Kentmere Pan 100 Black And White Negative Film (35mm Roll Film, 100' Roll)
- Product Code: ga240485
-
Kentmere Pan 100 is a versatile medium-speed black and white negative film offering a nominal sensitivity of ISO 100/21°, making it suitable for use with a wide variety of subjects and lighting conditions. The film is characterized by a fine grain structure and high sharpness, as well as a broad tonal range and wide exposure latitude.
This item is one 100'-long roll of standard-perforation 35mm film designed for bulk loading applications.
Panchromatic B&W Negative Film ISO 100/21° in Standard Process Fine Grain and High Sharpness Broad Tonal Range Wide Exposure Latitude
Parameters | |
---|---|
Film Format | 35mm |
Film Type | Panchromatic B&W Negative |
ISO/ASA Film Speed | 100 |
Film Processing | Standard Black and White Chemistry |
Film Base | Acetate |
Number of Rolls | 1 |
Layer Thickness | 127.0 µm |
Roll Length | 100' / 30.48 m |
Packaging Info | |
Package Weight | 0.535 lb |
Box Dimensions (LxWxH) | 4.05 x 4 x 1.75" |
Related Questions and Answers
Q: 1. Does this work on the Kodak disc 6000 ?
A: This would be movie film for Super 8mm cameras.
Q: 2. Will this cartridge fit a Bell & Howell Director Series Super 8 Focus-Matic? Thanks, Steve
A: Yes I believe so
Q: 3. Are the Kodak colour negative Pro films of recent manufacture?
A: Yes.
Q: 4. When im filming outdoors with film 50D..do i have to switch ON 85 orange filter for daylight or do i have to switch for artifical light ..im asking u becouse is a new negative daylight film??Are settings about the filters during filming the same if digitalise negative film and print or if i develope from negative to positive for projecting?
A: 7203 is ISO 50 rated for 'D' - Daylight. You would need a filter to properly color balance for use in Tungsten (traditional artificial) sources. As you can see from the chart on the box cover - the lightbulb (artificial light) graphic shows that with an 80A filter, the film is rated ISO 12 (the filter reduces some of the light reaching the emulsion), whereas in sunlight, no filter is required, resulting in a ISO of 50.Not entirely sure if i understand the second part of your question, but in general, you want to expose the film properly no matter how you plan on processing/ finishing.
Q: 5. Will this fit my bell and howell 252 8mm?
A: Yes it will.
Q: 6. What's the date?fresh or out of?
A: While we cannot offer an exact expiration date for the Kodak VISION3 500T, it would be in the range of 6 months to one year from now.
Q: 7. will this film work for a keystone xl100 and would an output of 18 fps look decent?
A: Yes, Kodak VISION3 50D Color Negative Film #7203 (Super 8, 50' Roll) will work with the Keystone XL 100--18fps is the normal frame.
Q: 8. Hello, can u tell me if i am filming KODAK 50D with eumig mini 3 zoomreflex (daylight 25-100ASA artifical 40-160ASA), is pin have to be pushed-in like i was filming with a kodachrome 40 type A when i am putting a cartridge into a film chamber?...what kind was a filmstock kodachrome 40 type A??..daylight or artifical? Are the settings the same like with kodak 50D ...i mean the pin thing (pushed-in or not pushed-in)??...thanks
A: Part of what you are asking is a camera-specific question, but I think I can offer a few words of advice to help you. The old Kodachrome 40 Type A film was balanced for 3400 degrees Kelvin, which is informally called Tungsten and best thought of as indoor lighting. There used to be photo-flood light bulbs made for the amateur filmmaker market that produced a 3400 degree Kelvin color temperature. The old amateur Super 8 cameras used to have an 85A filter built in to the camera. Normally, old Super 8 cameras would have this 85A filter actively in place in the light path. Often times a Super 8 camera would come with a filter key that you could insert in the camera in order to remove the 85A filter from light path. Outdoor light has a color temperature somewhere around 5200 degrees Kelvin. To shoot Kodachrome 40 Type A film outdoors, a person would need to have the 85A filter in place in the light path of the camera in order to change the 5200 degree outdoor light to match the 3400 degree film. The addition of the 85A filter in the light path had the side-effect of dropping the ASA from 40 down to 24. To shoot Kodachrome 40 Type A indoors with 3400 degree photo-flood bulbs, a person would normally insert the filter key to retract the 85A filter (because the light source already matched the film type and therefore you didn't need the 85A filter). Note that in the old days, a lot of us amateurs didn't bother to procure proper 3400 degree photo-flood lights; we just used regular ole household, incandescent tungsten light bulbs. Regular old household, incandescent light bulbs were not 3400 degrees Kelvin. That is why home movies shot indoors with Kodachrome 40 Type A film had a slightly warm , yellowish-orange cast to them. The important things to be aware of is that Kodak Vision 50D film is 1) daylight balanced and 2) it is a color NEGATIVE film. Kodachrome 40 Type A, on the other hand, was color REVERSAL film. BIG DIFFERENCE!!! Good luck.
Q: 9. What's the expiration date on this film?
A: Kodak Professional Portra 400 Color Negative Film (120 Roll Film, 5-Pack), like all film sold by B&H, has an expiration date a minimum of 6 months later than the delivery date to the customer. Film is stored under recommended conditions, but we do not have access to individual film orders.
Q: 10. Does this work for a Yashica Super-8 25?
A: Kodak VISION3 500T Color Negative Film #7219 (Super 8, 50' Roll) is compatible with the Yashica Super-8 25 camera.
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