The tan E6 Directional Earset Microphone, Highest Gain from Countryman is a vocal microphone with an adjustable boom that weighs less than one-tenth ounce. It can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, directional E6 Earset virtually disappears against the skin, so performers forget they're wearing a mic. Three sensitivity options cover general speaking to extremely powerful vocals and four color options allow you to match the E6 to your skin tone for minimum visibility.

In addition, the E6 Earset features a pattern-changeable directional microphone for maximum isolation and gain before feedback, but is available as a water- and wind-resistant omnidirectional microphone too. This directional E6 Earset does not come with a cable or a connector (sold separately).

For Vocals and General Speaking    No Cable    No Connector (MO), See Description    30 Hz to 15 kHz Frequency Response    Includes Cardioid & Hypercardioid Caps    Headroom for Strong Vocals    Windscreen    Cable Clips    Carrying Case

The Countryman E6 head-worn Earset is small and lightweight, and is hardly visible from a distance.

The E6 Earset's stainless steel boom is built tough and can be bent and re-bent many times to fit different performers. The E6 is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps.

The flexible boom is easily shaped right on the performer's face and is available in multiple skin tones. Their protective caps let you shape the frequency response for different situations or to match other microphones; caps for the directional earset adjust the pattern from cardioid to hypercardioid. Choose a sensitivity for speaking or singing with up to 145 dB SPL capability.

The E6 provides high-quality audio with low distortion and an SPL of up to 145 dB. It delivers rich, full band audio quality.

Easy adjustment keeps the mic in a position for rejecting unwanted sounds. Countryman's omnidirectional Earset offers a reduction of 12 dB compared to a lavalier mic, while the directional E6 Earset provides even more isolation. Excellent for houses of worship, theater, and outdoor events.

An E6 replacement cable installs in seconds. The snap-on cables are rugged and available for almost any wireless transmitter or for XLR inputs with phantom power.

For general speaking.

Related Questions and Answers

Q: 1. What is included ?

A: In the Box Canon EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount) Canon GR-V1 Camera Grip for EOS C200 Canon LM-V2 4.3" LCD Monitor Canon LA-V2 LCD Attachment Unit Handle Unit Shoulder Strap Battery Charger Compact Power Adapter AC Power Cable US Canon AC Adapter AC-E19 Power Cord US Canon BP-A60 Battery Pack For EOS C300 Mark II, C200, and C200B Extension Unit Attachment Bracket Canon UN-5 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (20"') SanDisk Extreme PRO CFexpress Card Reader SanDisk 512GB Extreme PRO CFexpress Card Type B 3/16" Hex Wrench M3 Hex Wrench M4 Hex Wrench 1/4" Hex Socket Head Bolt M3 Hex Socket Head Bolt Bolt Stopper Limited 1-Year Warranty Not in the Box Essential Cine Lenses (Not Included)

Q: 2. Can the C500ii do VFR in RAW (Canon Raw Light)?

A: Not that we are aware of. At this time 120fps has only been announced for 2K resolutions when recording in XF-AVC mode.

Q: 3. Does the camera have False Color overlay built in?

A: Yes it does. According to Canon it has False Colors built-in.

Q: 4. Does the clip hold strongly on a tripod handle/arm?

A: Yes, The unit is help by a strong clip that holds well in place based on pressure and not tension,

Q: 5. If the camera (A7R2) is in manual focus mode, can you control focus?

A: No.

Q: 6. Will this camera offer anamorphic recording formats and desqueeze for monitoring?

A: Yes it does. The C500 Mark II has Anamorphic shooting modes and offers de-squeeze for monitoring as well.

Q: 7. What resolutions, frame rates, and codecs are supported in anamorphic shooting modes? Also, what is the sensor size it is sampling from in this mode?

A: According to Canon when shooting anamorphic the camera is still capturing a 17:9 or 16:9 aspect ratio (depending on the desired setting). The camera will output and display a “de-squeeze” for monitoring purposes. But, it always records a 17:9 or 16:9 aspect ratio (it doesn’t de-squeeze the recorded image). Like most other cameras, the user will have to de-squeeze the footage in post. But, again, you can monitor the image “de-squeezed” while recording. For FF anamorphic lens - FF mode (Cinema RAW Light, or XF-AVC 5.9K to 4K Oversampling) - S35 mode (crop) (Cinema RAW Light and XF-AVC) For S35 anamorphic Lens - S35 mode (crop) (Cinema RAW Light and XF-AVC)

Q: 8. Which Canon-branded Cine lenses will be able to take advantage of the AutoFocus built into this Cine camera?

A: The only Canon lenses considered part of their Cinema Line Up that offer Auto Focus are the Canon Canon CN-E 18-80mm and 70-200mm T4.4 COMPACT-SERVO Cinema Zoom Lens. The rest of their Cinema Lenses are manual focus. 18-80mm - https://bhpho.to/35yIUPr 70-200mm - https://bhpho.to/2uqKDcL

Q: 9. Where are the optional accessories? Battery plate? Viewfinder? etc

A: BH #CAEUV2 is the EU-V2 Expansion Unit 2, which allows you to use V-Mount Batteries with this camera. While BH #CAEVFV50 is the EVF-V50 OLED Viewfinder for C500 Mark II. EU-V2 Expansion Unit 2 - https://bhpho.to/2lMshyt EVF-V50 - https://bhpho.to/2k8rS9g

Q: 10. What kind of output signal has the C500 Mark II ? Specifically if someone wants to record with an Atomos Recorder? (Is it 4:2:2, 4:4:4...)

A: According to Canon, it is a 4:2:2 10-bit signal during XF-AVC and Cinema RAW recording.