Countryman B6 Omni Lavalier Mic, Very Low Sens, With Hardwired Waterproof 2.5mm Connector For Lectrosonics Wireless Transmitters (tan)
- Product Code: ga233109
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The tan B6 Omnidirectional Lavalier Microphone, Very Low Sensitivity, with Hardwired Waterproof 2.5mm Connector for Lectrosonics Wireless Transmitters from Countryman is a very small lav microphone measuring one tenth of an inch in diameter with changeable protective caps, which provide moisture resistance and color options. The mic can be used to capture audio for theater, broadcast, churches, and general lavalier applications.
Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in hair or on costumes, or taped to a performer's face. The aramid cable and ultra-thin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's cable terminates to a waterproof 2.5mm connector for direct connection to a Lectrosonics MM200, MM400, MM400a, MM400b, or MM400c wireless bodypack transmitter.
Additionally, swappable protective caps let you shape the frequency response for different situations or match other microphones. The B6 microphone is resistant to makeup, sweat, and moisture when used with the supplied protective caps. These caps can be quickly removed for cleaning or replacement.
For Theater, Live, & Studio Use Hardwired Connector Waterproof 2.5mm (LW), See Description 20 Hz to 20 kHz Frequency Response Includes 3 Capsule Protection Grids Headroom for Strong Vocals Windscreen Cable Clips Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Lectrosonics: MM200, MM400, MM400a, MM400b, MM400c |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 140 dB (A-Weighted) |
Sensitivity | 6 for Very Low/Placement Near Mouth (B6) |
Analog Output | 1x 2.5 mm TS Male (Locking, Waterproof) |
Environmental Resistance | Water-Resistant (Unrated) |
Microphone | |
Compatible Transmitters | Lectrosonics: MM200, MM400, MM400a, MM400b, MM400c |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +4 dB Bright, +0 dB Flat, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 140 dB (A-Weighted) |
Sensitivity | 2 mV/Pa |
Sensitivity | 6 for Very Low/Placement Near Mouth (B6) |
Equivalent Noise Level | 39 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x 2.5 mm TS Male (Locking, Waterproof) |
Cable Length | 5' / 152.4 cm |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Tan |
Environmental Resistance | Water-Resistant (Unrated) |
Weight | 0.07 oz / 2 g |
Packaging Info | |
Package Weight | 0.5 lb |
Box Dimensions (LxWxH) | 10 x 10 x 2" |
Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.
The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps, and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.
The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.
Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.
Very low, mic near user's mouth.
Related Questions and Answers
Q: 1. What is the diameter of the smallest and largest leg section for the W-2204 (39.7lb)?Thanks.
A: The diameter of the legs, smallest and largest, is 1/2 and 1 .
Q: 2. How do the preamps on the H5 compare to those on the H4n and H6?
A: Sane as the H6 preamps and is way better then the H4n.
Q: 3. Will this hold a Nikon D780 and the 24-120 kit lens?
A: OverBoard Waterproof SLR Camera Bag will hold a Nikon D780 with Nikon AF-S NIKKOR 24-120mm f/4G ED VR Lens.
Q: 4. Would the RRS 55H work on this tripod? And would suggest this or the manfrotto 055 for using with a sigma 150-600?
A: Yes. The Sirui W-2204 Waterproof Carbon Fiber Tripod is compatible with the RRS BH-55 head. The Sirui is waterproof, taller, and lighter weight than the Manfrotto 055. Both would be fine for use with the 150-600 lens.
Q: 5. Phantom
A: Yes, the Zoom H5 Portable Handy Recorder is capable of supplying 48V of phantom power through its XLR mic inputs.
Q: 6. Is there any padding inside for the camera?
A: This has no padding
Q: 7. What levelling base (for panoramas) would be best for this tripod (in terms of function, fit and cost effectiveness)?
A: The LE-60 was way too stiff for such a light tripod. The Acratech leveling base is perfect.
Q: 8. Is it steady enough to hold a Nikon D3s + 70-200mm f2.8 or 200-500mm lens?My concern is especially if the tripod is steady enough at the center column not moving or shaking while panning.
A: Yes. I use it with my sigma 150-600 sport lens and it works great. It is rated for 33lbs. I think.
Q: 9. Can I plug into a multbox or other conference room audio systems for clean audio?
A: Yes, the Zoom H5 Portable Handy Recorder can be connected to a multibox or other conference room audio system to capture clean audio.
Q: 10. If one records a scale played on the piano, when the recording is played back at a slowed speed, does the frequency of the notes (pitch) change?Is there a recorder that will playback the music slower (than the original speed, tempo) without changing the frequency (pitch) of these notes?
A: This is not a function of the recorder. You want to look at audio editing software. If you aren't ready to invest (I use Adobe Audition, but the subscription to Adobe Creative Suite is $600/yr), then look at freeware like Audacity, which is pretty great for freeware. I'm 99% sure Audacity can do speed change without pitch change. And Audacity is pretty easy to learn, if you're not too impatient.
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