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Inkpress Media Backlight Film (13 X 19", 50 Sheets)

Inkpress Media Backlight Film (13 X 19", 50 Sheets)
  • Product Code: ga236467
  • Availability: In Stock

$424.89 $531.11

Create sharp reverse or direct prints with this 50-sheet pack of 13 x 19" translucent Backlight Film from Inkpress Media. Made from a polyester film with an ultra white diffusing layer, this film has a matte printing surface and a glossy reverse surface, which can be used in many specialized applications such as mirror-type printing or use in illuminated frames. Also, the 7 mil film is instant drying and water resistant in addition to being light fast.

Translucent Polyester Film    Ultra White Diffusing Layer    Thickness: 7 mil    Allows Reverse or Direct Printing    Instant Drying & Water Resistant    Light Fast    Matte Printing Surface

Parameters
Item Type50x Sheet Film
Size13 x 19" / 33.02 x 48.26 cm
Surface FinishMatte
Thickness7 mil / 177.8 µm
MaterialsPolyester
Single/Double-SidedSingle
Packaging Info
Package Weight5.5 lb
Box Dimensions (LxWxH)19.2 x 13.4 x 0.6"

Related Questions and Answers

Q: 1. Would this film work in a Bell &a Howell Filmosonic XL 1230?

A: Hi Maya r. Although I am not familiar with that model of camera. I shot this film stock in a bell and Howell microstar z super 8 camera and film developed good!

Q: 2. Does this work with my canon auto zoom 814? I'm just trying to figure out which type of film works best with this camara.

A: Yes, it is compatible with the 814.

Q: 3. would this film work with a sankyo xl-40s?

A: Yes, the Kodak VISION3 200T Color Negative Film #7213 (Super 8, 50' Roll) would be compatible for use with the Sankyo XL40S Super 8 Movie Camera..

Q: 4. Will this work in a 8MM Mansfield Holiday Zoom EE Automatic/Windup Movie Camera?

A: This is Super 8 film which will not fit your camera.

Q: 5. I have a Canon Autozoom 814. If I get the daylight film, do I leave the camera setting to tungsten or switch on the daylight filter?

A: You need to change the camera settings to daylight, not tungsten.

Q: 6. Hello, can u tell me if i am filming KODAK 50D with eumig mini 3 zoomreflex (daylight 25-100ASA artifical 40-160ASA), is pin have to be pushed-in like i was filming with a kodachrome 40 type A when i am putting a cartridge into a film chamber?...what kind was a filmstock kodachrome 40 type A??..daylight or artifical? Are the settings the same like with kodak 50D ...i mean the pin thing (pushed-in or not pushed-in)??...thanks

A: Part of what you are asking is a camera-specific question, but I think I can offer a few words of advice to help you. The old Kodachrome 40 Type A film was balanced for 3400 degrees Kelvin, which is informally called Tungsten and best thought of as indoor lighting. There used to be photo-flood light bulbs made for the amateur filmmaker market that produced a 3400 degree Kelvin color temperature. The old amateur Super 8 cameras used to have an 85A filter built in to the camera. Normally, old Super 8 cameras would have this 85A filter actively in place in the light path. Often times a Super 8 camera would come with a filter key that you could insert in the camera in order to remove the 85A filter from light path. Outdoor light has a color temperature somewhere around 5200 degrees Kelvin. To shoot Kodachrome 40 Type A film outdoors, a person would need to have the 85A filter in place in the light path of the camera in order to change the 5200 degree outdoor light to match the 3400 degree film. The addition of the 85A filter in the light path had the side-effect of dropping the ASA from 40 down to 24. To shoot Kodachrome 40 Type A indoors with 3400 degree photo-flood bulbs, a person would normally insert the filter key to retract the 85A filter (because the light source already matched the film type and therefore you didn't need the 85A filter). Note that in the old days, a lot of us amateurs didn't bother to procure proper 3400 degree photo-flood lights; we just used regular ole household, incandescent tungsten light bulbs. Regular old household, incandescent light bulbs were not 3400 degrees Kelvin. That is why home movies shot indoors with Kodachrome 40 Type A film had a slightly warm , yellowish-orange cast to them. The important things to be aware of is that Kodak Vision 50D film is 1) daylight balanced and 2) it is a color NEGATIVE film. Kodachrome 40 Type A, on the other hand, was color REVERSAL film. BIG DIFFERENCE!!! Good luck.

Q: 7. Will this work in a Sankyo Sound XL-40S Super 8mm film camera. I know the film is housed in a square cartridge. dont know exactly what this film looks like since they only show the box.

A: Yes this film is suitable for your Sankyo Sound XL-40S.

Q: 8. Can I use this with my canon 310XL?

A: Works amazing with the 310XL!18fps + F1 lens + 500T = Super low light combination.

Q: 9. will this work on a bell and howell 8 mm magazine camera circa 1950? how do you load the film?

A: Sorry, this is a Super 8 cartridge film. Your camera is a 8mm reel film camera and cannot take this. You are in luck though in that there is 8mm film for your camera. It is black and white only. Foma Fomapan R100 Black and White Transparency Film (Double Standard 8mm, 32.8' Roll) B&H # FOR1002XS810 Google the camera name + manual and you should be able to get one online that will explain how to thread the camera. Here is a list of the world's movie film laboratories. Find a local lab that can process FOMA film, not all can. https://bit.ly/2IIK3JB

Q: 10. Does this film work for the Minolta XL Sound 64? I don't care if it's silent m, just as long as it records picture. Thanks!

A: Although you would not have sound, yes, the Kodak VISION3 500T Color Negative Film #7219 (Super 8, 50' Roll) would be compatible for use with the Minolta XL Sound 64 camera.

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