The E6 provides high-quality audio with low distortion and an SPL of up to 145 dB. It delivers rich, full band audio quality.

Easy adjustment keeps the mic in a position for rejecting unwanted sounds. Countryman's omnidirectional Earset offers a reduction of 12 dB compared to a lavalier mic, while the directional E6 Earset provides even more isolation. Excellent for houses of worship, theater, and outdoor events.

An E6 replacement cable installs in seconds. The snap-on cables are rugged and available for almost any wireless transmitter or for XLR inputs with phantom power.

For strong vocals

Related Questions and Answers

Q: 1. WHAT DOES DUAL NATIVE ISO MEAN, AND WHICH ISOS APPLY TO THIS CAMERA?

A: The Pocket Cinema Camera has two native ISO settings, 400 for normal light conditions and 3200 for low light conditions up to 25,600.

Q: 2. Already ordered, can I use it with metabones 0.71x speed booster?

A: This information came from Metabones:Since the new BMPCC 4K has changed the sensor size from Super16 to M43(17:9), which could be covered under the image circle of standard M43, it is most likely to be able to use the Speedbooster with 0.71x (ULTRA/ Original) or 0.64x (XL/ BMCC ver.), instead of the 0.58x of Speedbooster BMPCC.In generally, we will recommend the standard M43 users(e.g.GH5) to choose - the XL 0.64x if they are using the Full Frame lenses ; - the ULTRA 0.71x if using the APS-C/DX lenses (e.g. Sigma 18-35mm f/1.8)

Q: 3. Will there be a crop mode which accommodates the S16 lenses many of us bought to use on the original Pocket Cinema Camera?

A: You do an HD window crop in camera that would work for S16 lenses. To get full sensor 4K a third party would need to create an expander.

Q: 4. In looking at the numerous announcement videos and interviews from NAB 2018 I never did hear why there is a screw hole on top of the camera. What is the purpose of this? Why not a cold or hot shoe? Just curious.

A: The hole is designed to be able to mount third party accessories such as a cold shoe, articulating arm for an additional monitor, etc.

Q: 5. On the B&H specs sheet for the BMPCC 4K, it says that the data rates for RAW are 21 to 203 MB/s. On the specs sheet provided on the Blackmagic site, it say that the highest possible data rate for RAW is 135 MB/s. Has there been an update and B&H didn't change their specs sheet? Or is this simply a mistake on B&H's specs sheet?

A: The 203 Mb number is listed on the Blackmagic site in the constant quality mode. The two sites have the same numbers but may not be presented exactly the same. The manual has a more complete listing of rates and formats.

Q: 6. Most of us who dedicate ourselves to video, we have several EF frame lenses. My question is, there are 2 types of EF lens adapters to M4 / 3. One that everyone uses for the GH5 and another that is designed for the BM Pocket. This last adapter of Metabones is totally compatible with the camera for being 4k or even there is not a perfectly compatible adapter for this camera? And my other query is that a 14mm and a 24mm in how much varies the focal length with the adapter?Thank you

A: Since the camera hasn't been released yet, we don't know if those adapters will work with this camera. The Pocket Cinema Camera 4K has a 1.9 crop factor when compared to a full frame sensor which would make a 14mm lens 26mm and a 25mm lens a 46mm.

Q: 7. Will there be a crop function in 4K/UHD to Super 16 size so we can use our C-Mount lenses??

A: Hmmm my answer was deleted I see...

Q: 8. Any plans to add a Super16 crop mode?

A: You can do an HD window crop in camera that would work for S16 lenses. To get full sensor 4K a third party would need to create an expander

Q: 9. When shooting in slower 1080p rates, can the camera downsample from 4k internally and without line skipping?

A: Yes. In HD, you can downsample from 4K internally without line skipping. This is similar to the URSA Mini Pros.

Q: 10. Can you use the Metabones Speedbooster XL with this? (the one that worked with the GH4)

A: This is from Metabones:Since the new BMPCC 4K has changed the sensor size from Super16 to M43(17:9), which could be covered under the image circle of standard M43, it is most likely to be able to use the Speedbooster with 0.71x (ULTRA/ Original) or 0.64x (XL/ BMCC ver.), instead of the 0.58x of Speedbooster BMPCC.In generally, we will recommend the standard M43 users(e.g.GH5) to choose - the XL 0.64x if they are using the Full Frame lenses ; - the ULTRA 0.71x if using the APS-C/DX lenses (e.g. Sigma 18-35mm f/1.8)

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