The beige E6 Omnidirectional Earset Mic with Highest Overload for Wireless Transmitters from Countryman is a vocal microphone with an adjustable boom that weighs less than one-tenth ounce. This water- and wind-resistant microphone can be used on either ear for capturing audio in houses of worship, theater, or outdoor vocal and speech applications.

The low-profile, omnidirectional E6 Earset virtually disappears against the skin, so performers forget they're wearing a mic. Three sensitivity options cover general speaking to extremely powerful vocals and four color options allow you to match the E6 to your skin tone for minimum visibility.

In addition, the E6 Earset features three omni caps (very bright +8 dB, bright +4 dB, and flat +0 dB) that deliver response characteristics for most other applications such as recording flute and violin. The E6 Earset is available as a directional microphone too with cardioid and hypercardioid caps. This omnidirectional E6 Earset comes packaged without a cable. Cables are sold separately for direct connection to a variety of wireless bodypack transmitters.

For Vocals and General Speaking    No Cable    (MO), See Description    20 Hz to 20 kHz Frequency Response    Headroom for Strong Vocals    Includes +8, +4, and +0 dB EQ Caps    Windscreen    Carrying Case

The Countryman E6 head-worn Earset is small and lightweight, and is hardly visible from a distance.

The E6 Earset's stainless steel boom is built tough and can be bent and re-bent many times to fit different performers. The E6 is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps.

The flexible boom is easily shaped right on the performer's face and is available in multiple skin tones. Their protective caps let you shape the frequency response for different situations or to match other microphones; caps for the directional earset adjust the pattern from cardioid to hypercardioid. Choose a sensitivity for speaking or singing with up to 140 dB SPL capability.

The E6 provides high-quality audio with low distortion and an SPL of up to 140 dB. It delivers rich, full band audio quality.

Easy adjustment keeps the mic in a position for rejecting unwanted sounds. Countryman's omnidirectional Earset offers a reduction of 12 dB compared to a lavalier mic, while the directional E6 Earset provides even more isolation. Excellent for houses of worship, theater, and outdoor events.

An E6 replacement cable installs in seconds. The snap-on cables are rugged and available for almost any wireless transmitter or for XLR inputs with phantom power.

For strong vocals.

Related Questions and Answers

Q: 1. is it possible to trigger video recording for multiple EOS R5 cameras at the same time?

A: No. According to the manual, the Canon BR-E1 can only connect with one camera at any given time.

Q: 2. does this work with a Rebel t3i EOS 600D?

A: Unfortunately no, the T3i does not have blue tooth so it does not communicate with the BR-E1 remote. However, the Ti3 does work with the RC6 infrared remote: https://bhpho.to/3pYedkn

Q: 3. Can BR-E1 and camera shutter both be used once paired with R6?

A: Yes, it is possible to use both the shutter button on the Canon EOS R6 Mirrorless Digital camera and the shutter button on the Canon BR-E1 Wireless Remote Control to trigger the shutter on the Canon EOS R6 if you go to the camera's menu and go to [Shooting Menu: Remote Control] and set to [Enable]. I would not try to press the shutter button on the remote and the camera simultaneously, but if you are near your camera, you may use the camera's shutter button, then when you are at a distance from the camera, you can use the wireless remote without changing the camera settings.

Q: 4. is this compatible with t8i?

A: The Canon BR-E1 Wireless Remote Control is compatible with the Canon EOS Rebel T8i camera.

Q: 5. Will this camera offer anamorphic recording formats and desqueeze for monitoring?

A: Yes it does. The C500 Mark II has Anamorphic shooting modes and offers de-squeeze for monitoring as well.

Q: 6. I suppose so, but can anyone confirm the battery for this remote comes in the box? Thanks!

A: Yes, the Canon BR-E1 Wireless Remote Control, B&H # CABRE1, includes a CR2032 3V Lithium Battery inside the unit. Once the indicator lamp does not light up when you press a button on the remote controller, it is then time to replace the battery. If/when you need a replacement battery (or simply want an extra backup battery), the Kodak CR2032 3V Lithium Battery, B&H # KOCR2032, would be a compatible option for your usage needs.

Q: 7. Does the camera have False Color overlay built in?

A: Yes it does. According to Canon it has False Colors built-in.

Q: 8. What resolutions, frame rates, and codecs are supported in anamorphic shooting modes? Also, what is the sensor size it is sampling from in this mode?

A: According to Canon when shooting anamorphic the camera is still capturing a 17:9 or 16:9 aspect ratio (depending on the desired setting). The camera will output and display a “de-squeeze” for monitoring purposes. But, it always records a 17:9 or 16:9 aspect ratio (it doesn’t de-squeeze the recorded image). Like most other cameras, the user will have to de-squeeze the footage in post. But, again, you can monitor the image “de-squeezed” while recording. For FF anamorphic lens - FF mode (Cinema RAW Light, or XF-AVC 5.9K to 4K Oversampling) - S35 mode (crop) (Cinema RAW Light and XF-AVC) For S35 anamorphic Lens - S35 mode (crop) (Cinema RAW Light and XF-AVC)

Q: 9. Will this item work as a receiver from a Godox TT685iiS flash and mount a Sony HVL- Have a Godox TT685iiS flash that I would like to use as a master flash and mount on camera. Have the camera setup as a master, flash turned off, and the G Godox Flash set at ch 02 Group A. Would like to use the WT-1T as the receiver and set it as the receiver to slave, Ch 02, Group A and install the Sony HVL-F60M flash on top of the Metz WT-1T as my second flash. Will this work as my second flash? The camera I am using is a Sony RX10M4

A: No. The following two systems have to different protocol systems so they will not communicate properly together.

Q: 10. How do all the Canon and other Super35 lenses adapt to the full frame sensor?

A: Canon makes EF Lenses that cover full frame and are fully compatible with the C500 MKII. The EF-S lenses only cover Super-35/crop sensor, therefore possibly vignetting.