The cocoa E6 Directional Earset Microphone, Highest Gain from Countryman is a vocal microphone with an adjustable boom that weighs less than one-tenth ounce. It can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, directional E6 Earset virtually disappears against the skin, so performers forget they're wearing a mic. Three sensitivity options cover general speaking to extremely powerful vocals and four color options allow you to match the E6 to your skin tone for minimum visibility.

In addition, the E6 Earset features a pattern-changeable directional microphone for maximum isolation and gain before feedback, but is available as a water- and wind-resistant omnidirectional microphone too. This directional E6 Earset does not come with a cable or a connector (sold separately).

For Vocals and General Speaking    No Cable    No Connector (MO), See Description    30 Hz to 15 kHz Frequency Response    Includes Cardioid & Hypercardioid Caps    Headroom for Strong Vocals    Windscreen    Cable Clips    Carrying Case

The Countryman E6 head-worn Earset is small and lightweight, and is hardly visible from a distance.

The E6 Earset's stainless steel boom is built tough and can be bent and re-bent many times to fit different performers. The E6 is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps.

The flexible boom is easily shaped right on the performer's face and is available in multiple skin tones. Their protective caps let you shape the frequency response for different situations or to match other microphones; caps for the directional earset adjust the pattern from cardioid to hypercardioid. Choose a sensitivity for speaking or singing with up to 145 dB SPL capability.

The E6 provides high-quality audio with low distortion and an SPL of up to 145 dB. It delivers rich, full band audio quality.

Easy adjustment keeps the mic in a position for rejecting unwanted sounds. Countryman's omnidirectional Earset offers a reduction of 12 dB compared to a lavalier mic, while the directional E6 Earset provides even more isolation. Excellent for houses of worship, theater, and outdoor events.

An E6 replacement cable installs in seconds. The snap-on cables are rugged and available for almost any wireless transmitter or for XLR inputs with phantom power.

For general speaking.

Related Questions and Answers

Q: 1. Is my canon cn-e 18-80 t4.4L will be work without crop in super 35 mode? And tell me features in shooting with this set (my lens and c500mk2)

A: You will be able to use the CN-E 18-80 T4.4L with this camera, however it will have to be set to Super 35mm mode. The lens you have only covers a Super 35mm sensor.

Q: 2. Can the C500ii do VFR in RAW (Canon Raw Light)?

A: Not that we are aware of. At this time 120fps has only been announced for 2K resolutions when recording in XF-AVC mode.

Q: 3. What resolutions, frame rates, and codecs are supported in anamorphic shooting modes? Also, what is the sensor size it is sampling from in this mode?

A: According to Canon when shooting anamorphic the camera is still capturing a 17:9 or 16:9 aspect ratio (depending on the desired setting). The camera will output and display a “de-squeeze” for monitoring purposes. But, it always records a 17:9 or 16:9 aspect ratio (it doesn’t de-squeeze the recorded image). Like most other cameras, the user will have to de-squeeze the footage in post. But, again, you can monitor the image “de-squeezed” while recording. For FF anamorphic lens - FF mode (Cinema RAW Light, or XF-AVC 5.9K to 4K Oversampling) - S35 mode (crop) (Cinema RAW Light and XF-AVC) For S35 anamorphic Lens - S35 mode (crop) (Cinema RAW Light and XF-AVC)

Q: 4. Will this work on a Nikon D7200?

A: It will work fine if you also get the DC2 cable.

Q: 5. 1) Is it possible to shoot 5952x3140 at either 50fps or 59.94fps in full frame? 2) Is it possible to shoot 4096x2160 in either 50fps or 59.94fps in full frame? 3) Is it possible to shoot 3840x2160 at 50fps or 59.94fps in full frame? I’m just trying to understand if there is a crop factor that gets applied if I shoot in 50fps or 59.94fps? Thank you.

A: According to Cinema5D, “Cinema RAW Light can be shot at 5.9K and 4K at up to 60 frames per second, and at 2K in up to 120 fps in a cropped mode, unfortunately. Once you switch to the XF-AVC codec in 10-bit 4:2:2, you can shoot 4K DCI, UHD, 2K and HD only, there’s no 5.9K option in this codec. (4K is delivered by 5.9K Oversample processing so no image crop applied). With XF-AVC you can also shoot up to 60 frames in 4K, and 120 frames in 2K and HD – but only cropped.”

Q: 6. What kind of output signal has the C500 Mark II ? Specifically if someone wants to record with an Atomos Recorder? (Is it 4:2:2, 4:4:4...)

A: According to Canon, it is a 4:2:2 10-bit signal during XF-AVC and Cinema RAW recording.

Q: 7. Is it compatible with SONY HVL-45RM FLASH

A: Hi, this unit is only compatible with flashes that have a PC sync connection and this flash does not have that, so it is not compatible.

Q: 8. Is this device compatible with the Nikon D780?

A: Yes, this is would be compatible with the Nikon D780.

Q: 9. Will the remote fire a continuous burst when triggered via the laser? Or triggered via the button with the accessory IR transceiver?

A: The Pluto has a Burst mode. It is not very good in that the camera may not respond quickly enough to get the burst you want. That being said what there is a way if you only need 2 seconds and your camera has a burst mode. In the settings you can set the Pluto software to a Slow triggering camera which is equivalent to holding down the shutter. Settings are 0, 150ms, 1s, & 2s. If you set it to 2 seconds you will get a 2 second burst at whatever rate your camera is capable of doing. My Canon 7Dmk2 shot 16 exposures in that time using this function.

Q: 10. How do all the Canon and other Super35 lenses adapt to the full frame sensor?

A: Canon makes EF Lenses that cover full frame and are fully compatible with the C500 MKII. The EF-S lenses only cover Super-35/crop sensor, therefore possibly vignetting.